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  1. Jakob Wassermann e Kaspar Hauser : 100 anos depois

    This article draws a parallel between Jakob Wassermann's interest in the history of Kaspar Hauser, which led him to write a novel still considered as the most eloquent literary rendering of this episode, and his own situation as an outsider in German... mehr

     

    This article draws a parallel between Jakob Wassermann's interest in the history of Kaspar Hauser, which led him to write a novel still considered as the most eloquent literary rendering of this episode, and his own situation as an outsider in German culture. Wassermann's feeling of alienation towards his own country is expressed in his autobiography, titled “Mein Weg als Deutscher und Jude” and his “Kaspar Hauser” is seen here a kind of "estrangement novel", a term which is a counterpoint to the traditional German concept of Bildungsroman. In this respect, it displays some striking analogies with works by later authors, who have drawn this specifically Jewish-German genre to a kind of paroxysm, such as Franz Kafka and Elias Canetti. A novel by an author usually seen as a conservative thus reveals an unexpected avant-garde aspect, which in certain ways foresees the future development of Jewish-German literature. On the other hand, Wassermann's critique to the Bismarckian mentality, which dominated Germany in the first half of the19th. Century, appears to detect some tendencies crucial to the development of German political life in the early 20th, century.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Wassermann, Jakob / Caspar Hauser oder die Trägheit des Herzens
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess

  2. Leopold Kompert : conciliador de facções judaicas na Mitteleuropa

    This article deals with two short stories by Leopold Kompert (1822-1886), a Jewish author from the Austro-Hungarian Empire and one of the major names in a genre which became known as Ghettoliteratur. As all other authors in his genre, Kompert dealt... mehr

     

    This article deals with two short stories by Leopold Kompert (1822-1886), a Jewish author from the Austro-Hungarian Empire and one of the major names in a genre which became known as Ghettoliteratur. As all other authors in his genre, Kompert dealt mainly with the conflicts involved in the passage from the world of traditional Jewry towards 19th into modernity. But he did this in a typical Habsburg way. Rather then emphasizing the incompatibility between these two worlds, Kompert tries, on the one hand, to preserve the memory of the vanishing world of the Jewish Shtetl, and on the other hand to create a synthesis between this world and the multi-lingual and multi-cultural Austro-Hungarian Empire.

     

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    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Juden; Österreich; Assimilation <Soziologie>; Kompert, Leopold
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess

  3. Em casa com o antisemitismo: paisagens domésticas vienenses do fin-de-siècle

    This article takes a new look at the novels of the Austrian Jewish writer Adolf Dessauer (1849-1916). Dessauer wrote an ironic chronicle of his contemporaries' world in turn-of-the-century Vienna. A banker by profession and an amateur novelist, he... mehr

     

    This article takes a new look at the novels of the Austrian Jewish writer Adolf Dessauer (1849-1916). Dessauer wrote an ironic chronicle of his contemporaries' world in turn-of-the-century Vienna. A banker by profession and an amateur novelist, he published two novels in his lifetime ("Götzendienst", in 1896, and "Großstadtjuden", in 1910), both taking place in the Habsburg capital, which was then undergoing a process of rapid economic and social change. Though his books are nowadays virtually forgotten, Dessauer was a very accurate chronicler of the customs of the social class which ascended with economic liberalism, and which became increasingly close to the empire's declining aristocracy, mimicking its tastes and habits.

    As opposed to what happened in other European nations, the bourgeoisie in the Habsburg Empire never attempted to construct its own aesthetic and cultural repertoire, but consistently imitated the aristocratic patterns of its time. Dessauer makes a biting and ironical portrait of this class and its attempt at aristocratic appearances.

    He also shows how Karl Lueger's Christian anti-Semitic party in Austria recruited its voters from the impoverished class of artisans, which had lost space as a consequence of the establishment of a new economic order. Lueger's political campaign was directed towards this growing class, and he identified the rise of liberal capitalism with Jews and Judaism.

    In "Großstadtjuden" Dessauer looks at the same phenomena, but does so from a strictly Jewish point of view. His second novel portrays the reactions of a number of Jewish families from Vienna to rising anti-Semitism. This historical aspect of the Viennese Jewish community, which was Europe's numerically largest after Warsaw's, is a striking prelude to the history of European Jewry in the 20th.century, thus giving Dessauer's work an unexpected afterlife. Dieser Artikel behandelt den österreichischen Autor Adolf Dessauer (1849-1916), einen Chronisten der Wiener Sitten der Wende vom 19. zum 20. Jahrhundert. Von Beruf Bankier und Schriftsteller aus Liebhaberei, veröffentlichte Dessauer zwei Romane ("Götzendienst", 1896 und "Großstadtjuden", 1910), die zu Zeiten rasanter wirtschaftlicher und sozialer Wandlungen in der Habsburger Metropole spielen und die heute nahezu vergessen sind. Dessauer richtet seine Aufmerksamkeit auf die Klasse, die mit dem Siegeszug des Wirtschaftsliberalismus aufgestiegen und sich immer mehr mit der dekadenten Aristokratie der österreichischen Hauptstadt verbunden hatte, deren Geschmack und Umgangsformen sie nachahmte. Im Unterschied zu anderen europäischen Nationen schuf das Bürgertum des Habsburger Reiches kein eigenständiges kulturelles oder ästhetisches Repertoire, sondern versuchte, sich auf dem Wege der Imitation die kulturellen Werte des Adels anzueignen, was eine Klasse von Nachahmern hervorrief, auf die Dessauer seinen durchdringenden und ironischen Blick richtete.

    Gleichzeitig zeigt Dessauer, wie die Partei der antisemitischen Christdemokraten in Österreich unter der Schicht der Handwerker ihre Wähler rekrutierte, die im Zuge der neuen wirtschaftlichen Ordnung proletarisiert wurden: An diese verarmten Handwerker richtet sich die von Dr. Karl Lueger geführte Kampagne, der den Wirtschaftsliberalismus mit dem Judentum und den Juden identifizierte.

    In "Großstadtjuden" beschäftigt sich der Autor mit denselben Erscheinungen, jedoch aus einem streng jüdischen Blickwinkel, der ausgeht von einigen Familien und der Art, wie jede von ihnen auf den wachsenden Antisemitismus in der österreichischen Hauptstadt reagiert. Im Rückblick stellt sich die Geschichte der österreichischen Juden, zu jener Zeit die nach Warschau zweitgrößte Gemeinde in Europa, in diesem Roman als ein Vorspiel der Geschichte der Juden Europas im 20. Jahrhundert dar, was diesem literarischen Werk, das zum Vergessen verurteilt schien, ein unerwartetes Interesse verschafft.

     

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    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Juden; Assimilation <Soziologie, Motiv>; Antisemitismus <Motiv>; Österreich-Ungarn; Wien <Motiv>; Bürgertum <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  4. O mal-estar da "Gerechtigkeit"

    "Der Fall Maurizius" by Jakob Wassermann was first published in 1928. It is set partly in 1908 Germany and partly during the Weimar Republic. In this work, Wassermann criticizes German pragmatism by depicting the State bureaucracy as the absolute... mehr

     

