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  1. "Wie der Geist zum Kamele ward" : Zu einem Leitmotiv in Jonas Lüschers 'Frühling der Barbaren'
    Autor*in: Reidy, Julian
    Erschienen: 04.09.2018

    This paper deals with the semantics of 'barbarism' in Jonas Lüscher's novella "Frühling der Barbaren" (2013). It aims to show that the text incorporates the concept of 'barbarism' into what Lüscher himself calls a "narratology of social complexity":... mehr

     

    This paper deals with the semantics of 'barbarism' in Jonas Lüscher's novella "Frühling der Barbaren" (2013). It aims to show that the text incorporates the concept of 'barbarism' into what Lüscher himself calls a "narratology of social complexity": a narrative mode that enables literary texts to serve as platforms for the reflection of moral problems. Lüscher achieves this by referring to specific intertexts by Friedrich Nietzsche and Ingeborg Bachmann while subtly modifying and distorting them. In doing so, "Frühling der Barbaren" acquires a diagnostic and genuinely critical quality: with this sleight of hand, which could be considered a prime example of 'barbarian theorizing' (Walter Mignolo, Maria Boletsi), the novella evokes existing narratives only to recode them into a sardonic critique of global capitalism.

     
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    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-8498-1119-8
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Aisthesis Verlag
    Schlagworte: Luscher, Jonas; Barbar <Motiv>; Frühling der Barbaren; Erzähltheorie; Nietzsche, Friedrich; Also sprach Zarathustra; Kamel <Motiv>; Bachmann, Ingeborg; Der Fall Franza
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    info:eu-repo/semantics/openAccess
  2. Im Kinderland der Mummerehlen und Bachstuben
    Autor*in: Zanetti, Sandro
    Erschienen: 06.09.2018

    Some errors are simply annoying, others are productive. Errors are productive when they function as triggers for processes that let the mistake appear as a chance to discover new perspectives or approaches to a solution. Productive errors suggest... mehr

     

    Some errors are simply annoying, others are productive. Errors are productive when they function as triggers for processes that let the mistake appear as a chance to discover new perspectives or approaches to a solution. Productive errors suggest that the criteria for judging what seems right or wrong themselves should and have to be understood as mutable, since cultural processes of development cannot be thought in any other way. The article investigates what the productivity of errors can imply in the field of literature. Both literary examples discussed (Benjamin, Guggenmos) make recourse to the idea of a childhood of language: What might appear as an error to adults can indicate the beginning of a productive, linguistically sensitive engagement with the world for children (or for adults who can carry their minds back to that condition).

     
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    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-8498-1249-2
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Aisthesis Verlag
    Schlagworte: Benjamin, Walter; Guggenmos, Josef; Hören; Missverständnis; Verwechslung; Bedeutung; Tonpsychologie
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    info:eu-repo/semantics/openAccess
  3. Robert Walsers Grenzwertigkeit : 'Erzählen-als-Schreiben' in "Der Spaziergang"
    Autor*in: Gloor, Lukas
    Erschienen: 06.09.2018

    Robert Walser's text "The Walk" enacts a narrative that is genuinely describable as one 'on the border' to non-narrativity. This paper takes a look at how "The Walk" uses indicators of narrativity / narrativeness in order to subvert them, especially... mehr

     

    Robert Walser's text "The Walk" enacts a narrative that is genuinely describable as one 'on the border' to non-narrativity. This paper takes a look at how "The Walk" uses indicators of narrativity / narrativeness in order to subvert them, especially by dissolving narrative times. This leads to narrative performativity. Its narrative techniques are mirrored in the very Walserian self-description of eating a meal. In the central episode of the "The Walk" the protagonist eats "pieces" (German "Stücke"), what in Walser's terminology means both sweets and narratives ("Prosastückli"). This leads to a circle of intertextuality, in which the writer reads his own text and re-writes it at the same time. Nonetheless, "The Walk" is not a pure manifestation of self-reflexivity because its non-systematic narration is undeniable. Walser's "The Walk" formulates and follows a poetics of "narrating-as-writing" which highlights both performativity and materiality of the act of narration.

     
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    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-8498-1249-2
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Aisthesis Verlag
    Schlagworte: Walser, Robert; Der Spaziergang; Erzähltheorie; Ich-Form; Selbstbezüglichkeit; Spaziergang <Motiv>
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    info:eu-repo/semantics/openAccess
  4. Le miroir intermédial : "Sneewittchen" des Grimm et "Blancanieves" de Pablo Berger en comparaison
    Autor*in: Légeret, Joëlle
    Erschienen: 06.09.2018

    Contemporary studies about film adaptations of literary texts face many obstacles when it comes to compare two different media. They either tend to establish how faithful the film adaptation is to its textual source or they consider the literary text... mehr

     

    Contemporary studies about film adaptations of literary texts face many obstacles when it comes to compare two different media. They either tend to establish how faithful the film adaptation is to its textual source or they consider the literary text as canonical, which as such cannot be transposed to any other form. This contribution aims to cross the borders of 'adaptation studies' and offers an intermedial comparison between the Grimms' tale 'Sneewittchen', first published in 1812, and 'Blancanieves', a black and white silent movie directed by Pablo Berger and released in 2012. Regarding 'Blancanieves' not only as an adaptation of the Grimms' text(s), but also and above all as a reconfiguration of numerous media forms (film, photography, opera, among others), reveals how the Spanish director differentiates himself from the German tale and creates a new story with renewed meanings which echo the current social, economical and political situation of Spain.

     
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  5. Im Geheimnis der Begegnung : poetologische Konstellationen in Celans EINKANTER
    Autor*in: Kasper, Monika
    Erschienen: 13.09.2018

    EINKANTER, un des derniers poèmes de Paul Celan, se penche sur Rembrandt et traduit sensiblement non seulement les traits visibles, mais également les effets et la signification de sa remarquable peinture. Les stratégies rhétoriques et poétiques de... mehr

     

    EINKANTER, un des derniers poèmes de Paul Celan, se penche sur Rembrandt et traduit sensiblement non seulement les traits visibles, mais également les effets et la signification de sa remarquable peinture. Les stratégies rhétoriques et poétiques de son poème répondent aux exigeances du genre de l'Ekphrasis, mais elles poursuivent en même temps le développement de sa poétique. Selon Celan, le but suprême de la poésie est de rendre possible le mystère d'une recontre avec autrui. En parlant simultanément de l'oeuvre du peintre et du poème lui-même, EINKANTER est la réalisation parfaite de cette rencontre, c'est-à-dire entre la peinture de Rembrandt et la poésie de Celan. L'article est une lecture précise du poème qui révèle les différentes procédures linguistiques de l'Ekphrasis et les conditions dans lesquelles le mystère de cette rencontre se produit.

     
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    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-8498-1249-2
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Aisthesis Verlag
    Schlagworte: Celan, Paul; Rembrandt, Harmensz van Rijn; Poetologie; Ekphrasis; Licht; Malerei
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    info:eu-repo/semantics/openAccess