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  1. Pandaemonium Germanicum 24/2014
    Autor*in:

    Die Zeitschrift Pandaemonium Germanicum erscheint zweimal jährlich und versteht sich als Forum für die wissenschaftliche Diskussion in den verschiedenen Bereichen der internationalen Germanistik, nämlich der Literatur- und Übersetzungswissenschaft,... mehr

     

    Die Zeitschrift Pandaemonium Germanicum erscheint zweimal jährlich und versteht sich als Forum für die wissenschaftliche Diskussion in den verschiedenen Bereichen der internationalen Germanistik, nämlich der Literatur- und Übersetzungswissenschaft, Linguistik, DaF und Kulturstudien. Die Zeitschrift wird von der deutschen Abteilung der FFLCH-USP (Universität São Paulo) seit 1997 herausgegeben und will zur Verbreitung unveröffentlichter Forschungen von GermanistInnen aus Brasilien und anderen Ländern, sowie zur Förderung des Dialogs zwischen der Germanistik und anderen Wissensbereichen beitragen.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Teile des Periodikums; PeriodicalPart
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Kulturwissenschaften; Linguistik; Literaturwissenschaft; Übersetzungswissenschaft
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  2. Ecocrítica alemã : um panorama

    The article presents the state of art of ecocritical research on German literature. Although it has started in a later period in comparison to the USA, there is already a number of publications that indicate that this is a developing research field.... mehr

     

    The article presents the state of art of ecocritical research on German literature. Although it has started in a later period in comparison to the USA, there is already a number of publications that indicate that this is a developing research field. O artigo apresenta o estado da arte da pesquisa ecocrítica sobre a literatura alemã. Apesar de esta ter se iniciado tardiamente em comparação com os EUA, já há um número de publicações que apontam para uma área em desenvolvimento.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Ecocriticism; Umwelt <Motiv>; Deutsche Literatur
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  3. Benjamin leitor de Brecht : cinema e distanciamento Benjamin reads Brecht : cinema and estrangement

    The influence of Bertolt Brecht on Walter Benjamin is usually related to the assimilation of the critical Marxist tradition by the latter. The present article seeks to carry out an immanent and theoretical critique of the work of both authors,... mehr

     

    The influence of Bertolt Brecht on Walter Benjamin is usually related to the assimilation of the critical Marxist tradition by the latter. The present article seeks to carry out an immanent and theoretical critique of the work of both authors, pursuing to investigate other possible aspects of this influence. On that ground, the goal is to demonstrate that the "distancing effect" ("Verfremdungseffekt" in German) employed by Brecht in his epic theatre plays a crucial role in the way Benjamin analyses the art of filming and appears in the four versions of the "The work of art in the age of mechanical reproduction" essay, as well as in his theory about the "aura". A influência de Bertolt Brecht sobre Walter Benjamin é comumente atribuída à assimilação da tradição de crítica marxista pelo último. O presente artigo busca realizar uma crítica imanente e teórica da obra de ambos com o fito de investigar outras faces possíveis dessa influência. Sendo assim, o objetivo é demonstrar que o "Efeito de distanciamento" (em alemão "Verfremdungseffekt") utilizado por Brecht em seu teatro épico tem um papel fundamental na leitura que Benjamin fará do cinema e aparece nas quatro versões do ensaio sobre "A obra de arte na época de sua reprodutibilidade técnica", bem como na sua teoria sobre a "aura".

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Brecht, Bertolt; Benjamin, Walter; Film; Theater; Verfremdung
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  4. Alguns momentos da divisão e união em Hölderlin e Hegel Some moments of division and unity in Hölderlin and Hegel

    The present text deals with the form of judgment in Hölderlin and Hegel, focusing mainly on its moments of division and unity. Primarily, both unity and division are related here to topics of love that were developed in the 18th century. Judgment is... mehr

     

    The present text deals with the form of judgment in Hölderlin and Hegel, focusing mainly on its moments of division and unity. Primarily, both unity and division are related here to topics of love that were developed in the 18th century. Judgment is analyzed within Hegel's Science of Logic and Hölderlin's prefaces of the novel Hyperion and his text "Judgment and Being". The analysis aims to show the connections between these two moments of judgment in the aforementioned texts, the ones which explore the relationships between the categories of singular, particular and universal. Considering these relationships, an interpretation of Hyperion is proposed. O presente texto lida com a forma do juízo em Hölderlin e Hegel, focalizando principalmente seus momentos de divisão e unificação. Inicialmente, unificação e divisão são aqui tratadas a partir de temáticas desenvolvidas em torno do amor no séc. XVIII. O juízo é analisado basicamente no âmbito da Ciência da lógica, de Hegel, de prefácios do romance Hyperion e do texto "Juízo e Ser", de Hölderlin. A análise visa expor as passagens entre esses momentos do juízo nos textos supracitados, as quais mobilizam relações entre singular, particular e geral. Considerando essas relações, propõe-se uma interpretação do romance acima mencionado.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Hölderlin, Friedrich; Hegel, Georg Wilhelm Friedrich; Urteil <Motiv>; Hyperion, oder der Eremit in Griechenland; Logik
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  5. A tradução da poesia ilustrada de Wilhelm Busch no Brasil : proposta de um novo padrão métrico-acentual The translation of Wilhelm Busch's illustrated poetry in Brazil : towards a new accentual-metrical pattern

    The present article recapitulates the Brazilian translations of Wilhelm Busch and points out that some publication circumstances have led to a biased reception of his work exclusively as children's literature in this country. Among other translation... mehr

     

    The present article recapitulates the Brazilian translations of Wilhelm Busch and points out that some publication circumstances have led to a biased reception of his work exclusively as children's literature in this country. Among other translation strategies which could contribute to extend the reading public of his work to an adult audience, this article proposes that the Knittelvers should be translated into Portuguese as a jambic ten-syllable line. An annotated translation of Busch's illustrated poem "Hänsel und Gretel", in this metric pattern, tests in which extent the conscious choice of rhythm and the attainment of cultural associations triggered by it can intensify the ironical effect of this mock fairy tale. Este artigo recapitula as traduções de Wilhelm Busch publicadas no Brasil e aponta que determinadas circunstâncias de publicação levaram a uma recepção unilateral de sua obra exclusivamente como literatura infantil nesse país. Entre outras estratégias que poderiam estender para uma faixa etária adulta o público leitor da poesia humorística buschiana, propõe-se que o Knittelvers seja traduzido para o português como decassílabo iâmbico. Uma tradução anotada do poema "Hänsel und Gretel" nesse padrão métrico-acentual testa em que medida a escolha consciente de um ritmo e o aproveitamento de associações culturais desencadeadas por ele podem destacar o efeito irônico desse pseudoconto-de-fada. Dieser Artikel rekapituliert die brasilianischen Übersetzungen von Wilhelm Busch und weist darauf hin, dass manche Veröffentlichungsumstände in diesem Land zu einer einseitigen Rezeption seines Werkes ausschließlich als Kinderliteratur geführt haben. Unter anderen Übersetzungsstrategien, die zu einer Erweiterung seiner Rezeption durch einerwachsenes Lesepublikum beitragen könnten, wird vorgeschlagen, dass der Knittelvers ins Portugiesische als ein jambischer zehnsilbigen Vers übersetzt wird. Eine kommentierte Übersetzung der Bildergeschichte "Hänsel und Gretel" in diesem metrischen Muster überprüft in welchem Maß der bewusste Gebrauch von Rhythmus und die Beachtung mancher kultureller Assoziationen von Metrik die ironische Wirkung dieses Pseudo-Märchens verstärken können.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Übersetzung; Busch, Wilhelm; Brasilien; Metrik; Kosmischer Rhythmus
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess