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  1. Die Funktion der Interkulturalität bei Carmen Sylva – Die "Pelesch-Märchen"
    Autor*in: Sass, Maria

    This article focuses on the phenomenon of interculturality within the framework of “Poveştile Peleşului”/”Tales of the Pelesh” by Carmen Sylva, the Poet-Queen. Being of German origin and having studied in Germany, but transposed as queen of the... mehr

     

    This article focuses on the phenomenon of interculturality within the framework of “Poveştile Peleşului”/”Tales of the Pelesh” by Carmen Sylva, the Poet-Queen. Being of German origin and having studied in Germany, but transposed as queen of the Romanian people to a totally different cultural space, Carmen Sylva wants to present the culture of her adoptive country to her home country. She succeeds in doing this through her own works or by translating some Romanian literary works into German, which she propagates in the German language space. Starting from a theoretical basis referring to interculturality, this article refers to the hybrid character of “Poveştile Peleşului”/”Tales of the Pelesh”, to some aspects of presenting alterity, concluding that the author is extremely interested in the culture of the Romanian people, whose language she learned, her ultimate scope being that of bringing the two cultures – the German and the Romanian culture – closer to one another.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Italienische, rumänische, rätoromanische Literaturen (850)
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  2. „Berlin ist mein Paris” – Berlinbilder bei Carmen Francesca Banciu und Nora Iuga
    Autor*in: Becker, Tanja

    Two Romanian authors, Nora Iuga and Carmen Francesca Banciu have published their impressions about the German capital Berlin. Nora Iuga stayed there twice for a limited period of time (in 2000 and in 2010), whereas Carmen Francesca Banciu decided to... mehr

     

    Two Romanian authors, Nora Iuga and Carmen Francesca Banciu have published their impressions about the German capital Berlin. Nora Iuga stayed there twice for a limited period of time (in 2000 and in 2010), whereas Carmen Francesca Banciu decided to live in Berlin after her scholarship there ended in 1991. This is why Carmen Francesca Banciu’s writing changed together with the changing city, which was then under construction not only literally but also in a figurative way integrating new influences due to the opening of Eastern Europe after the end of its isolation during the Cold War. She is one of those new elements which reshape Berlin adding new and different perspectives to its cultural life. Banciu publishes her impressions in Berlin ist mein Paris. Nora Iuga, on the other hand, remains nothing but a visitor. Her ideas about the City and about the Germans in general change a lot during her stays in Berlin. In the end, she leaves for Bucharest with new impressions, which are released in Romania in her book Berlinul meu e un monolog.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Italienische, rumänische, rätoromanische Literaturen (850)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  3. Der rumänische Dichter Ion Pillat : Bilanz seiner Gedichte in deutscher Übertragung ; eigene Versuche der Übersetzung
    Autor*in: Wittstock, Joachim

    The Romanian poet and essayist Ion Pillat (1891-1945) ranks among the relatively often translated writers of his generation (authors who were active during the interwar period). His works have kept the attention of the German readership several... mehr

     

    The Romanian poet and essayist Ion Pillat (1891-1945) ranks among the relatively often translated writers of his generation (authors who were active during the interwar period). His works have kept the attention of the German readership several times: Two volumes by Ion Pillat, which appeared in 1943 and 1976 (containing translations by Konrad Richter and Bernhard Capesius, respectively by Wolf von Aichelburg), as well as varied publications in anthologies and other publications have contributed to the spread of his work in Germany and Austria. The author offers an overview of the existing translations and, in the end, refers to his own attempts at translating Ion Pillat’s poetry into German.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Italienische, rumänische, rätoromanische Literaturen (850)
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  4. Gedichte von Radu Vancu : einleitende Worte zu einer Lesung im Rahmen der Tagung „Germanistische Forschungswege in und zwischen den Kulturen“, Sibiu/Hermannstadt, 18. November 2011
    Autor*in: Wittstock, Joachim

    This succint introduction to Radu Vancu, the young poet and university lecturer invited to the reading organized by the Department of German Studies as part of its annual scientific conference, offers some biographical and exegetical points of... mehr

     

    This succint introduction to Radu Vancu, the young poet and university lecturer invited to the reading organized by the Department of German Studies as part of its annual scientific conference, offers some biographical and exegetical points of reference for the author’s literary and professional evolution. For instance, there is the apprenticeship (rather a “friendshipin-love”) with the venerated master: the poet, gifted translator and man of culture Mircea Ivãnescu, whom he praises in his doctoral thesis as ”the poet of absolute discretion”. Then there is his editing activity at the “Transilvania” Cultural Journal, a publication of original critical and essayistic writings. His forceful, resourceful and sensitive lyrical work shows two dominant themes: on the one hand, the traumatising early loss of his father, and on the other hand, the birth and growing-up of his son Sebastian, for whom the poet builds, with endless affection and humour, a magical livresque universe, populated by fabulous creatures.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Italienische, rumänische, rätoromanische Literaturen (850)
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  5. Gedichte (deutsch von Nora Căpățână und Doris Sava, unter Mitarbeit von Joachim Wittstock)
    Autor*in: Vancu, Radu

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Italienische, rumänische, rätoromanische Literaturen (850)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess