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  1. The openness of the enclosed convent : evidence from the Lüne letter collection
    Erschienen: 29.06.2022

    This article draws on the nearly 1800 letters which survive from the Benedictine convent of Lüne, near Lüneburg in northern Germany, and were written between c. 1460 and 1555. It explores the textual and visual strategies which nuns in the later... mehr

     

    This article draws on the nearly 1800 letters which survive from the Benedictine convent of Lüne, near Lüneburg in northern Germany, and were written between c. 1460 and 1555. It explores the textual and visual strategies which nuns in the later Middle Ages used to negotiate their enclosed status. It suggests that the language and imagery of openness were a means for the nuns to remind those outside the convent wall of their presence and purpose in life.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Christentum, Christliche Theologie (230); Literatur und Rhetorik (800); Geschichte Mitteleuropas; Deutschlands (943)
    Sammlung: ICI Berlin
    Schlagworte: Kloster Lüne; Nonne; Brief; Klausur; Offenheit
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  2. The book half open : humanist friendship in Holbein's portrait of Hermann von Wedigh III
    Erschienen: 29.06.2022

    A small, blind-tooled volume sits on a table covered in green baize: one clasp is open, the other is closed; and a slip of paper emerges from it reading 'Veritas odium parit' ('truth breeds hatred'). This detail occurs in the foreground of a portrait... mehr

     

    A small, blind-tooled volume sits on a table covered in green baize: one clasp is open, the other is closed; and a slip of paper emerges from it reading 'Veritas odium parit' ('truth breeds hatred'). This detail occurs in the foreground of a portrait by Hans Holbein of a young man identified as the Cologne patrician Hermann von Wedigh III (Metropolitan Museum of Art, New York). A study of the physical features of the book and of the history of the brief text - actually an ancient and then Erasmian adage - leads to a new interpretation of the painting in the context of humanist friendship. The book is seen to be a multivalent simile for the work of art authored by the artist as well as for the sitter himself, raising questions about the implications for these of a medium that can be opened and closed. The half-open condition of the book is understood to reflect the complementary pressures of openness and closedness, accessibility and intimacy, that characterized the Renaissance republic of letters.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Malerei, Gemälde (750); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Holbein, Hans; Buch <Motiv>; Terentius Afer, Publius; Andria; Rezeption; Erasmus, Desiderius; Adagia; Freundschaft; Humanismus
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  3. 'Submit your references' : introduction
    Erschienen: 06.10.2022

    The principles of ERRANS are introduced by considering two radically different contexts: Within academic publishing, the literary form of the edited collection is as common as it is denigrated and rarely reflected upon. The account being offered... mehr

     

    The principles of ERRANS are introduced by considering two radically different contexts: Within academic publishing, the literary form of the edited collection is as common as it is denigrated and rarely reflected upon. The account being offered (within an edited collection) seeks to not only reinterpret the status of the genre, but argues in favor of a curatorial errancy within scholarly communication. Yet errancy has also become a crucial touchstone in management and leadership studies, whether as 'disruptive innovation' or 'VUCA (volatility, uncertainty, complexity, ambiguity) worlds', inviting a different consideration of the relationship between capitalism and its political and artistic critiques than the one offered by Luc Boltanski and Ève Chiapello - one which does not consider itself untouched by the errant logics it discerns in its 'subjects'.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-037-4; 978-3-96558-038-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Fehler; Irrtum; Wissenschaftliche Literatur; Veröffentlichung; Sammelwerk; Führungslehre; Management
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess

  4. The Punakawans make an untimely appearance : in praise of caves, shadows, and fire or A response to Plato's doctrine of truth
    Erschienen: 06.10.2022

    This paper begins with a Bakhtinian reflection on Javanese shadow puppet theatre (wayang kulit), and explores errancy through carnival laughter embodied and performed by the wise, grotesque figures of clown-servants (punakawan). I argue, however,... mehr

     

    This paper begins with a Bakhtinian reflection on Javanese shadow puppet theatre (wayang kulit), and explores errancy through carnival laughter embodied and performed by the wise, grotesque figures of clown-servants (punakawan). I argue, however, that here the real subversive power lies not in a combative position that erupts in a social revolution but in offering an alternative way of thinking and being, a deviation from the philosophical (Platonic) obsession for truth and heroic/historic gestures that claim to overcome ignorance and hegemonic/normative structures. Responding to the critique of so-called feudal elements in 'Javanism', I explore how the Javanese mantra, 'manunggaling kawula gusti' (the union of servant and lord), incessantly rehearsed in the stories and life of the people, reveals neither blindness nor self-dissimulation.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-037-4; 978-3-96558-038-1
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Wayang kulit; Humor; Das Groteske; Java; Wert; Philosophie
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess

  5. The animal that laughs at itself : false false alarms about the end of 'Man'
    Autor*in: Burton, James
    Erschienen: 06.10.2022

    A trio of themes recur across prominent Western theories of laughter: violence, the human/nonhuman, and error. The paper traces this trio through a series of frequently cited paradigms for understanding laughter, including superiority, incongruity... mehr

     

    A trio of themes recur across prominent Western theories of laughter: violence, the human/nonhuman, and error. The paper traces this trio through a series of frequently cited paradigms for understanding laughter, including superiority, incongruity and relief theories, Henri Bergson's theory of laughter and V. S. Ramachandran's false alarm theory; and argues that it reflects a shared, if partially submerged concern with the instability and demise of a particular figure of the human, one that is circumscribed by the culturally specific (if globally influential) values of Eurocentric/Western thought, largely corresponding to Sylvia Wynter's 'Man'. This suggests that laughter has an ambiguous immanent potential for both undermining and/or reasserting, de- and/or restabilising the illusion of Man's universalizing drive to identify itself with the human per se.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-037-4; 978-3-96558-038-1
    DDC Klassifikation: Sozialwissenschaften (300); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Lachen; Humor; Theorie; Westliche Welt
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess