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Shakespeare verbatim
the reproduction of authenticity and the 1790 apparatus -
Edmond Malone, Shakespearean scholar
a literary biography -
Cursory criticisms on the edition of Shakspeare published by Edmond Malone
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Shakespeare verbatim
the reproduction of authenticity and the 1790 apparatus -
Shakespeare verbatim
the reproduction of authenticity and the 1790 apparatus -
Edmond Malone, Shakespearean scholar
a literary biography -
An enquiry into the conduct of Edmond Malone, Esq. concerning the manuscript papers of John Aubrey, F.R.S. in the Ashmolean Museum, Oxford
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Life of Edmond Malone, editor of Shakspeare
with selections from his manuscript anecdotes -
Edmond Malone, Shakespearean scholar
a literary biography -
A Biographical Memoir Of The Late Edmond Malone ...
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Shakespeare verbatim
the reproduction of authenticity and the 1790 apparatus -
Cursory criticisms on the edition of Shakspeare published by Edmond Malone
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Shakespeare verbatim
the reproduction of authenticity and the 1790 apparatus -
Strictures upon a pamphlet intitled, Cursory observations on the poems attributed to Rowley
a priest of the fifteenth century. With a postscript on Mr. Thomas Warton's Enquiry into the same subject -
Comments on the plays of Beaumont and Fletcher, with an appendix, containing some further observations on Shakespeare, extended to the late editions of Malone and Steevens. By the Right Honourable J. Monck Mason
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The essence of Malone, or, The "beauties" of that fascinating writer. Extracted from his immortal work, in Five Hundred, Sixty-Nine Pages, and a Quarter, just published, and (with his accustomed felicity) entitled, "some Account of the Life and Writings of John Dryden!!"
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Mr. Ireland's vindication of his conduct
respecting the publication of the Supposed Shakspeare Mss. Being A preface or introduction to A reply to the critical labors of Mr. Malone, in his "enquiry into the authenticity of certain papers, &c. &c." -
Cursory remarks upon the arrangement of the plays of Shakespear
occasioned by reading Mr. Malone's essay on the chronological order of those celebrated pieces. By the Rev. James Hurdis, M.A. Fellow of Magdalen College, Oxford