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  1. Nackter Amor - grimmige Fama : Selbststilisierung und freie Sexualität in den "Römischen Elegien" Goethes
    Autor*in: Galle, Helmut
    Erschienen: 01.01.2013

    The whole of 24 poems belonging to the cycle of "Roman Elegies" may be seen as an attempt by Goethe to recover and reintegrate sexuality as a natural human function, a project authorized and shielded by the amatory elegy genre but opposed to the... mehr

     

    The whole of 24 poems belonging to the cycle of "Roman Elegies" may be seen as an attempt by Goethe to recover and reintegrate sexuality as a natural human function, a project authorized and shielded by the amatory elegy genre but opposed to the morality of his contemporaries. His aim was also to promote a public acceptance for his new way of living, which was commonly considered as immoral and consisted in the , illicit relationship with Christiane Vulpius. The original cycle gives more explicit clues about the intentions and ideas of Goethe than the 20 elegies which he published in 1795, but the censured version still permitted a change in the public opinion of Goethe. Pode-se entender o conjunto cornpleto de 24 poemas pertencentes ao ciclo das "Elegias Romanas" como uma tentativa de Goethe de conseguir uma reabilitaçãodo sexual, legitimada pelo gênero da poesia amorosa romana. Ao mesmo ternpo esse projeto poético serve para obter a aceitacão pública à sua nova forma de vida, o matrimônio não legalizado com Christiane Vulpius, considerado imoral pela maioria das pessoas em Weimar. O ciclo original de 24 poemas mostra mais claramentc as intencões e o pensamento do autor que as 20 elegias que ele publicou depois, mas até essa versão censurada permitiu a transformacão da imagem pública do poeta.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Goethe, Johann Wolfgang von / Römische Elegien; Erotische Lyrik Erotik <Motiv>; Priapos; Autorenbild; Öffentliche Meinung
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  2. Zerstören oder Bewahren? : Umgang mit kulturellem Erbe bei Heinrich Böll und Erich Loest
    Autor*in: Galle, Helmut

    The article describes and analyses the attitudes of ruling and opposing elites towards the cultural and architectural heritage as it is articulated in the novels of two prominent authors of the intellectual opposition in Western (Böll) and Eastern... mehr

     

    The article describes and analyses the attitudes of ruling and opposing elites towards the cultural and architectural heritage as it is articulated in the novels of two prominent authors of the intellectual opposition in Western (Böll) and Eastern Germany (Loest). Böll emphasizes the necessity of destroying cultural patrimony in order to recover its memorial function in the west, whereas Loest pleads for the resistance: against the official policy of destruction in the east. Preservation of historical monuments in both cases is seen in function of the interests of the living generation, not as a value in itself. O artigo descreve e analisa como dois importantes autores de oposição intelectual na Alemanha Ocidental (Böll) e Oriental (Loest) reconstroem, cada um para sua sociedade, as atitudes dominantes frente ao patrimônio cultural e arquitetônico. Em cada caso, as atitudes das elites do poder diferem daquelas dos opositores: Na RFA, o governo, em geral, preserva os monumentos, fingindo uma continuidade histórica; na RDA, o govemo destrói palácios e igrejas para romper com as tradições. Os autores simpatizam com os opositores: Böll, no oeste, enfatiza a necessidade de destruir o patrimônio cultural para recuperar a função memorativa da mesmo, enquanto Loest opta pela resistencia contra a política oficial da destrução no leste. A preservação de monumentos históricos é vista, em ambos os casos, em função das necessidades da geração atual, não corno valor em si mesmo.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Kollektives Gedächtnis; Denkmalpflege; Stadtplanung; Opposition; Böll, Heinrich; Loest, Erich
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  3. [Rezension zu:] GOETHE, Johann Wolfgang von: Fausto. Uma tragédia. Primeira parte. Tradução do original alemão de Jenny KLABIN SEGALL. Apresentação, comentários e notas de Marcus Vinícius MAZZARI. Ilustrações de Eugène Delacroix. Edição bilíngüe. São Paulo: editora 34, 2004
  4. Zur Erinnerung an deutsche Opfer: Geschichte, Zeugnis und Fiktion in Grass' Novelle Im Krebsgang
    Autor*in: Galle, Helmut

    Analysing a novelette by G. Grass, the author points out a recent tendency of German literature on World War II. Several new books on this subject focalize, not on guilt, but rather on the suffering of German population. Grass's text shows a... mehr

     

    Analysing a novelette by G. Grass, the author points out a recent tendency of German literature on World War II. Several new books on this subject focalize, not on guilt, but rather on the suffering of German population. Grass's text shows a particular respect for historical facts and allows the reader to easily distinguish between factual and fictional elements. In the fictional parts the author imitates the genre of testimony and qualifies, by these means, the novelette for collective memory. The fictional action also contains political arguments that explain, why Germans should commemorate their victims: for the sake of truth and emotional balance, and in order to find a way out of the circuit of the violence, perpetuated through generations. Grass's book can be seen as part of a tradition of representing historical events, at the service of a humanistic and enlightened collective memory, which, in Germany, has its roots in Schiller's dramatic works. Der Artikel untersucht anhand einer Novelle von G. Grass eine aktuelle Tendenz der deutschen Literatur über den Zweiten Weltkrieg, in der nicht mehr die Schuld, sondern das Leiden der deutschen Bevölkerung im Zentrum steht. Grass' Text zeigt eine spezifische Sorgfalt im Umgang mit den historischen Fakten und macht dem Leser die Differenz von faktualen und fiktionalen Elementen besonders transparent. Im fiktionalen Bereich imitiert der Autor die Gattung des Zeugenberichts, was wesentlich dazu beiträgt, seine Novelle zum Träger von kollektiver Erinnerung zu qualifizieren. In der fiktionalen Handlung ist außerdem eine politische Argumentation aufgehoben, mit der unterstrichen wird, warum auch der deutschen Opfer gedacht werden muss: um der Wahrheit und des emotionalen Gleichgewichts willen und um einen – wenngleich schmalen – Ausweg aus dem über Generationen fortgesetzten Teufelskreis der Gewalt zu finden. Grass' Novelle steht damit zugleich in einer Tradition von Vergegenwärtigung historischer Ereignisses im Dienste einer humanistisch-aufgeklärten kollektiven Erinnerung, das sich in Deutschland auf Schillers Dramen zurückverfolgen lässt.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grass, Günter / Im Krebsgang; Fiktion; Geschichte; Kollektives Gedächtnis
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  5. Einleitende Bemerkungen zum Thema des Dossiers: "Die deutsche Literatur und der Nobelpreis"
    Autor*in: Galle, Helmut

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Nobelpreis; Literatur; Deutsch
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess