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  1. Introduction : medieval openness
    Erschienen: 15.06.2022

    The essays in this volume seek to understand manifold kinds of medieval openness that become visible when one refrains from modern assumptions, and are also interested in how articulations of openness in the Middle Ages often stand in creative... mehr

     

    The essays in this volume seek to understand manifold kinds of medieval openness that become visible when one refrains from modern assumptions, and are also interested in how articulations of openness in the Middle Ages often stand in creative tension with forms of closure and can even be empowered by them. The chapters highlight the complex relationship between author, work, and text, but also explore several, often paradoxical, ways in which medieval culture mobilizes forms, practices, and experiences of openness without having a single abstract concept for it.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Literatur und Rhetorik (800); Geschichte Europas (940)
    Sammlung: ICI Berlin
    Schlagworte: Mittelalter; Offenheit
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  2. An interminable work? : the openness of Augustine's "Confessions"
    Erschienen: 20.06.2022

    From opening books to read them, through the continuous effort at opening one's heart to God, to the eventual disclosure of God's mysteries to human beings, Augustine seems to trace an implicit conceptualization of openness in his "Confessions". The... mehr

     

    From opening books to read them, through the continuous effort at opening one's heart to God, to the eventual disclosure of God's mysteries to human beings, Augustine seems to trace an implicit conceptualization of openness in his "Confessions". The words of Matthew 7. 7–8 underlie Augustine's engagement with openness up to the very last sentence of the book, which ends with a sequence of verbs in the passive voice that culminates with the desired manifestation of the divine. The entire endeavour of opening oneself up undertaken in the "Confessions" aims at this final passive openness, which is (always) yet to come as much as human opera are (always) yet to come to completion.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Christentum, Christliche Theologie (230); Literatur und Rhetorik (800); Italische Literaturen; Lateinische Literatur (870)
    Sammlung: ICI Berlin
    Schlagworte: Augustinus, Aurelius, Heiliger; Confessiones; Offenheit; Lesen; Interpretation
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  3. What was open in/about early scholastic thought?
    Erschienen: 20.06.2022

    This chapter examines the meaning of the term 'aperire' ('to open') in the schools of the twelfth century and within early scholastic thought. It argues for a shift from a traditional understanding of opening as a revelation received from God,... mehr

     

    This chapter examines the meaning of the term 'aperire' ('to open') in the schools of the twelfth century and within early scholastic thought. It argues for a shift from a traditional understanding of opening as a revelation received from God, towards a more technical definition of opening as applying dialectical logic to a text. The act of opening was employed polemically, both in debates between scholastic masters and to distinguish Christian from Jewish exegetical practices.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Christentum, Christliche Theologie (230); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Scholastik; Öffnung; Offenheit; Exegese; Dialektik; Disputation; Christentum; Polemik; Judentum
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  4. Speech-wrangling : shutting up and shutting out the oral tradition in some Icelandic sagas
    Erschienen: 22.06.2022

    This chapter considers the role of prolegomena and authorial interventions in constraining and contextualizing orally derived saga narratives in high medieval Iceland. It examines the question of whether prolegomena were intended to be included in... mehr

     

    This chapter considers the role of prolegomena and authorial interventions in constraining and contextualizing orally derived saga narratives in high medieval Iceland. It examines the question of whether prolegomena were intended to be included in oral renditions of the sagas and, if so, in whose 'voice' they were understood to be spoken. The 'openness' of a saga text - the extent of editorial freedom enjoyed by those concerned with extracting it from the oral milieu - has been much discussed; however, less attention has historically been paid to the freedom which the written texts then afforded any would-be reciter for emending or adapting their content when reading them aloud to a live audience. Prolegomena provide our most instructive source of contemporary commentary on how the written sagas should be understood and transmitted, and they therefore represent distinct and important critical texts in their own right, which inform our understanding of how 'open' or 'fixed' medieval Icelanders understood these extant written sagas to be.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Literatur und Rhetorik (800); Andere germanische Literaturen (839)
    Sammlung: ICI Berlin
    Schlagworte: Saga; Altnordisch; Island; Mündiche Überlieferung; Schriftlichkeit; Prolog; Epilog; Autorität
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  5. Interrupted and unfinished : the open-ended Dante of the "Commedia"
    Erschienen: 23.06.2022

    This essay interprets Dante's "Commedia" as an 'open work' (Eco). It grounds its open-endedness in its representations of interruption: from fictional obstacles in the protagonist's path in the "Inferno" to the narrator's anxiety over unfinishedness... mehr

     

    This essay interprets Dante's "Commedia" as an 'open work' (Eco). It grounds its open-endedness in its representations of interruption: from fictional obstacles in the protagonist's path in the "Inferno" to the narrator's anxiety over unfinishedness in the "Paradiso". Taking its cue from Boccaccio's creative rewriting of Dante's life, the essay resists the pressure of 'total coherence' embedded in (and often projected onto) the "Commedia", in order to reclaim the material vulnerability of the text and of its author.

     

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