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Deafening sound and troubling silence in Volker Schlöndorff's "Die Blechtrommel"
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Perspective and reality
cinematic transformation of the narrative perspective in Schlöndorff's "Die Blechtrommel" -
Remapping reality
chaos and creativity in science and literature (Goethe, Nietzsche, Grass) -
Grass, "Die Blechtrommel"
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"Ein Volk von Opfern?"
Germans as victims in Günter Grass's "Die Blechtrommel" and "Im Krebsgang" -
Complex irony and the quest for the self in four twentieth-century novels
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The novel and the Nazi past
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American university studies
Series 1, Germanic languages and literature -
Metaphors in Grass' Die Blechtrommel
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Picaresque narrative, picaresque fictions
a theory and research guide -
Writing and responsibility
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Representation, subversion, and eugenics in Günter Grass's "The tin drum"
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The literary artifact as historical text
Gunter Grass' "Die Blechtrommel" -
Metaphors in Grass' "Die Blechtrommel"
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Approaches to teaching Grass's The tin drum
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Approaches to teaching Grass's The tin drum
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Metaphors in Grass' Die Blechtrommel
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Representation, subversion and eugenics in Guenter Grass's The tin drum
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Representation, subversion, and eugenics in Günter Grass's The tin drum
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American university studies
Series 1, Germanic languages and literature -
A mythic journey
Günter Grass's tin drum -
The 'Danzig Trilogy' of Günter Grass
a study of The Tin Drum, Cat and Mouse and Dog Years -
Ich und er
first and third person self-reference and problems of identity in three contemporary German-language novels -
Die Blechtrommel and the literature of carnival
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Ich und Er
First and Third Person Self-Reference and Problems of Identity in Three Contemporary German-Language Novels