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  1. Including the excluded : strategies of opening up in late medieval religious writing
    Erschienen: 27.06.2022

    Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening... mehr

     

    Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening up a discourse from which the laity had previously been excluded. Using forms which defy conventional author-based aesthetic norms, these songs explore poetic practices which are both collective and inclusive.

     

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  2. Incomplete and self-dismantling structures : the built space, the text, the body
    Erschienen: 10.10.2022

    The present essay engages with the short story 'The Burrow', written by Franz Kafka between 1923 and 1924, a few months before his death. The ambiguity of the original title, 'Der Bau', which defies translation by pointing at the same time at a... mehr

     

    The present essay engages with the short story 'The Burrow', written by Franz Kafka between 1923 and 1924, a few months before his death. The ambiguity of the original title, 'Der Bau', which defies translation by pointing at the same time at a construction and an excavation work, anticipates the multilayered image of the burrow itself. While both nature and function of the burrow are hard to pinpoint (is it a dwelling, a shelter, a fortress, a labyrinth, a ruin?), the initially reported success of its construction is revealed as illusory, thus prompting the ongoing first-person narration of the incessant builder's work. Similarly unsuccessful is any attempt of the reader to attain metaphorical closure. In the light of other impossible, i.e., unfinished, bound-to-fail, ruinous, or selfdismantling structures portrayed by Kafka, as well as on the background of coeval texts by Paul Valéry and Georg Simmel, the essay investigates the wide and deep significance of the burrow’s countering the classical ideal of architectural wholeness.

     

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  3. The mother tongue at school
    Erschienen: 08.09.2023

    This paper focuses on a key contradiction in nineteenth century nationalist ideology, namely the opposition between the emphasis on the sacred status of the mother tongue, on the one hand, and the use of universal mandatory schooling as a means of... mehr

     

    This paper focuses on a key contradiction in nineteenth century nationalist ideology, namely the opposition between the emphasis on the sacred status of the mother tongue, on the one hand, and the use of universal mandatory schooling as a means of homogenization, on the other. The influential philologist Jacob Grimm insisted that only people whose mother tongue was German counted as members of the German nation; the mother tongue was the key criterion of authentic belonging. Yet Grimm also realized that mandatory schooling imposed a uniform language across a wide territory, wiping out local dialects and effectively giving shape to a more linguistically unified people. He thus witnessed how modern mass instruction forged a more standardized culture at the expense of the more natural-seeming transmission of language within families. In Grimm's writings on education, the valorization of the mother is continually disturbed by the presence of a surrogate figure, the school teacher.

     

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  4. Scarspeak : thinking the mother tongue as a formative mark
    Erschienen: 08.09.2023

    This chapter proposes the scar as a productive image to conceptualize the relation of speakers to the particular language otherwise called mother tongue, native or first language. Thinking of this relation in terms of a scar avoids the biopolitical... mehr

     

    This chapter proposes the scar as a productive image to conceptualize the relation of speakers to the particular language otherwise called mother tongue, native or first language. Thinking of this relation in terms of a scar avoids the biopolitical implications of concepts derived from the context of family and birth that have, throughout the nineteenth and twentieth century, come to present language as basis of a nation state. The image of the scar also avoids the biographical normalization and linguistic hierarchization implied in the term first language, as both are equally important biopolitical strategies of forming individuals and communities. Thinking of the mother tongue in terms of a scar emphasizes the intensity of lasting formation and identification entailed by acquiring this particular language, and it highlights the violence inherent to these processes that tends to be covered up by the naturalizing and family-related imagery of native or mother tongue as well as by the favour implied in the term first language.

     

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  5. The staircase wit or The poetic idiomaticity of Herta Müller's prose
    Erschienen: 11.09.2023

    'The Staircase Wit; or, The Poetic Idiomaticity of Herta Müller's Prose' explores idioms and 'Sprachbilder' as poetic views of the mother tongue. This exploration involves a special focus on Müller's Nobel lecture, considered as both a compendium and... mehr

     

    'The Staircase Wit; or, The Poetic Idiomaticity of Herta Müller's Prose' explores idioms and 'Sprachbilder' as poetic views of the mother tongue. This exploration involves a special focus on Müller's Nobel lecture, considered as both a compendium and an enactment of her meditations on language, on the nature of writing, and on the creative process. While Müller frequently employs idioms in her articles, lectures, and novel titles, she never uses them in a superficial way or as a mere reproduction of common or daily speech. Rather, as this essay argues, idioms in Müller's prose are indicative of her attitude toward language and toward the mother tongue in general. In the Nobel lecture as well as elsewhere, idioms serve a dual, occasionally conflicting purpose, combining the need for the 'singularity' of aesthetic experience with the search for a new kind of 'conventionality'.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-050-3; 978-3-96558-051-0; 978-3-96558-049-7
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: ICI Berlin
    Schlagworte: Müller, Herta; Sprache; Muttersprache; Phraseologie
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess