Direkt zur Hauptnavigation springen Direkt zum Inhalt springen

Suchen in GiNDok

Recherchieren Sie hier in allen Dokumenten, die auf GiNDok publiziert wurden.

Letzte Suchanfragen

Es wurden 26 Ergebnisse gefunden.

Zeige Ergebnisse 21 bis 25 von 26.

Sortieren

  1. Youth - a romantic concept? : introduction
    Autor*in: Oesterle, Günter
    Erschienen: 13.10.2021

    Research has contended youth is an "invention" of the 18th century. This thesis does not contest the fact that youth was already known and accepted as a stage in life even earlier. Certain basic anthropological patterns of youthfulness, for example... mehr

     

    Research has contended youth is an "invention" of the 18th century. This thesis does not contest the fact that youth was already known and accepted as a stage in life even earlier. Certain basic anthropological patterns of youthfulness, for example nonchalance, instability, recklessness, exaggeration, bashfulness looking forward to the future and the ability to make friends have been rhetorically implied, repeated and cited as a matter of course since the time of Aristoteies. The pointed thesis that the concept of youth only arose in the 18th century accentuates that youth as an autonomous way of life is a characteristic of the Modern Age.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-8260-1371-3; 3-8260-1371-9
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutschland; Romantik; Literatur; Jugend <Motiv>
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. Infectious wishes. On projection and transference in Thomas Mann's "Dr. Faustus"
    Autor*in: Geisenhanslüke, Achim
    Erschienen: 29.03.2021

    If projection and transference represent similar terms that imply a fundamental form of ignorance, the aim of this investigation can not be to draw a sharp distinction between projection and transference. Of course, the dialectic of inside and... mehr

     

    If projection and transference represent similar terms that imply a fundamental form of ignorance, the aim of this investigation can not be to draw a sharp distinction between projection and transference. Of course, the dialectic of inside and outside doesn't play the central role in transference like it does in projection. In a certain way, the notion of projection concerns all forms of perception and seems to be wider than the notion of transference. But on the other hand, the notion of transference as a poetic act of creating metaphorical analogies seems to be wider than that of projection. My interest in the following lines lies not in the attempt to draw a valuable distinction between both terms, but to look at their interplay in a novel that discusses all forms of archaism, primitivism and regression, commonly linked with projection, a novel, that at the same time tries to give an explanation of the foundation of modern art. Thomas Mann's Doktor Faustus offers an insight not only into the combination of projection and love, but also into ignorance as the common ground of projection and transference. I will therefore first try to determine the modernity of Thomas Mann's novel in regard to the abounding intertextual dimension that characterizes the text, and then closely examine the central scene of the novel, the confrontation between Adrian Leverkühn and the obscure figure of the devil.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
  3. Rilkes Stunden-Buch in einer neuen Übersetzung ins Englische : Rainer Maria Rilke’s The Book of Hours. A New Translation with Commentary. Translated by Susan Ranson. Edited with and Introduction and Notes by Ben Hutchinson . Camden House. Rochester New York. 2009. XLIV + 240 S.
    Autor*in: Phelan, Anthony
    Erschienen: 17.03.2021

    Rezension zu Rainer Maria Rilke's The Book of Hours. A New Translation with Commentary. Translated by Susan Ranson. Edited with and Introduction and Notes by Ben Hutchinson. Camden House. Rochester New York. 2009. XLIV + 240 S. mehr

     

    Rezension zu Rainer Maria Rilke's The Book of Hours. A New Translation with Commentary. Translated by Susan Ranson. Edited with and Introduction and Notes by Ben Hutchinson. Camden House. Rochester New York. 2009. XLIV + 240 S.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-8353-0829-9
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Rilke, Rainer Maria; Das Stundenbuch; Übersetzung; Englisch
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  4. Editorial [2021, english]
    Autor*in: Glasenapp, Gabriele von ; Lötscher, Christine ; O'Sullivan, Emer ; Roeder, Caroline ; Tomkowiak, Ingrid
    Erschienen: 01.12.2021

  5. Talking to the holy spirit and growling with the bears : singing child characters in eighteenth-century hymn books for children
    Autor*in: Köhler, Ulrike Kristina
    Erschienen: 01.12.2021

    In this article I explore the construction of singing child characters in Isaac Watts’ Divine and Moral Songs for Children (1715) and Christopher Smart’s Hymns for the Amusement of Children (1771). The first part focusses on the nature of the lyrical... mehr

     

    In this article I explore the construction of singing child characters in Isaac Watts’ Divine and Moral Songs for Children (1715) and Christopher Smart’s Hymns for the Amusement of Children (1771). The first part focusses on the nature of the lyrical persona within the lexical fields »voice and vocal sound« and »religion« and also looks at the possible addressees. The second part examines stylistic, phonetic, and formal elements, and explores their role in constructing the ›singing I.‹ To show the potential of Watts’ »Against Quarrelling and Fighting« to function as an invitation to playfully adopt behaviour opposed to Christian norms, the article examines a performance of Let Dogs Delight to Bark and Bite, a chorale by Matthew J. Zimnoch, whose text is taken from Watts’ hymn. Combining approaches from research on children’s poetry with ones from the interface of children’s literature and hymnody, the article also integrates a digitally supported close reading. The hymn texts were inputted into f4analyse, a software used in text linguistics and the social sciences, which allows for the assignment of categories, such as positive self-connotation of the ›singing I‹ or rhyme patterns. In conclusion, the article evaluates the potential of such a digitally supported research methodology for future research at the intersection of children’s literature and digital humanities.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-9821241-1-7
    DDC Klassifikation: Bibliotheks- und Informationswissenschaften (020); Bildung und Erziehung (370); Musik (780); Literatur und Rhetorik (800)
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/

    ;

    info:eu-repo/semantics/openAccess