    "Der Fall Maurizius" by Jakob Wassermann was first published in 1928. It is set partly in 1908 Germany and partly during the Weimar Republic. In this work, Wassermann criticizes German pragmatism by depicting the State bureaucracy as the absolute power over citizens, even after the Imperial Era. Disgusted with the mismanagement of the justice system and with the perverse character of those in charge, the author renders German pragmatism as non-adherence to the moral values supposedly justifying the State apparatus – in particular, as a breach of the "Gerechtigkeit" principle. The harmless innocence of the adolescent Etzel von Andergast, the only child of a well-known prosecutor, highlights this violation of justice. At the same time, Waremme is a sinister character whose Jewish parents fled from Prussian-occupied Poland. He breaks with his ancestors' moral values and is eager to play a key role in the German Nationalistic movement. However, he feels frustrated with his project of cultural assimilation and is pushed towards the outskirts of a bewildered society. The crisis of values and transgression of justice become the emblems of Wassermann’s generation. Em "Der Fall Maurizius", romance de Jakob Wassermann de 1928, parcialmente ambientado em 1908, à época da República de Weimar, o autor critica o pragmatismo alemão, apoiado numa burocracia de estado que, mesmo depois do fim do Império, continua a exercer o poder de maneira absoluta. Wassermann revolta-se contra a má administração da justiça, e contra o caráter perverso daqueles que, tendo se apoderado do aparelho estatal, arrogam a si mesmos o papel de representantes dos melhores princípios do humanismo alemão. O pragmatismo, assim, apresenta-se como a falsificação daqueles valores que supostamente o legitimariam – notadamente, do princípio de Justiça, "Gerechtigkeit". A inocência de um adolescente, Etzel von Andergast, filho de um grande promotor, é o que traz à luz este estado de adulteração. Ao mesmo tempo, a figura de Waremme, descendente de judeus provenientes de regiões da Polônia ocupadas pela Prússia desde 1772, é uma figura sinistra, que rompeu com o legado ético de seus antepassados, pretendendo exercer um papel de destaque no movimento nacionalista alemão, para frustrar-se e ocupar posição marginal numa sociedade repleta de desencaminhados e perplexos. Desta forma o autor representa as aporias de uma geração que sente na pele esse exílio da justiça e a crise generalizada de valores.

     

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    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Wassermann, Jakob / Der Fall Maurizius; Jüdische Literatur; Weimarer Republik <Motiv>; Wertkrise; Assimilation <Soziologie, Motiv>; Gerechtigkeit <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  5. Fora dos muros: entre a "Bildung" e a Revelação

    This article discusses the change of paradigms perceived in Germany's Jewish community in the first decades of the 19th. Century, as a result of the fall of the walls which until that time separated Jews from their Christian German neighbours. The... mehr

     

    This article discusses the change of paradigms perceived in Germany's Jewish community in the first decades of the 19th. Century, as a result of the fall of the walls which until that time separated Jews from their Christian German neighbours. The triumph of the ideas of Illuminism and the rapid penetration of these ideas in a community which longed for social integration, and which had hitherto been discriminated because of its ethnic and religious background, stimulated the adoption of new world views and new concepts of nationality and spirituality among Jews who had recently left the walls of the Ghettoes behind. One of the central passages in this change process is described by Berthold Auerbach (1812-1882) as the transformation of the idea of 'Revelation' into 'Bildung' – a cardinal concept in the 19th Century German culture. This seems to explain German Jews' affinity with the humanistic culture of their time: it now appears to occupy the central role which had hitherto been reserved to religious studies. Este artigo trata da rápida substituição de paradigmas que se processa no seio da comunidade judaica alemã nas primeiras décadas do século 19, como resultado da derrubada dos muros que, até então, separavam os judeus dos alemães cristãos. O triunfo das idéias do Iluminismo bem como sua rápida penetração no âmbito de uma comunidade ansiosa por integração numa sociedade que prometia a igualdade entre todos os seus membros, independentemente de sua origem étnica ou religiosa, estimulou, entre os judeus egressos dos guetos, a adoção de novas visões de mundo e de novos conceitos de nacionalidade e espiritualidade. Uma das passagens centrais nesse processo de mudança é descrita pelo escritor Berthold Auerbach (1812-1882) como a transformação da idéia de 'Revelação', central à tradição judaica, em 'Bildung', fundamental na cultura alemã do século 19. Trata-se de uma mudança de paradigmas que explica, de certa forma, a grande afinidade dos judeus do mundo de língua alemã com a reflexão humanística de seu tempo, que parece ocupar o lugar privilegiado antes reservado aos estudos de caráter religioso.

     

    Export in Literaturverwaltung
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    Quelle: GiNDok
    Sprache: Portugiesisch
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    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsche Literatur; Assimilation <Soziologie>; Jüdische Literatur; Auerbach, Berthold
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess