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  1. R.M. Rilke : "Music as Metaphor" ; the mystery of sound
    Autor*in: Deinert, Herbert
    Erschienen: 08.02.2010

    Do you know what I think? asks Adrian Leverkuehn. "Musik ist die Zweideutigkeit als System." Music is Janus-faced by its very nature. It can move and paralyze. "What passion cannot music raise and quell," exclaims John Dryden in his Song for St.... mehr

     

    Do you know what I think? asks Adrian Leverkuehn. "Musik ist die Zweideutigkeit als System." Music is Janus-faced by its very nature. It can move and paralyze. "What passion cannot music raise and quell," exclaims John Dryden in his Song for St. Cecilia's Day, 1687. Music is an expert in the use of opiates, asserts Settembrini in The Magic Mountain, and Nietzsche speaks of her dual, intoxicating and befogging, nature. Shakespeare's Desdemona "will sing the savageness out of a bear" (IV, i) and the merchants in Novalis' Heinrich von Ofterdingen tell the story of another Orpheus whose song so charms a sea "monster" that it saves the singer's life and returns his treasure to him. John Dryden's Thimotheus "to his breathing flute and sounding lyre, could swell the soul to rage, or kindle soft desire" (Alexander's Feast, 1697). "Musica Consolatrix" and "Musica Tremenda". She is the "Mysterium tremendum et fascinosum" in Kleist's novella about the power of music. While English late 17th and early 18th century literature offers a particularly rich harvest of poetry celebrating the contradictory qualities, or effects, of music, there is in fact testimony to this at all stages of our tradition.

     
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    Sprache: Englisch
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    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Rilke, Rainer Maria; Musik
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  2. Conference report: Humanism & revolution: Eighteenth-century Europe and its transatlantic legacy : [Rice University, Houston, TX, USA, December 11 - 13, 2009]
    Autor*in: Blumenthal-Barby, Martin
    Erschienen: 24.06.2010

    "Since the events of the eighteenth century, in particular the French and American Revolutions, the concept of revolution has become one of the most important, and most widely used, concepts of modern political and philosophical thought. The... mehr

     

    "Since the events of the eighteenth century, in particular the French and American Revolutions, the concept of revolution has become one of the most important, and most widely used, concepts of modern political and philosophical thought. The revolutions of the eighteenth century are, however, also marked by a temporal logic that questions their radical departure from the past, both intellectually and practically. Indeed, the concept of revolution is often coupled with a renewed interest in ideals of human self-conception, moral beauty and education that are seen as having emerged in the classical antiquity of Greece and Rome. On both sides of the Atlantic, references to classical antiquity support contemporary achievements, on the one hand, and are used to question the existing state of political and intellectual affairs, on the other."

     
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    Sprache: Englisch
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    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Humanismus; Revolution
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  3. Argument structure in nominalizations : the case of the light verb construction in German
    Autor*in: Wittenberg, Eva ; Piñango, Maria Mercedes
    Erschienen: 12.10.2010

    The predicate associated with the verb fails to express its full argument structure, while the predicate associated with the nominalization preserves its original argument structure. mehr

     

    The predicate associated with the verb fails to express its full argument structure, while the predicate associated with the nominalization preserves its original argument structure.

     
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    Quelle: GiNDok
    Sprache: Englisch
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    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Syntax; Grammatik
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  4. The metalepticon : a computational approach to metalepsis
    Autor*in: Meister, Jan Christoph
    Erschienen: 26.11.2008

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    Sprache: Englisch
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Computerphilologie; Erzähltheorie
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  5. Hans Sachs’ Tristrant : farce, tragedy or serious doctrine?
    Autor*in: Dietl, Cora

    When at the end of Hans Sachs' tragedy of Tristrant, dated February 7th, 1553, the herold takes the floor, he calls to the audience to recognize that this is a tragedy, Auß der wird offentlich erkendt, Wie solche unorndliche lieb Hat so ein starck... mehr

     

    When at the end of Hans Sachs' tragedy of Tristrant, dated February 7th, 1553, the herold takes the floor, he calls to the audience to recognize that this is a tragedy, Auß der wird offentlich erkendt, Wie solche unorndliche lieb Hat so ein starck mechtigen trieb, Wo sie einnimbt ein junges hertz Mit bitter angst, senenden schmertz, Darinn sie also heftig wüt, Verkert hertz, sin, vernunft und gmüt, Wird leichtfertig, verwegen gantz, Schlecht seel, lieb, ehr, gut in die schantz, Acht fürbas weder sitten noch tugent, (184,32-185,3) (1) ....

     
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    Sprache: Englisch
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    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Sachs, Hans; Tristanepik
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