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  1. Shakespeare's Hamlet
    the relationship between text and film
    Autor*in: Crowl, Samuel
    Erschienen: c 2014
    Verlag:  Bloomsbury, London [u.a.]

    A study of how Hamlet has been adapted for film and TV, with a focus on the classic film by Olivier and Branagh Hamlet is Shakespeare's signature work, the most often produced play in the western literary canon, and a fertile global source for film... mehr

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a ang 486 ham/171
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Zentrale Hochschulbibliothek Flensburg
    Signatur:
    AP 47600 H223 C9
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2014 A 1916
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    HI 3423 C953
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    A study of how Hamlet has been adapted for film and TV, with a focus on the classic film by Olivier and Branagh Hamlet is Shakespeare's signature work, the most often produced play in the western literary canon, and a fertile global source for film adaptation. This study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words" into film's particular grammar and rhetoric. Samuel Crowl, a noted scholar of Shakespeare on film, focuses on the importance of the screenplay, film score, setting, cinematography and editing as the director and his team find their unique way of adapting Shakespeare from text to screen. Crowl concentrates on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films are placed in their particular post World War II and post Cold War political and cultural contexts and explored to reveal how those contexts shaped the aesthetic choices made by their directors and stars. Olivier and Branagh are two crucial figures in the history of film adaptations of Shakespeare. Olivier's Hamlet is the only film version of a Shakespeare play to win the Academy Award for Best Picture, and Branagh led the revival of Shakespeare on film in the 1990s and has directed more Shakespeare films, five, than any other director in the history of the genre. Their Hamlet films influenced those which followed and this book traces that influence through subsequent Hamlet films made by directors in Germany, Russia, Italy, Japan, and China as well as by those in England and America.

     
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    Hinweise zum Inhalt
    Quelle: Herzogin Anna Amalia Bibliothek
    Beteiligt: Shakespeare, William
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472538918; 9781408129555
    RVK Klassifikation: HI 3423
    Schlagworte: Shakespeare, William; Rezeption; Film;
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): Hamlet
    Umfang: XVIII, 154 S.
    Bemerkung(en):

    Bibliography: S.141-149

    Machine generated contents note:Acknowledgements Preface 1 Literary contexts 2 Laurence Olivier's Hamlet: from text to screen 3 Kenneth Branagh's Hamlet: from text to screen 4 Critical response and the afterlife of text and film Bibliography Index.