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  1. Food Production in the Anthropocene : The Role of AgTech in Urban Spaces
    Autor*in: Kuhlemann, Anne-Kathrin
    Erschienen: 04.04.2017

    Our daily food consumption is slowly but surely turning into the largest environmental threat. The agricultural sector consumes 70% of the water used by humankind. The production of meat consumes enormous amounts of water compared to plants.... mehr

     

    Our daily food consumption is slowly but surely turning into the largest environmental threat. The agricultural sector consumes 70% of the water used by humankind. The production of meat consumes enormous amounts of water compared to plants. Innovations in the area of food production are lately summarized as AgTech, agricultural technology. This encompasses all sorts of areas, ranging from drone-controlled tractors to printed hamburgers. Specifically the challenge of making use of the limited areas available in cities and maximizing crop yields has seen a recent boom in novel approaches – and quite a bit of investor finance.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-941030-93-0
    DDC Klassifikation: Landwirtschaft und verwandte Bereiche (630); Literatur und Rhetorik (800)
    Schlagworte: Welternährung; Urbaner Gartenbau; Aquaponik; Landwirtschaft; Kulturwissenschaft
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    info:eu-repo/semantics/openAccess
  2. Interview with Katerina Teaiwa by Teresia K. Teaiwa for 'Microwomen'
    Autor*in: Teaiwa, Katerina ; Teaiwa, Teresia
    Erschienen: 04.04.2017

    Interview mit Katerina Teaiwa über ihr Buch zu den Umweltschäden und schweren Menschenrechtsverletzungen auf der Insel Ocean Island (Banaba) aufgrund des Phosphatabbaus durch Besatzungs- und Kolonialmächte. mehr

     

    Interview mit Katerina Teaiwa über ihr Buch zu den Umweltschäden und schweren Menschenrechtsverletzungen auf der Insel Ocean Island (Banaba) aufgrund des Phosphatabbaus durch Besatzungs- und Kolonialmächte.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-941030-93-0
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Ch. A. Bachmann Verlag
    Schlagworte: Ocean Island; Phosphatbergbau; Phosphate; Landschaftszerstörung; Australien; Ökosystem; Kulturwissenschaft; Japan; Großbritannien; Menschenrechtsverletzung; Vertreibung; Völkermord
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    info:eu-repo/semantics/openAccess
  3. Epilogue : 'Eating Anthropocene' – Merging Science and Comics
    Autor*in: Leinfelder, Reinhold ; Hamann, Alexandra ; Kirstein, Jens ; Schleunitz, Marc
    Erschienen: 04.04.2017

    The present volume documents the twofold character of the conference 'Science meets Comics' with the first part focusing on comics as a format for communicating complex topics and the second part addressing food in the age of the Anthropocene as one... mehr

     

    The present volume documents the twofold character of the conference 'Science meets Comics' with the first part focusing on comics as a format for communicating complex topics and the second part addressing food in the age of the Anthropocene as one such example for complex topics. The overall objective of the symposium was to deal with the results and suggestions of the presentations and discussions, to find possible pathways on how to feed the world in the future and to co-produce the final chapter of the scientific comic 'Eating Anthropocene' together with all artists participating in the project. In order to sum up the framing, contents and design process of the comic as well as to highlight its Anthropocene context we below provide a slightly abridged version of the preface of our comic book.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-941030-93-0
    DDC Klassifikation: Literatur und Rhetorik (800); 741.5
    Sammlung: Ch. A. Bachmann Verlag
    Schlagworte: Comic; Wissenschaft; Wissensvermittlung; Anthropozän; Welternährung <Motiv>
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    info:eu-repo/semantics/openAccess
  4. Patterns and interpretation
    Autor*in: Moretti, Franco
    Erschienen: 01.09.2017

    One thing for sure: digitization has completely changed the literary archive. People like me used to work on a few hundred nineteenth-century novels; today, we work on thousands of them; tomorrow, hundreds of thousands. This has had a major effect on... mehr

     

    One thing for sure: digitization has completely changed the literary archive. People like me used to work on a few hundred nineteenth-century novels; today, we work on thousands of them; tomorrow, hundreds of thousands. This has had a major effect on literary history, obviously enough, but also on critical methodology; because, when we work on 200,000 novels instead of 200, we are not doing the same thing, 1,000 times bigger; we are doing a different thing. The new scale changes our relationship to our object, and in fact 'it changes the object itself'.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Arbeitspapier; workingPaper
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Stanford Literary Lab
    Schlagworte: Romantheorie; Digital Humanities; Quantitative Literaturwissenschaft; Muster <Struktur>; Syntax; Interpretation
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    info:eu-repo/semantics/openAccess
  5. Totentanz : Operationalizing Aby Warburg’s 'Pathosformeln'
    Autor*in: Impett, Leonardo ; Moretti, Franco
    Erschienen: 01.11.2017

    The object of this study is one of the most ambitious projects of twentieth-century art history: Aby Warburg's 'Atlas Mnemosyne', conceived in the summer of 1926 – when the first mention of a 'Bilderatlas', or "atlas of images", occurs in his journal... mehr

     

    The object of this study is one of the most ambitious projects of twentieth-century art history: Aby Warburg's 'Atlas Mnemosyne', conceived in the summer of 1926 – when the first mention of a 'Bilderatlas', or "atlas of images", occurs in his journal – and truncated three years later, unfinished, by his sudden death in October 1929. Mnemosyne consisted in a series of large black panels, about 170x140 cm., on which were attached black-and-white photographs of paintings, sculptures, book pages, stamps, newspaper clippings, tarot cards, coins, and other types of images. Warburg kept changing the order of the panels and the position of the images until the very end, and three main versions of the Atlas have been recorded: one from 1928 (the "1-43 version", with 682 images); one from the early months of 1929, with 71 panels and 1050 images; and the one Warburg was working on at the time of his death, also known as the "1-79 version", with 63 panels and 971 images (which is the one we will examine). But Warburg was planning to have more panels – possibly many more – and there is no doubt that Mnemosyne is a dramatically unfinished and controversial object of study.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Arbeitspapier; workingPaper
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Stanford Literary Lab
    Schlagworte: Pathosformel; Warburg, Aby Moritz; Mnemosyne; Muster <Struktur>
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    info:eu-repo/semantics/openAccess