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  1. Die Polypheme Homers und die Patagonier Pufendorfs : Barbarei und Völkerrecht bei Vico
    Autor*in: Albrecht, Tim
    Erschienen: 30.08.2018

    The article examines the role of the "natural law of nations" in Vico's philosophy of culture. The focal point of this inquiry is the notion of 'barbarism' in the New Science. While Vico's influential conception of the 'barbarism of reflection' has... mehr

     

    The article examines the role of the "natural law of nations" in Vico's philosophy of culture. The focal point of this inquiry is the notion of 'barbarism' in the New Science. While Vico's influential conception of the 'barbarism of reflection' has attracted a lot of attention, the multiplicity of tropes of barbarism in the New Science has not been sufficiently recognized. The article argues that while Vico takes civil law, the Roman ius gentium, as a model for his conception of culture, the trope of the warring barbarian figures prominently in key moments of his philosophy of history (e. g. in transitional moments between two historical ages) when issues of modern international law (asylum, declaration of war, piracy) are at stake.

     
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    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-8498-1119-8
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Aisthesis Verlag
    Schlagworte: Vico, Giambattista; Barbar <Motiv>; Kulturphilosophie; Völkerrecht; Klassische Philologie; Griechische Literatur; Naturrecht
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  2. Die Herausforderung des Barbarischen in der Spätaufklärung : Volney als globaler Beobachter
    Autor*in: Tortarolo, Edoardo
    Erschienen: 30.08.2018

    The notion of the barbarian has been crucial in the development of the intellectual shifts spurred on by thinkers who shaped the culture of the Enlightenment. Asking what a barbarian might be had quite different meanings in the early 16th and in the... mehr

     

    The notion of the barbarian has been crucial in the development of the intellectual shifts spurred on by thinkers who shaped the culture of the Enlightenment. Asking what a barbarian might be had quite different meanings in the early 16th and in the late 18th century. An anthropological approach to the very different populations that had come to be known in Europe since the 16th century as well as the secularization of the historical vision contributed to the emergence of a more objectified connotation of barbarism. Among others, Montaigne, Montesquieu, Gibbon, Voltaire, d’Holbach commented extensively on barbarism as characterizing different stages in human civilization. Volney (Constantin-François de Chassebeuf, 1757-1820), who travelled to Egypt and Syria in the early 1780s, was familiar with the French works of the Enlightenment and applied their concepts of barbarism to the observation of the different Muslim populations he encountered. Later, after experiencing the turmoil of the French Revolution, he became interested in the United States. During his stay in America from 1795 to 1798, he investigated the American Indians who represented a different form of barbarism. Volney stands out as a thinker who knew the classics of the Enlightenment and who creatively compared theoretical speculations with his first-hand empirical observations.

     
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    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-8498-1119-8
    DDC Klassifikation: Literatur und Rhetorik (800); Geschichte Europas (940)
    Sammlung: Aisthesis Verlag
    Schlagworte: Aufklärung; Volney, Constantin-François; Barbar <Motiv>; Zivilisation; Wildheit <Motiv>; Rationalität; Spätaufklärung
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  3. Verhandlungen des Barbarischen in Inkle und Yariko-Adaptionen aus dem 18. Jahrhundert
    Autor*in: Rohner, Melanie

    The narrative of Inkle and Yarico, made popular by Richard Steele, went through numerous remakes and revamps in the 18th century – a phenomenon in need of explanation. The story of an English merchant who sells his indigenous rescuer and lover into... mehr

     

    The narrative of Inkle and Yarico, made popular by Richard Steele, went through numerous remakes and revamps in the 18th century – a phenomenon in need of explanation. The story of an English merchant who sells his indigenous rescuer and lover into slavery was brought to life by Salomon Gessner (amongst others) in a sequel which involved largely French but also German reworkings. This unusually productive adoption of ideas is crucially down to the complex negotiations of the barbaric, which in Steele's presentation can no longer guarantee a clear distinction between the West and the extra-European "other". Subsequent variations on this narrative regularly attempt to mitigate or to entirely allay this moment of irritation using various strategies. Nimmt man heute einen Reiseführer für Barbados zur Hand, findet man darin auf den ersten Seiten – unter "Wissenswertes", "Geschichte im Überblick" oder einer ähnlichen Rubrik – regelmäßig auch Angaben zur Etymologie des Inselnamens. ...

     
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  4. Die Poetik des Skythischen im Werk von Vjačeslav Ivanov
    Autor*in: Tétaz, Elena
    Erschienen: 30.08.2018

    Le poète, philosophe et helléniste Vjačeslav Ivanov (1866-1949) est considéré comme l'un des représentants les plus importants du symbolisme russe et comme une des grandes figures intellectuelles et artistiques de la Russie du début du xxe siècle. Il... mehr

     

    Le poète, philosophe et helléniste Vjačeslav Ivanov (1866-1949) est considéré comme l'un des représentants les plus importants du symbolisme russe et comme une des grandes figures intellectuelles et artistiques de la Russie du début du xxe siècle. Il a été influencé aussi bien par les idées de Nietzsche que par celles des slavophiles. C'est en combinant ces deux traditions qu'il forme sa conception du dionysien. Cette dernière fait partie intégrante de son concept de "'idée russe" et joue un rôle important dans la mise en place de sa doctrine de la sobornost'. Chez Ivanov, le dionysien trouve sa réalisation dans les Scythes. Cette identification reprend la conception classique des "Scythes comme barbares russes", mais assume également l’idée nietzschéenne du dionysien comme moment barbare. On a donc affaire à une réinterprétation créative du Dionysos nietzschéen dans l'esprit de la renaissance slave. Sur la base de trois oeuvres d'Ivanov datant de périodes différentes, l'article met en évidence comment Ivanov construit la figure du Scythe et les raisons pour lesquelles son symbolisme prend la forme d'un discours de la totalité aux ambiguïtés parfois proches du totalitarisme.

     
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  5. "Die Perser! Die Perser kommen…" : Zur Aktualisierung eines Barbaren-Topos in der deutschen Exilliteratur
    Autor*in: Wagner, Moritz
    Erschienen: 30.08.2018

    A closer look at the literary works, essays, letters and diaries of important German exile writers and anti-Nazi dissidents during National Socialism leads to an important observation: that is the increase of references to classical topoi of the... mehr

     

    A closer look at the literary works, essays, letters and diaries of important German exile writers and anti-Nazi dissidents during National Socialism leads to an important observation: that is the increase of references to classical topoi of the Barbarian. Since at least 1933 and the traumatic Nazi book burnings, in German (exile) literature does not only occur a political actualization but also an emphatical radicalization of the reactivated dichotomies of 'civilization/culture' vs. 'the Barbarian' and sometimes more specific of 'the Hellenes' vs. 'the Persians'. Even though numerous literary texts display these dichotomies, in literary criticism a systematic analysis of their semantic implications and their function is still lacking. This study thus aims to present a first overview and interpretation of this noticeable actualization of the above mentioned topoi in German exile literature, particularly in the works of Klaus Mann.

     
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    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-8498-1119-8
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Aisthesis Verlag
    Schlagworte: Mann, Klaus; Nationalsozialismus <Motiv>; Exilliteratur; Barbar <Motiv>; Bücherverbrennung
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess