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  1. Music
    Erschienen: 08.02.2010

    The musical ending [of Goethe's Novelle] recalls the fascination with "music as metaphor", "the power of music", among recent and contemporary poets from Pope and Dryden and Collins to E.T.A. Hoffmann and Kleist and, of course to Goethe himself.... mehr

     

    The musical ending [of Goethe's Novelle] recalls the fascination with "music as metaphor", "the power of music", among recent and contemporary poets from Pope and Dryden and Collins to E.T.A. Hoffmann and Kleist and, of course to Goethe himself. Music saves Faust's life on Easter morning at the end of a dreadful night, and we'll encounter a similar role of music in his Trilogie der Leidenschaft which we'll read in this context.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Bericht
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Literaturwissenschaft; Musik
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess

  2. The Protestant Revolution or Wider die falsche Gelassenheit
    Erschienen: 08.02.2010

    This contribution was prompted by events in East Germany that ultimately led to German unification. Many forces contributed to the collapse of the GDR as a separate state, the final and most visible was the mass exodus via Hungary and Czechoslovakia.... mehr

     

    This contribution was prompted by events in East Germany that ultimately led to German unification. Many forces contributed to the collapse of the GDR as a separate state, the final and most visible was the mass exodus via Hungary and Czechoslovakia. The Communist regime resisted change when change was taking place in most of East Germanys neighbors to the east and southeast. But an ever increasing number of increasingly restless citizens insisted on it and, not given a chance to change matters by improving the system, effected the most radical change of all: they swept away an unresponsive, cynical and calcified government.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Vorlesung
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Luther, Martin; Reformation
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    info:eu-repo/semantics/openAccess

  3. R.M. Rilke : "Music as Metaphor" ; the mystery of sound
    Erschienen: 08.02.2010

    Do you know what I think? asks Adrian Leverkuehn. "Musik ist die Zweideutigkeit als System." Music is Janus-faced by its very nature. It can move and paralyze. "What passion cannot music raise and quell," exclaims John Dryden in his Song for St.... mehr

     

    Do you know what I think? asks Adrian Leverkuehn. "Musik ist die Zweideutigkeit als System." Music is Janus-faced by its very nature. It can move and paralyze. "What passion cannot music raise and quell," exclaims John Dryden in his Song for St. Cecilia's Day, 1687. Music is an expert in the use of opiates, asserts Settembrini in The Magic Mountain, and Nietzsche speaks of her dual, intoxicating and befogging, nature. Shakespeare's Desdemona "will sing the savageness out of a bear" (IV, i) and the merchants in Novalis' Heinrich von Ofterdingen tell the story of another Orpheus whose song so charms a sea "monster" that it saves the singer's life and returns his treasure to him. John Dryden's Thimotheus "to his breathing flute and sounding lyre, could swell the soul to rage, or kindle soft desire" (Alexander's Feast, 1697). "Musica Consolatrix" and "Musica Tremenda". She is the "Mysterium tremendum et fascinosum" in Kleist's novella about the power of music. While English late 17th and early 18th century literature offers a particularly rich harvest of poetry celebrating the contradictory qualities, or effects, of music, there is in fact testimony to this at all stages of our tradition.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Bericht
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Rilke, Rainer Maria; Musik
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  4. Comparing timing models of two Swiss German dialects
    Erschienen: 03.05.2010

    Research on dialectal varieties was for a long time concentrated on phonetic aspects of language. While there was a lot of work done on segmental aspects, suprasegmentals remained unexploited until the last few years, despite the fact that prosody... mehr

     

    Research on dialectal varieties was for a long time concentrated on phonetic aspects of language. While there was a lot of work done on segmental aspects, suprasegmentals remained unexploited until the last few years, despite the fact that prosody was remarked as a salient aspect of dialectal variants by linguists and by naive speakers. Actual research on dialectal prosody in the German speaking area often deals with discourse analytic methods, correlating intonations curves with communicative functions (P. Auer et al. 2000, P. Gilles & R. Schrambke 2000, R. Kehrein & S. Rabanus 2001). The project I present here has another focus. It looks at general prosodic aspects, abstracted from actual situations. These global structures are modelled and integrated in a speech synthesis system. Today, mostly intonation is being investigated. However, rhythm, the temporal organisation of speech, is not a core of actual research on prosody. But there is evidence that temporal organisation is one of the main structuring elements of speech (B. Zellner 1998, B. Zellner Keller 2002). Following this approach developed for speech synthesis, I will present the modelling of the timing of two Swiss German dialects (Bernese and Zurich dialect) that are considered quite different on the prosodic level. These models are part of the project on the "development of basic knowledge for research on Swiss German prosody by means of speech synthesis modelling" founded by the Swiss National Science Foundation.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Konferenzveröffentlichung; conferenceObject
    Format: Online
    DDC Klassifikation: Sprache (400)
    Schlagworte: Dialektologie; Schweizerdeutsch
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  5. Domains of application and 'Skopos' of the German Cato translations in the late middle ages
    Erschienen: 01.06.2010

    When we look for evidence of multilingualism in the Middle Ages, we will eventually find the type of source which consists of the translation of Latin classroom texts into various vernaculars. Since the high Middle Ages traditional standard works of... mehr

     

    When we look for evidence of multilingualism in the Middle Ages, we will eventually find the type of source which consists of the translation of Latin classroom texts into various vernaculars. Since the high Middle Ages traditional standard works of grammar - dominantly Latin - were translated frequently into vernaculars. A prominent example are the 'Disticha Catonis'. This late antique work contains about 100 hexameter couplets, which convey a multitude of fundamental rules of life and conduct. A linguistically rather simple work, it was precisely for that reason all the more effective.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Weitere; Other
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Disticha Catonis
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    info:eu-repo/semantics/openAccess