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  1. E-Motion: being moved by fiction and media? : Notes on fictional worlds, virtual contacts and the reality of emotions
    Autor*in: Mellmann, Katja
    Erschienen: 17.11.2008

    Our response to fictional cues is often as emotional as to occurrences in real life. Such emotional responses do not mean that each time we mistake fiction for reality; rather they are affected by our innate social behaviors and by complex neural... mehr

     

    Our response to fictional cues is often as emotional as to occurrences in real life. Such emotional responses do not mean that each time we mistake fiction for reality; rather they are affected by our innate social behaviors and by complex neural structures. Some responses, as for instance fright or pity, take place spontaneously, comparably to a reflex act. Furthermore, emotions can be evoked by means of thoughts: some specific sorts of texts rouse the reader´s ability to share in the emotional experiences of a fictional character. Other emotions can refer to a work of art as a whole or to some implicit components of meaning or allusions to facts of the case external to the text. Further ways of emotional engagement are pleasure and suspense, the affective basic processes of each reception of art or any media. Menschen reagieren auf fiktionale Ereignisse ebenso emotional wie auf das wirkliche Leben. Solche Gefühlsreaktionen bedeuten jedoch keine Verwechslung von Realität und Fiktion, sondern sind ein Produkt angeborener sozialer Verhaltensweisen und komplexer neuronaler Vorgänge. Reaktionen wie Schrecken und Mitleid zum Beispiel geschehen spontan, fast reflexartig. Aber auch über Gedanken lassen sich Emotionen hervorrufen: Bestimmte literarische Textsorten appellieren an das Einfühlungsvermögen des Lesers und lassen ihn an der Gefühlswelt fiktionaler Personen teilhaben. Andere Emotionen können sich auf ein künstlerisches Werk als ganzes oder auf werkexterne Bedeutungskomponenten beziehen. Weitere Formen emotionaler Beteiligung sind Lust und Spannung, die affektiven Basisprozesse jeder Kunst- und Medienrezeption.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Gefühl; Identifikation; Fiktion; Ästhetik
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. Artificial life and romantic brides
    Autor*in: Andermatt, Michael
    Erschienen: 25.11.2008

    The animated statues, robots and monsters in German Romantic narratives, as I will argue throughout, tell us something about the Romantic conception of the mutually embedded relationship between art and life. In the works of the German Romantics, the... mehr

     

    The animated statues, robots and monsters in German Romantic narratives, as I will argue throughout, tell us something about the Romantic conception of the mutually embedded relationship between art and life. In the works of the German Romantics, the theme of artificial humans thus has an essentially autopoetic, or selfreflexive, function (cf. Schmitz-Emans 1993, 168f). It corresponds in exemplary fashion with Friedrich Schlegel´s idea of transcendental poetry, which should always be “poetry and simultaneously the poetry of poetry” (Schlegel [1985], 50). In the theme of artificial life as well as in transcendental poetry, the observation of the world is integrally bound up with the observation of art and the self (cf. Kremer [1996], 8ff).

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Roboter; Monster
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  3. Tagging time in prolog : the temporality effect project
    Autor*in: Meister, Jan Christoph
    Erschienen: 26.11.2008

    This article combines a brief introduction into a particular philosophical theory of "time" with a demonstration of how this theory has been implemented in a Literary Studies oriented Humanities Computing project. The aim of the project was to create... mehr

     

    This article combines a brief introduction into a particular philosophical theory of "time" with a demonstration of how this theory has been implemented in a Literary Studies oriented Humanities Computing project. The aim of the project was to create a model of text-based time cognition and design customized markup and text analysis tools that help to understand ‘‘how time works’’: more precisely, how narratively organised and communicated information motivates readers to generate the mental image of a chronologically organized world. The approach presented is based on the unitary model of time originally proposed by McTaggart, who distinguished between two perspectives onto time, the so-called A- and B-series. The first step towards a functional Humanities Computing implementation of this theoretical approach was the development of TempusMarker—a software tool providing automatic and semi-automatic markup routines for the tagging of temporal expressions in natural language texts. In the second step we discuss the principals underlying TempusParser—an analytical tool that can reconstruct temporal order in events by way of an algorithm-driven process of analysis and recombination of textual segments during which the "time stamp" of each segment as indicated by the temporal tags is interpreted.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Erzähltheorie; Zeit
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  4. A decorporealized theory? : considerations about Luhmann's conception of the body
    Autor*in: Calise, Santiago Gabriel
    Erschienen: 01.12.2015

    The aim of this paper is to analyze the concept of body developed by Luhmann's systems theory. Privileged places where one can look for the body will be the interpenetration between human beings and the concept of socialization. Another fundamental... mehr

     

    The aim of this paper is to analyze the concept of body developed by Luhmann's systems theory. Privileged places where one can look for the body will be the interpenetration between human beings and the concept of socialization. Another fundamental problem is the relationship between semantics and body, although the most explicit presence of the body in this theory comes with the concept of symbiotic mechanisms or symbols. The last place where this enquiry will look for a bodily reference are emotions, which were highly ignored by Luhmann. Alternative approaches explored in the paper are treating the body as a structure, as a medium or as an internal environment. El objetivo de este trabajo es analizar el concepto de cuerpo desarrollado por la teoría de sistemas de Luhmann. Algunos lugares privilegiados para encontrar al cuerpo en este contexto son la interpenetración entre seres humanos y el concepto de socialización. Otro problema fundamental es la relación entre semántica y cuerpo, si bien la presencia más explícita del cuerpo en esta teoría se encuentra en el concepto de mecanismos o símbolos simbióticos. El último lugar donde esta investigación buscará una referencia corporal es en las emociones, las cuales fueron largamente ignoradas por Luhmann. También se explorarán abordajes alternativos como tratar al cuerpo como estructura, como medio o como entorno interno

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Sozialwissenschaften (300); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Leib-Seele-Problem; Körper; Semantik; Gefühl; Luhmann, Niklas; Systemtheorie
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. Dogeared hate : Yilmaz Arslan's Brudermord/Fratricide (2005), a new type of Heimatfilm
    Autor*in: Pleasant, Lesley C.
    Erschienen: 08.04.2016

    This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan's Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimatfilm of the German... mehr

     

    This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan's Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimatfilm of the German margin. Arslan's film self-reflexively posits transnational Heimat film as a possible bridge between "Others", as a means to facilitate conversations which might decrease the violence of the present dog eat dog world of the margin the film portrays. Diese Arbeit analysiert die Heimatmetapher der Pitbullhündin in Yilmaz Arslans Brudermord (2005), ein Film, der von türkischen Migranten in Deutschland handelt und der das Filmgenre "Heimatfilm" modernisiert, um die Welt der flüssigen Grenzen zu reflektieren. Brudermord ist ein Heimatfilm des deutschen Randbereichs und geht davon aus, dass der transnationale Heimatfilm als Mittel der Kluftüberbrückung zwischen Nichtgleichen wirken kann: Er könnte eine Annäherung durch Gespräche anregen, die vielleicht die Gewalt der gegenwärtigen Welt, in der jeder gegen jeden kämpft und in der viele wie Hunde leben und sterben, reduzieren könnte.

     
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