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  1. Der König und der Usurpator : die Figuren von Franz Grillparzers Primislaus Ottokar und Jaroslav Hilberts Záviš z Falkenštejna im Vergleich The king and the usurper : comparing the characters of Franz Grillparzer's Primislaus Ottokar und Jaroslav Hilbert's Záviš z Falkenštejna
    Autor*in: Urbanec, Miroslav
    Erschienen: 12.11.2018

    King Ottokar II and Záviš z Falkenštejna are often depicted in literary fiction as rivals – both in politics and in love. A similar representation can be found in the work of Franz Grillparzer, whose Zawisch incorporates both demonic and comic... mehr

     

    King Ottokar II and Záviš z Falkenštejna are often depicted in literary fiction as rivals – both in politics and in love. A similar representation can be found in the work of Franz Grillparzer, whose Zawisch incorporates both demonic and comic elements. He can be interpreted in various ways: as a sophisticated plotter of intrigues, a malicious poisoner, an arrogant figure who betrays his king and his country due to his wounded pride, or a seducer who eventually becomes subservient to an Amazon whom he had originally envisaged as his own puppet. Directors, viewers and readers usually do not see him as a great statesman. However, Jaroslav Hilbert depicted him in an entirely different manner. His Falkenštejn is a violent conspirator and usurper - but also a patriot, a statesman and a modern thinker. In Grillparzers work, the character of Zawisch is more reminiscent of his traditional rival Ottakar than of Hilbert's depiction. This study presents a comparison of both characters.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grillparzer, Franz; König Ottokars Glück und Ende; Zavřel, František; Hilbert, Jaroslav; Záviš, z Falkenštejna; Literarische Gestalt
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. Des Kaisers grauer Rock : zur Herausstellung des Deutschtums Kaiser Rudolfs in Franz Grillparzers Trauerspiel 'König Ottokars Glück und Ende'
    Autor*in: Urbanec, Miroslav
    Erschienen: 16.09.2020

    The Austrian poet Franz Grillparzer is often presented in scholarly literature as an opponent of nationalism. Indeed, Grillparzer did oppose nationally motivated separatist tendencies, which he viewed as a threat to the existence of the supranational... mehr

     

    The Austrian poet Franz Grillparzer is often presented in scholarly literature as an opponent of nationalism. Indeed, Grillparzer did oppose nationally motivated separatist tendencies, which he viewed as a threat to the existence of the supranational Habsburg Monarchy. However, his tragedy 'König Ottokars Glück und Ende' includes clear examples of the early Habsburg ideology which emerged along with the Austrian Empire during the Napoleonic Wars (a time of nationalist tensions) and which - at least initially - was imbued with a form of German Romantic nationalism. This ideology is displayed by the character of Rudolf von Habsburg, who - in the spirit of Romantic nationalism - is depicted as the embodiment of Germany. Rudolf's fervent Germanness - which appears to have been one of the reasons behind Grillparzer's problems with censorship under the Metternich regime - is not only evident in the character's words, but also in the clothes he wears. The grey coat that is one of Rudolf's most distinctive features may be a reference to what was known as an 'Old German' folk costume ('Altdeutsche Tracht'); after the Napoleonic Wars, this garment became a symbol used by the German nationalist student movement known as the 'Burschenschaftler'.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grillparzer, Franz; König Ottokars Glück und Ende; Deutschland; Nationalismus
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  3. Wartburg, Wartburgfest, "Wartburg-Zeit" : Richard Wagners "Tannhäuser und der Sängerkrieg auf Wartburg", die Bildmetapher "Wartburg" und ihre Anwendungsmöglichkeiten in der deutschen (Literatur-)Geschichte Wagnerův "Tannhäuser a zápas pěvců na Wartburgu", metafora "Wartburg" a moţnosti jejího uţití v německých (literárních) dějinách Wagner's "Tannhäuser und der Sängerkrieg auf Wartburg", the metaphor "Wartburg" and the possibilities for its use in German (literary) history
    Autor*in: Urbanec, Miroslav

    Hrad Wartburg v Durynsku je jedním z nejvýznamnějších památníků německé kultury. Jeho jméno je spojeno s dějinami minnesangu stejně jako s historií německé reformace. Ve Wagnerově opeře 'Tannhäuser' se však tento hrad stává především symbolem,... mehr

     

