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  1. Der Ausbruch aus dem engen Bretterhaus. Von der Spielbarkeit postmodernen Theaters am Beispiel der Eigenproduktion "Nyktophobie, oder: Mephistos später Gruß an Faust"
    Autor*in: Puchianu, Carmen Elisabeth

    The paper aims at pointing out some characteristics of postmodern theatre, starting from the fact that, theatre no longer favors the traditional concept of the Aristotelian drama, but tends to a mixture of discourses, of verbal and non verbal types... mehr

     

    The paper aims at pointing out some characteristics of postmodern theatre, starting from the fact that, theatre no longer favors the traditional concept of the Aristotelian drama, but tends to a mixture of discourses, of verbal and non verbal types of communication, as well as of interdisciplinary, intercultural and intertextual means of expression. Theoretical considerations are followed by the analysis of: the play Nyktophobie, oder: Mephistos später Gruß an Faust (Fear of the Dark, or Mephisto’s Belated Greetings to Faustus), an adaptation by C.E. Puchianu and R.G. Elekes, known as Duo Bastet. The analysis points out some didactic aspects of drama and theatre as well.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Bühnenkunst (792); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. Theater – eine Sache multipler Interrelationen
    Autor*in: Puchianu, Carmen Elisabeth

    The paper aims at the discussion of some major aspects of postmodern theatre from the vantage point of actual staging and performing. Theatre should be regarded as the result of varied cross-cultural, intermedial and intertextual elements merged into... mehr

     

    The paper aims at the discussion of some major aspects of postmodern theatre from the vantage point of actual staging and performing. Theatre should be regarded as the result of varied cross-cultural, intermedial and intertextual elements merged into a hybrid art form. The paper illustrates my statements by referring to the theatrical activity of the German language players known as DUO BASTET from Braºov and some of their adaptations.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Bühnenkunst (792); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess