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  1. Daniel and the Sonnenscheins : biblical cycles in István Szabó's film "Sunshine"

    As the exilic experience, initiated in 587 B.C.E., continued over millennia, no one has been able to settle the question of what it means to be a diaspora Jew. Are those who actively participate in non-Jewish life still in a position to claim the... mehr

     

    As the exilic experience, initiated in 587 B.C.E., continued over millennia, no one has been able to settle the question of what it means to be a diaspora Jew. Are those who actively participate in non-Jewish life still in a position to claim the heritage of Israel? And what about Jews who actively seek assimilation and renounce their roots altogether: are they still Jews in spite of themselves? Authors, from Joseph Roth to Sholom Aleichem to Chaim Potok, have tried to deal with this issue in light of different diaspora circumstances. One of the most recent perspectives on Jewish identity comes to us through "Sunshine", a powerful film by the Hungarian director Istvan Szabó (1999). Szabó, who wrote the screenplay with Israel Horowitz, tells the story of several generations in one Hungarian Jewish family: the Sonnenscheins. Living at the turn of the twentieth century, the patriarch of the Sonnenschein clan is Emmanuel, a successful distiller who seems to have found a balance between the two exilic extremes: neither complete assimilation, nor a retreat from gentile society.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Szabó, István; Diaspora / Juden
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    info:eu-repo/semantics/openAccess

  2. Introduction : the translational turn

    It is no longer possible to ignore how crucial the processes of cultural translation and their analysis have become, whether for cultural contact or interreligious relations and conflicts, for integration strategies in multicultural societies, or for... mehr

     

    It is no longer possible to ignore how crucial the processes of cultural translation and their analysis have become, whether for cultural contact or interreligious relations and conflicts, for integration strategies in multicultural societies, or for the exploration of productive interfaces between humanities and the natural sciences. The globalization of world society, in particular, demands increased attention to mediation processes and problems of transfer, in terms both of the circulation of global representations and "travelling concepts" and of the interactions that make up cultural encounters. Here, translation becomes, on the one hand, a condition for global relations of exchange ("global translatability"), and on the other, a medium especially liable to reveal cultural differences, power imbalances and scope for action. An explicit focus on translation processes something increasingly prevalent across the humanities may thus enable us to scrutinize more closely current and historical situations of cultural encounter as complex processes of cultural translation. Translation is opened up to a transnational cultural practice that in no way remains restricted to binary relationships between national languages, national literatures or national cultures.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Übersetzung; Interkulturalität
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  3. Cyberspace as final frontier : artificial and virtual space in William Gibson's "Neuromancer"

    Talking about space in speculative fiction (i.e. fantasy, science fiction or supernatural fiction) touches upon several key aspects of the genre such as worldbuilding, perception of reality and the human condition: what kind of space do we create for... mehr

     

    Talking about space in speculative fiction (i.e. fantasy, science fiction or supernatural fiction) touches upon several key aspects of the genre such as worldbuilding, perception of reality and the human condition: what kind of space do we create for ourselves, how do we attribute meaning to it, in which ways are we limited or isolated by its boundaries? Especially in cyberpunk, with its focus on near-future societies and the technologies of the information age, the space we live in and the space we send our minds to do not have to be the same, so the answers are manifold.

    The following paper will discuss some basic configurations of world and otherworld in speculative fiction, give a short introduction to cyberpunk literature and William Gibson's dual world of cyberspace and meatspace, briefly present Jean Baudrillard’s concept of hyperreality, examine the question to which extent the world of Neuromancer might be understood in terms of such a hyperreality, and offer some ideas about alternate realities we might already live in.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
    Schlagworte: Gibson, William; Virtuelle Realität <Motiv>
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  4. Serialization in Goethe's morphology
    Autor*in: Geulen, Eva
    Erschienen: 05.10.2016

    Before turning to the essay on the experiment from 1793, which is unavoidable when discussing series, but does not exhaust the varied functions of seriality in Goethe’s morphology, a few words about the purpose of reconstructing Goethe’s practice of... mehr

     

    Before turning to the essay on the experiment from 1793, which is unavoidable when discussing series, but does not exhaust the varied functions of seriality in Goethe’s morphology, a few words about the purpose of reconstructing Goethe’s practice of seriality are necessary. I want to argue that Goethe’s morphology is the site of a massive transformation of the notion of form, the scope and implications of which resurface after long latency at the beginning of the 20th century, for example, with Georg Simmel’s sociological notion of form-processes and the related idea of "reciprocity" ('Wechselwirkung') (cf. 265). My interest lies in interpreting what looks like a theory of organisms and nature as a more general theory of formation and transformation.

     

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    Sprache: Englisch
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    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Serie; Morphologie; Goethe, Johann Wolfgang von
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  5. Benjamin's "-abilities" : mediality and concept formation in Benjamin’s early writings
    Autor*in: Weber, Samuel
    Erschienen: 11.11.2016

    Although Walter Benjamin was never timid when it came to writing, one practice he consistently avoided was that of creating neologisms. It is therefore with all the more reluctance that I find myself compelled to resort to something similar, in order... mehr

     

    Although Walter Benjamin was never timid when it came to writing, one practice he consistently avoided was that of creating neologisms. It is therefore with all the more reluctance that I find myself compelled to resort to something similar, in order to sum up a motif that has imposed itself over the years in my reading of Benjamin. What is involved is, to be sure, not exactly a neologism, since it does not involve the creation of a new word, but rather the highlighting of a word-part, a suffix (eine Nachsilbe). In English, to be sure, this suffix, when spoken, is indistinguishable from a word: what distinguishes it from a word is not audible, but only legible: a hyphen, marking a separation that is also a joining, a 'Bindestrich' that does not bind it to anything in particular and yet that requires it to be bound to something else. The suffix in question thus sounds deceptively familiar, since it coincides, audibly, with the word "abilities". However, unlike that word, its first letter - which purely by accident happens to be the first letter of the alphabet--is preceded by a dash. When written in isolation, this gives it a somewhat bizarre appearance, to be sure, since suffixes are not usually encountered separately from the words they modify. But this bizarre appearance pales when compared to its German 'original'. If the book of essays to be published in English under the title, "Benjamin’s -abilities," is ever translated into German - "back" into German I was tempted to write, since German here is of course the language in which Benjamin wrote and in which I generally read him - then its title, were it to be entirely faithful to the English, would indeed have to involve the creation of a neologism. For translated back into German, the German title would require its readers to "read, what was never written", namely: "Benjamins -barkeiten" (written, "Bindestrich- b--kleingeschrieben").

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-7705-4637-4
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Benjamin, Walter; Terminologie
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