Direkt zur Hauptnavigation springen Direkt zum Inhalt springen

Suchen in GiNDok

Recherchieren Sie hier in allen Dokumenten, die auf GiNDok publiziert wurden.

Filtern nach
Aktive Filter
Letzte Suchanfragen

Ergebnisse für *

Es wurden 18 Ergebnisse gefunden.

Zeige Ergebnisse 16 bis 18 von 18.

Sortieren

  1. Das Bild der zornigen jungen Frau in Fatma Aydemirs Debütroman "Ellbogen"
    Autor*in: Galter, Sunhild

    Fatma Aydemir is a young German journalist and her first novel Ellbogen (Ellbow) had an amazing success. It’s the story of four young women immigrant families in Berlin. They try to find a way to live their lives but are torn apart by the traditional... mehr

     

    Fatma Aydemir is a young German journalist and her first novel Ellbogen (Ellbow) had an amazing success. It’s the story of four young women immigrant families in Berlin. They try to find a way to live their lives but are torn apart by the traditional way of life in their turkish or bosnian families that is not compatible with modern western lifestyle. The novel is composed of two parts, the first one dealing with their struggle to be accepted by the german society, the action of the second part takes place in Istanbul during the riots of summer 2016. The linking between the two parts is the character of one of the young women, Hazal, who kills a German student during the night of her 18th birthday. Being drunk and full of anger because she and her friends were not accepted to a well known night club she pushes the also drunk young man on the ralis of the incoming subway. She leaves her friends and runs off to Istanbul to a Facebook-friend trying to put her live together in the country of her parents. The novel doesn’t try to offer any solution for the problems of these young people only presents them in strong images.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. Yvonne Herganes "Die Chamäleondamen" als Generationenroman
    Autor*in: Galter, Sunhild

    Yvonne Hergane‘s first novel The Chameleon Ladies can be discussed from several perspectives. On the one hand, it can be read as a generational novel, on the other hand, it can also be read as a women‘s novel in the sense of portraying the history of... mehr

     

    Yvonne Hergane‘s first novel The Chameleon Ladies can be discussed from several perspectives. On the one hand, it can be read as a generational novel, on the other hand, it can also be read as a women‘s novel in the sense of portraying the history of emancipation of four generations of women. The novel can also be seen as a historical novel, because it covers a historical period of over 120 years and describes the living conditions of four generations of women, three of them living first in Romania and then in Germany, which are also historically conditioned. The novel could therefore also be seen as part of migration literature. This article will explore this complexity of this structure.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  3. Maria Haydls Dichtung als Erinnerungsort siebenbürgisch-sächsischer Kultur?
    Autor*in: Galter, Sunhild

    The German-speaking Saxon minority from Transylvania, a region in Romania, has almost disappeared due to the historical events after World War II and the fall of communism in December 1989. Therefore, the literary work that was created before 1990 is... mehr

     

    The German-speaking Saxon minority from Transylvania, a region in Romania, has almost disappeared due to the historical events after World War II and the fall of communism in December 1989. Therefore, the literary work that was created before 1990 is often considered to be a “lieu de mémoire”, a place of remembrance, for the Saxon culture. This article deals with the question whether Maria Haydl’s short stories can be considered as such or do they show too much influence of the politically imposed writing style in order to be authentic.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    creativecommons.org/licenses/by/4.0/

    ;

    info:eu-repo/semantics/openAccess