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  1. Interface
    Erschienen: [2014]; ©2014
    Verlag:  The MIT Press, Cambridge, Massachusetts

    In this book, Branden Hookway considers the interface not as technology but as a form of relationship with technology. The interface, Hookway proposes, is at once ubiquitous and hidden from view. It is both the bottleneck through which our... mehr

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    In this book, Branden Hookway considers the interface not as technology but as a form of relationship with technology. The interface, Hookway proposes, is at once ubiquitous and hidden from view. It is both the bottleneck through which our relationship to technology must pass and a productive encounter embedded within the use of technology. It is a site of contestation -- between human and machine, between the material and the social, between the political and the technological -- that both defines and elides differences. A virtuoso in multiple disciplines, Hookway offers a theory of the interface that draws on cultural theory, political theory, philosophy, art, architecture, new media, and the history of science and technology. He argues that the theoretical mechanism of the interface offers a powerful approach to questions of the human relationship to technology. Hookway finds the origin of the term interface in nineteenth-century fluid dynamics and traces its migration to thermodynamics, information theory, and cybernetics. He discusses issues of subject formation, agency, power, and control, within contexts that include technology, politics, and the social role of games. He considers the technological augmentation of humans and the human-machine system, discussing notions of embodied intelligence. Hookway views the figure of the subject as both receiver and active producer in processes of subjectification. The interface, he argues, stands in a relation both alien and intimate, vertiginous and orienting to those who cross its threshold.

     

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  2. The cosmetic gaze
    body modification and the construction of beauty
    Erschienen: [2012]; ©2012
    Verlag:  The MIT Press, Cambridge, Massachusetts

    If the gaze can be understood to mark the disjuncture between how we see ourselves and how we want to be seen by others, the cosmetic gaze--in Bernadette Wegenstein's groundbreaking formulation--is one through which the act of looking at our bodies... mehr

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    If the gaze can be understood to mark the disjuncture between how we see ourselves and how we want to be seen by others, the cosmetic gaze--in Bernadette Wegenstein's groundbreaking formulation--is one through which the act of looking at our bodies and those of others is already informed by the techniques, expectations, and strategies (often surgical) of bodily modification. It is, Wegenstein says, also a moralizing gaze, a way of looking at bodies as awaiting both physical and spiritual improvement. In The Cosmetic Gaze, Wegenstein charts this synthesis of outer and inner transformation. Wegenstein shows how the cosmetic gaze underlies the "rebirth" celebrated in today's makeover culture and how it builds upon a body concept that has collapsed into its mediality. In today's beauty discourse--on reality TV and Web sites that collect "bad plastic surgery"--We yearn to experience a bettered self that has been reborn from its own flesh and is now itself, like a digitally remastered character in a classic Hollywood movie, immortal. Wegenstein traces the cosmetic gaze from eighteenth-century ideas about physiognomy through television makeover shows and facial-recognition software to cinema--which, like our other screens, never ceases to show us our bodies as they could be, drawing life from the very cosmetic gaze it transmits.

     

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  3. MediaArtHistories
    Autor*in:
    Erschienen: 2007
    Verlag:  MIT Press, Cambridge, MA

    Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. mehr

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    Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice.

     

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    Quelle: Verbundkataloge
    Beteiligt: Grau, Oliver (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0262274256; 9780262274258; 1282098624; 9781282098626; 9780262311540; 0262311542
    Schriftenreihe: Leonardo
    Schlagworte: Art and technology; Art and science; Art ; Historiography; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; ARTS/Art History/General; CULTURAL STUDIES/General
    Umfang: 1 online resource (xii, 475 pages, 10 unnumbered pages of plates), illustrations (some color).
  4. Immersed in technology
    art and virtual environments
    Autor*in:
    Erschienen: 1996
    Verlag:  MIT Press, Cambridge, Mass.

    Produced as part of the Art and Virtual Environment Project conducted at the Banff Centre for the Arts in Banff, Canada from 1991 to 1994. mehr

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    Produced as part of the Art and Virtual Environment Project conducted at the Banff Centre for the Arts in Banff, Canada from 1991 to 1994.

     

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    Quelle: Verbundkataloge
    Beteiligt: Moser, Mary Anne (MitwirkendeR); MacLeod, Douglas (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262290913; 026229091X
    Schlagworte: Art and technology; Virtual reality; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; CULTURAL STUDIES/General; ARTS/Art History/General
    Umfang: 1 online resource (xxv, 339 pages), illustrations