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  1. Urban comics
    infrastructure and the global city in contemporary graphic narratives
    Erschienen: 2019
    Verlag:  Routledge, New York ; London

    This book makes an important and timely contribution both to comics studies and urban studies, offering a decolonisation and reconfiguration of both of these already interdisciplinary fields. With chapter-length discussions of comics from cities such... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book makes an important and timely contribution both to comics studies and urban studies, offering a decolonisation and reconfiguration of both of these already interdisciplinary fields. With chapter-length discussions of comics from cities such as Cairo, Cape Town, New Orleans, Delhi and Beirut, this book shows how artistic collectives and urban social movements working across the global South are producing some of the most exciting and formally innovative graphic narratives of the contemporary moment. Throughout, the author reads an expansive range of graphic narratives through the vocabulary of urban studies to argue that these formal innovations should be thought of as a kind of infrastructure. This 'infrastructural form' allows urban comics to reveal that the built environments of our cities are not static, banal, or depoliticised, but rather highly charged material spaces that allow some forms of social life to exist while also prohibiting others. Built from a formal infrastructure of grids, gutters and panels, and capable of volumetric, multi-scalar perspectives, this book shows how urban comics are able to represent, repair and even rebuild contemporary global cities toward more socially just and sustainable ends. Operating at the intersection of comics studies and urban studies, and offering large global surveys alongside close textual and visual analyses, this book explores and opens up the fascinating relationship between comics and graphic narratives, on the one hand, and cities and urban spaces, on the other

     

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  2. The British comic book invasion
    Alan Moore, Warren Ellis, Grant Morrison and the evolution of the American style
    Autor*in: Ecke, Jochen
    Erschienen: [2019]; © 2019
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They were also no longer just following the adventures of popular characters--writers and artists with distinctive styles were in demand. DC Comics and Marvel went looking for such mavericks and found them in the United Kingdom. Creators like Alan Moore, Grant Morrison and Garth Ennis migrated from the anarchical British comics industry to the U.S. mainstream and shook up the status quo yet came to rely on the genius of the American system."--

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781476674155
    RVK Klassifikation: EC 7120 ; HU 1821
    Schriftenreihe: Critical explorations in science fiction and fantasy ; 64
    Schlagworte: Comic books, strips, etc / United States / History and criticism; Graphic novels / History and criticism; Comic books, strips, etc; Graphic novels; Comic; Comicroman; Comic; Comicroman
    Weitere Schlagworte: Moore, Alan / 1953- / Criticism and interpretation; Morrison, Grant / Criticism and interpretation; Moore, Alan (1953-); Morrison, Grant (1960-); Ellis, Warren (1968-)
    Umfang: viii, 273 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

  3. Representation and memory in graphic novels
    Erschienen: 2019
    Verlag:  Routledge, London ; New York

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating trauma in Marjane Satrapi's Persepolis - Memories of illness in epileptic by David B. and Stitches by David Small - Multimodal memories: the photographer: into war-torn Afghanistan with Doctors Without Borders by Guibert et al and Ari Folman's Waltz with Bashir - Comics online: memories from the exclusion zone in At work inside our detention centres: A Guard's Story by Wallman et al, and Villawood by Safdar Ahmed. ; Introduction "This book analyses the relationship between comics and cultural memory. By focusing on a range of landmark comics from the 20th and 21st centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes, and individuals living with particular health conditions."--

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472481566; 9780367670795
    RVK Klassifikation: EC 7120 ; AP 88832
    Schriftenreihe: Memory studies: Global constellations ; 11
    Schlagworte: Graphic novels; Collective memory and literature; Memory in literature; Kollektives Gedächtnis; Comicroman
    Weitere Schlagworte: Ahmed, Safdar; Kiyama, Henry Yoshitaka (1885-1951); Polonsḳi, Daṿid (1973-); Tan, Shaun (1974-); Small, David (1945-); Grant, Pat (1981-); B., David (1959-); Yang, Gene Luen (1973-); Folman, Ari (1962-)
    Umfang: ix, 198 Seiten, Illustrationen
  4. Visible cities, global comics
    urban images and spatial form
    Erschienen: 2019
    Verlag:  University Press of Mississippi, Jackson

    "More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. Accordingly, Fraser brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards, by artists such as Will Eisner, Tsutomu Nihei, Hariton Pushwagner, Julie Doucet, Frans Masereel, and Chris Ware. In the first monograph on this subject, Fraser touches on many themes of modern urban life: activism, alienation, consumerism, flânerie, gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of cities such as Barcelona, Buenos Aires, London, Lyon, Madrid, Montevideo, Montreal, New York, Oslo, Paris, São Paolo, and Tokyo. Through close readings, each chapter introduces readers to specific comics artists and works and investigates a range of topics related to the medium's spatial form, stylistic variation, and cultural prominence. Mainly, Fraser mixes interest in urbanism and architecture with the creative strategies that comics artists employ to bring their urban images to life." --

     

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  5. Visible cities, global comics
    urban images and spatial form
    Erschienen: [2019]
    Verlag:  University Press of Mississippi, Jackson

    Acknowledgments -- Introduction -- The modern city streets -- The passions of everyday urban life -- Urban planning, built environment, and the structure of cities -- Architecture, materiality, and the tactile city -- Danger, disease, and death in... mehr

    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Freiburg, Romanisches Seminar, Bibliothek
    Frei 23: La 5, 186 f
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Acknowledgments -- Introduction -- The modern city streets -- The passions of everyday urban life -- Urban planning, built environment, and the structure of cities -- Architecture, materiality, and the tactile city -- Danger, disease, and death in the graphic urban imagination -- Conclusion -- Notes -- References -- Index. "More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. Accordingly, Fraser brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards, by artists such as Will Eisner, Tsutomu Nihei, Hariton Pushwagner, Julie Doucet, Frans Masereel, and Chris Ware. In the first monograph on this subject, Fraser touches on many themes of modern urban life: activism, alienation, consumerism, flânerie, gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of cities such as Barcelona, Buenos Aires, London, Lyon, Madrid, Montevideo, Montreal, New York, Oslo, Paris, São Paolo, and Tokyo. Through close readings, each chapter introduces readers to specific comics artists and works and investigates a range of topics related to the medium's spatial form, stylistic variation, and cultural prominence. Mainly, Fraser mixes interest in urbanism and architecture with the creative strategies that comics artists employ to bring their urban images to life."--Provided by publisher

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781496825049; 9781496825032
    RVK Klassifikation: EC 7120
    Schlagworte: Comic books, strips, etc; Graphic novels; Cities and towns in literature; Public spaces in literature
    Umfang: VIII, 290 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  6. Representation and memory in graphic novels
    Erschienen: 2019
    Verlag:  Routledge, Taylor & Francis Group, London

    Introduction: Comics, memory, and the visual archive -- Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan -- Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 87429
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    AP 88832 102
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    HH 7T/Div/Na 1
    keine Fernleihe
    Badische Landesbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    IL-Com 00/2019
    keine Fernleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    297827 - A
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: Comics, memory, and the visual archive -- Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan -- Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue -- Narrating trauma in Marjane Satrapi's Persepolis -- Memories of illness in epileptic by David B. and Stitches by David Small -- Multimodal memories: the photographer: into war-torn Afghanistan with Doctors Without Borders by Guibert et al and Ari Folman's Waltz with Bashir -- Comics online: memories from the exclusion zone in At work inside our detention centres: A Guard's Story by Wallman et al, and Villawood by Safdar Ahmed. "This book analyses the relationship between comics and cultural memory. By focusing on a range of landmark comics from the 20th and 21st centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes, and individuals living with particular health conditions."--

     

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    Quelle: Herzogin Anna Amalia Bibliothek
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472481566
    RVK Klassifikation: AP 88832
    Schriftenreihe: Memory studies: Global constellations
    Schlagworte: Graphic novels; Collective memory and literature; Memory in literature
    Umfang: ix, 198 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  7. Young people, comics, and reading
    exploring a complex reading experience
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge

    Scholars and professionals interested in the study and engagement with young people will find this project relevant to deepening their understanding of reading practices with comics and graphic novels. Comics reading has been an understudied... mehr

    Universitätsbibliothek Freiburg
    GE 2019/7744
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    Dd 6590
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Mannheim
    2019 A 1190
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der Eberhard Karls Universität
    59 A 6284
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    69.4099
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Scholars and professionals interested in the study and engagement with young people will find this project relevant to deepening their understanding of reading practices with comics and graphic novels. Comics reading has been an understudied experience despite its potential to enrich our exploration of reading in our currently saturated media landscape. This Element is based on seventeen in-depth interviews with teens and young adults who describe themselves as readers of comics for pleasure. These interviews provide insights about how comics reading evolves with the readers and what they consider a good or bad reading experience. Special attention is paid to the place of female readers in the comics community and material aspects of reading. From these readers, one begins to understand why comics reading is something that young people do not 'grow out of' but an experience that they 'grow with'.

     

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    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108445344; 1108445349
    Weitere Identifier:
    RVK Klassifikation: AP 89240
    Schriftenreihe: Array
    Schlagworte: Graphic novels; Young adults
    Umfang: 100 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 86-100

  8. Representation and memory in graphic novels
    Erschienen: 2019
    Verlag:  Routledge, London ; New York

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Internationale Jugendbibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating trauma in Marjane Satrapi's Persepolis - Memories of illness in epileptic by David B. and Stitches by David Small - Multimodal memories: the photographer: into war-torn Afghanistan with Doctors Without Borders by Guibert et al and Ari Folman's Waltz with Bashir - Comics online: memories from the exclusion zone in At work inside our detention centres: A Guard's Story by Wallman et al, and Villawood by Safdar Ahmed. ; Introduction "This book analyses the relationship between comics and cultural memory. By focusing on a range of landmark comics from the 20th and 21st centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes, and individuals living with particular health conditions."--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472481566; 9780367670795
    RVK Klassifikation: EC 7120 ; AP 88832
    Schriftenreihe: Memory studies: Global constellations ; 11
    Schlagworte: Graphic novels; Collective memory and literature; Memory in literature; Kollektives Gedächtnis; Comicroman
    Weitere Schlagworte: Ahmed, Safdar; Kiyama, Henry Yoshitaka (1885-1951); Polonsḳi, Daṿid (1973-); Tan, Shaun (1974-); Small, David (1945-); Grant, Pat (1981-); B., David (1959-); Yang, Gene Luen (1973-); Folman, Ari (1962-)
    Umfang: ix, 198 Seiten, Illustrationen
  9. Visible cities, global comics
    urban images and spatial form
    Erschienen: 2019
    Verlag:  University Press of Mississippi, Jackson

    "More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. Accordingly, Fraser brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards, by artists such as Will Eisner, Tsutomu Nihei, Hariton Pushwagner, Julie Doucet, Frans Masereel, and Chris Ware. In the first monograph on this subject, Fraser touches on many themes of modern urban life: activism, alienation, consumerism, flânerie, gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of cities such as Barcelona, Buenos Aires, London, Lyon, Madrid, Montevideo, Montreal, New York, Oslo, Paris, São Paolo, and Tokyo. Through close readings, each chapter introduces readers to specific comics artists and works and investigates a range of topics related to the medium's spatial form, stylistic variation, and cultural prominence. Mainly, Fraser mixes interest in urbanism and architecture with the creative strategies that comics artists employ to bring their urban images to life." --

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  10. Urban comics
    infrastructure and the global city in contemporary graphic narratives
    Erschienen: 2019
    Verlag:  Routledge, New York ; London

    This book makes an important and timely contribution both to comics studies and urban studies, offering a decolonisation and reconfiguration of both of these already interdisciplinary fields. With chapter-length discussions of comics from cities such... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    This book makes an important and timely contribution both to comics studies and urban studies, offering a decolonisation and reconfiguration of both of these already interdisciplinary fields. With chapter-length discussions of comics from cities such as Cairo, Cape Town, New Orleans, Delhi and Beirut, this book shows how artistic collectives and urban social movements working across the global South are producing some of the most exciting and formally innovative graphic narratives of the contemporary moment. Throughout, the author reads an expansive range of graphic narratives through the vocabulary of urban studies to argue that these formal innovations should be thought of as a kind of infrastructure. This 'infrastructural form' allows urban comics to reveal that the built environments of our cities are not static, banal, or depoliticised, but rather highly charged material spaces that allow some forms of social life to exist while also prohibiting others. Built from a formal infrastructure of grids, gutters and panels, and capable of volumetric, multi-scalar perspectives, this book shows how urban comics are able to represent, repair and even rebuild contemporary global cities toward more socially just and sustainable ends. Operating at the intersection of comics studies and urban studies, and offering large global surveys alongside close textual and visual analyses, this book explores and opens up the fascinating relationship between comics and graphic narratives, on the one hand, and cities and urban spaces, on the other

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  11. The British comic book invasion
    Alan Moore, Warren Ellis, Grant Morrison and the evolution of the American style
    Autor*in: Ecke, Jochen
    Erschienen: [2019]; © 2019
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They... mehr

    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They were also no longer just following the adventures of popular characters--writers and artists with distinctive styles were in demand. DC Comics and Marvel went looking for such mavericks and found them in the United Kingdom. Creators like Alan Moore, Grant Morrison and Garth Ennis migrated from the anarchical British comics industry to the U.S. mainstream and shook up the status quo yet came to rely on the genius of the American system."--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781476674155
    RVK Klassifikation: EC 7120 ; HU 1821
    Schriftenreihe: Critical explorations in science fiction and fantasy ; 64
    Schlagworte: Comic books, strips, etc / United States / History and criticism; Graphic novels / History and criticism; Comic books, strips, etc; Graphic novels; Comic; Comicroman; Comic; Comicroman
    Weitere Schlagworte: Moore, Alan / 1953- / Criticism and interpretation; Morrison, Grant / Criticism and interpretation; Moore, Alan (1953-); Morrison, Grant (1960-); Ellis, Warren (1968-)
    Umfang: viii, 273 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index