    Hrad Wartburg v Durynsku je jedním z nejvýznamnějších památníků německé kultury. Jeho jméno je spojeno s dějinami minnesangu stejně jako s historií německé reformace. Ve Wagnerově opeře 'Tannhäuser' se však tento hrad stává především symbolem, metaforou, za níţ se skrývá tradiční německá "Kultura" (tak jak ji definoval např. Thomas Mann ve svých 'Betrachtungen eines Unpolitischen'). Novější německé dějiny znají hned několik epoch, v nichţ hrály hodnoty reprezentované wagnerovským Wartburgem významnou roli – wilhelmovská "Druhá" stejně jako – ještě radikálněji – Hitlerova "Třetí říše". Cílem tohoto příspěvku je objasnit na příkladu německé literatury, jak "wartburské" tyto doby byly a jak reálné je zrcadlo, které Wagner se svým 'Tannhäuserem' nastavil (německému) světu. Wartburg castle in Thuringia is one of the most important sites in German culture. Its name is linked with the history of Minnesang and the German Reformation. In Wagner's opera 'Tannhäuser', however, the castle functions primarily as a symbol, a metaphor, representing traditional German "Culture" (as defined by Thomas Mann in his 'Betrachtungen eines Unpolitischen'). Modern German history included two eras in which the values represented by the Wagnerian Wartburg played a key role: the "Second Reich" of Wilhelm II and the even more radical "Third Reich" of Hitler. This paper discusses, using German literary examples, how 'Wartburgian' these eras were, and how realistic was the mirror held up by Wagner to the (German) world in his 'Tannhäuser'.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Wartburg; Wagner, Richard / Tannhäuser
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  4. Hamlet oder Die lange Wartburg-Nacht nimmt kein Ende : die westdeutsche Literaturlandschaft der Nachkriegs- und frühen Adenauer-Zeit aus der Sicht des Re-Emigranten Alfred Döblin Hamlet or The long night at Wartburg never ends : The literary scene in West Germany in the immediate post-war period and during the first Adenauer years as viewed by the re-emigrant Alfred Döblin
    Autor*in: Urbanec, Miroslav

    The theme of Wagner's opera 'Tannhäuser' is the conflict between the artist and society, between nonconformism and servility to the dictates of a regime, with all its dogmas and taboos. This theme remains real and 'modern' to this day, and it has... mehr

     

    The theme of Wagner's opera 'Tannhäuser' is the conflict between the artist and society, between nonconformism and servility to the dictates of a regime, with all its dogmas and taboos. This theme remains real and 'modern' to this day, and it has been acted out several times in German history. 'Truth fanatics' – artists, academics and intellectuals – have repeatedly been ostracized, boycotted or mocked. One such figure was Alfred Döblin, nowadays a half-forgotten novelist who returned to post-war Germany after several years of exile to participate in the country's spiritual regeneration. Döblin's novel 'Hamlet oder Die lange Nacht nimmt ein Ende' – begun during the writer's Hollywood exile – can be viewed as a work of 'Trauerarbeit' – a way of dealing with the Nazi past. This paper examines the questions asked by Döblin and the problems he faced in the nascent Federal Republic of Germany, using his 'Hamlet' as a source of illustrative examples. Wagner's 'Tannhäuser' – a work to which Döblin was strongly drawn – serves as a framework.

     
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  5. Deutsch als Sprache der Privilegierten : zur literarischen Darstellung der deutsch-tschechischen Kontroversen unter Přemysl Otakar II. am Beispiel von Franz Grillparzer und Nina Bonhardová German as the language of the privileged : on the literary depiction of Czech-German conflicts during the reign of the Přemyslid King Otakar II in the works of Franz Grillparzer and Nina Bonhardová
    Autor*in: Urbanec, Miroslav

    The Přemyslid King Otakar II is one of the most prominent figures in Czech (and Central European) history. However, he is also a highly controversial figure, primarily due to his unflagging support for the German-speaking communities on his... mehr

     

    The Přemyslid King Otakar II is one of the most prominent figures in Czech (and Central European) history. However, he is also a highly controversial figure, primarily due to his unflagging support for the German-speaking communities on his territory, which figures such as František Palacký considered to be excessive. The theme of German medieval colonization and Czech/German coexistence naturally appears in literary works dealing with Otakar's life. The Austrian dramatist Franz Grillparzer's play "König Ottokars Glück und Ende" is no exception. The topic of German colonization is relatively peripheral within the work, however the brief scene featuring the King and the burghers of Prague (who protest at Prague Castle against the expulsion of the Czechs and the settlement of Germans in their place) so incensed the Czech literary scene that the work has still not yet been translated into Czech. This article aims to analyze the scene in question, comparing Grillparzer's drama with the novel "Královský úděl" by the Czech author Nina Bonhardová.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Sprachpolitik; Otakar <II., Böhmen, König>; Deutsch; Tschechisch; Grillparzer, Franz / König Ottokars Glück und Ende
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess