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  1. Goethe: Helena
    Autor*in: Deinert, Herbert
    Erschienen: 08.02.2010

    Although we are concentrating on the Third Act, Faust's appreciation of legend's most beautiful woman begins much earlier, perhaps as early as the Hexenkueche scene where he is thoroughly enraptured by a woman's image in a magical mirror. It drives... mehr

     

    Although we are concentrating on the Third Act, Faust's appreciation of legend's most beautiful woman begins much earlier, perhaps as early as the Hexenkueche scene where he is thoroughly enraptured by a woman's image in a magical mirror. It drives him crazy, he says (2456), particularly since he has to stay at a certain distance to keep it in proper focus (2434); can you see Mephisto's mischievous smile at this bit of enforced "disinterested contemplation"? Woman is God's final art work, the true Crown of Creation, we learn from Schiller's Princess Eboli; Mephisto seems to say as much, and Faust like most men needs no convincing. We can't be sure that this is indeed Helen, we (and Faust) have yet to meet her. She remains nameless but, by any name, would be as sweet.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Bericht
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Johann Wolfgang von Goethe; Helena
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  2. Brecht / Weill : The Three Penny Opera
    Autor*in: Deinert, Herbert
    Erschienen: 08.02.2010

  3. Kafka's parable "Before The Law"
    Autor*in: Deinert, Herbert
    Erschienen: 08.02.2010

    The parable "Before the Law" and its context, the chapter "In the Cathedral," have long been recognized as the center piece of Kafka's unfinished novel The Trial. It may, with some qualifications, be considered a key to Kafka's work. mehr

     

    The parable "Before the Law" and its context, the chapter "In the Cathedral," have long been recognized as the center piece of Kafka's unfinished novel The Trial. It may, with some qualifications, be considered a key to Kafka's work.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Kafka, Franz / Vor dem Gesetz
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  4. Faust : the legend and the book
    Autor*in: Deinert, Herbert
    Erschienen: 08.02.2010

    (Excerpts and paraphrases from a spectacular scholarly achievement of the 1950ies, the Faust edition with introduction, text and extensive notes by Heffner, Rheder and Twaddell, DC Heath & Co., now sadly out of print. Vol. I, p. 18 ff.). mehr

     

    (Excerpts and paraphrases from a spectacular scholarly achievement of the 1950ies, the Faust edition with introduction, text and extensive notes by Heffner, Rheder and Twaddell, DC Heath & Co., now sadly out of print. Vol. I, p. 18 ff.).

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Bericht
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Goethe, Johann Wolfgang von/ Faust; Johannes
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  5. Gender ambivalence (ambiguity)
    Autor*in: Deinert, Herbert
    Erschienen: 08.02.2010

    The tentative title of my presentation is GENDER AMBIVALENCE (AMBIGUITY?) and deals with Renaissance iconography in Thomas Mann's Death in Venice. It will show that homosexual attraction, although obvious in the story (and Mann's life) is a secondary... mehr

     

    The tentative title of my presentation is GENDER AMBIVALENCE (AMBIGUITY?) and deals with Renaissance iconography in Thomas Mann's Death in Venice. It will show that homosexual attraction, although obvious in the story (and Mann's life) is a secondary issue and that the main concern lies with the problem provided by an aesthetic principle. (Parallel narratives, the plot is not the real/only story).

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Bericht
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Mann, Thomas / Der Tod in Venedig; Geschlechterforschung; Homosexualität
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess