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  1. Editorial

    »Under the pavement lies the beach« or »Power to the imagination« – these slogans characterise the movement of ’68, which publicised its social and political demands in a creative and programmatic fashion. The year 1968 not only marks a significant... mehr

     

    »Under the pavement lies the beach« or »Power to the imagination« – these slogans characterise the movement of ’68, which publicised its social and political demands in a creative and programmatic fashion. The year 1968 not only marks a significant upheaval in what was then West Germany, it also has strong East and West European as well as international dimensions. ’68 can be understood as a cipher for protest movements which re-evaluated and challenged institutional structures, revolutionised gender and intergenerational relations and radiated into daily life, family life as well as individual lifestyles. Literature and the media, too, were subjected to critical revision, new formats and writing styles established, traditions either abandoned or continued within new paradigms.

    Children’s literature and media were significantly shaped by these developments. Their contents were influenced by the anti-authoritarian discourse in education and by the demands of emancipation movements, their themes and aesthetics by politicised concerns and a new orientation towards sociopolitical reality. Children’s literature scholars have studied and identified ’68 as a paradigm shift. Recent studies, however, have also looked at developments in the late 1950s and early 1960s, pointing out that changes on the literary-aesthetic and content levels actually started much earlier.

    Fifty years after this ›paradigmatic‹ caesura, the second volume of the Yearbook of the German Children’s Literature Research Society brings the cipher »’68« into focus to discuss historical and contemporary dimensions of this junction. Articles from a variety of European perspectives examine the manifold implications of this topic from theoretical and subject-oriented angles and in its different medial forms, and discuss these in the context of their significance for today’s children’s and young adult culture.

    Beyond this focus theme, and in line with the concept of the Yearbook, two fundamental theoretical and historical articles on questions of children’s literature and media present current avenues and perspectives. And the ten articles are followed by book reviews. Thanks to the involvement of the members of the German Children’s Literature Research Society (GKJF), over 30 relevant publications from the past year are discussed in individual and collective book reviews.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-00-060536-9
    DDC Klassifikation: Bibliotheks- und Informationswissenschaften (020); Bildung und Erziehung (370); Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess

  2. Editorial [2020, deutsch]
  3. "Die Träume gehören zweifellos zur Wirklichkeit" : Traum-Erzählungen über Kindheit und für Kinder "Dreams undoubtedly belong to reality" : dream narratives about childhood and for children
    Erschienen: 01.12.2020

    Theodor Storms Kindermärchen Der kleine Häwelmann, von dem Autor 1849 für seinen Sohn Hans verfasst und 1850 veröffentlicht, ist in seiner moralisch-komischen Form ein exemplarisches Exponat der Kinderliteratur des 19. Jahrhunderts. Gemäß der... mehr

     

    Theodor Storms Kindermärchen Der kleine Häwelmann, von dem Autor 1849 für seinen Sohn Hans verfasst und 1850 veröffentlicht, ist in seiner moralisch-komischen Form ein exemplarisches Exponat der Kinderliteratur des 19. Jahrhunderts. Gemäß der biedermeierlich gestimmten, belehrenden Funktion des Textes steht kindliche Allmachtsfantasie im Mittelpunkt des Geschehens. Die Haltung des ›Mehr-mehr‹ überschreitet indes die Grenzen der Moralerzählung. Entgegen der abschreckenden Funktion scheint vielmehr der kleine Häwelmann in der Verschränkung von Norm-Übertritt und Eskapismus ein ›modernes‹ Kind seiner Entstehungszeit zu sein und durchaus mit den Figuren des Struwwelpeters vergleichbar, die der Arzt und Kinderpsychiater Heinrich Hoffmann 1845 entworfen hat... The call for ›more!‹ is the force driving the protagonist of Theodor Storm’s literary fairy tale Der kleine Häwelmann (1850) on his imaginary journey through the night. This dream narrative is a combination of an exciting exploration of transcending borders with a hint of the moral tale, and can be seen as a model for the configuration of the dream motif in children’s and young adult literature. Although the dream narrative has a prominent place there, its investigation has hitherto almost exclusively taken place within the con­text of fantasy; the didactic functions of the dream, however, and the motif of the dream journey have largely been neglected. This article looks at how post­1945 children’s dream narratives explores representations of childhood. Benno Pludra’s Lütt Matten und die weiße Muschel (1963), a children’s story from the German Democratic Republic (GDR), is analysed and situated within the context of its literary system. Maurice Sendak’s Where the Wild Things Are (1963) is next considered in relation to Pludra’s text in order to pro­vide a contrastive view to a key text from the Western literary system. Both texts were hugely innovative for their time and respective systems, both use Storm’s Häwelmann as an intertextual anchor, and both, as this analysis shows, reveal recognisable societal discourses about childhood and cultural policies for children.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-9821241-1-7
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/

    ;

    info:eu-repo/semantics/openAccess

  4. Editorial [2020, english]
  5. Editorial [2021, deutsch]