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  1. Yvonne Herganes "Die Chamäleondamen" als Generationenroman
    Autor*in: Galter, Sunhild

    Yvonne Hergane‘s first novel The Chameleon Ladies can be discussed from several perspectives. On the one hand, it can be read as a generational novel, on the other hand, it can also be read as a women‘s novel in the sense of portraying the history of... mehr

     

    Yvonne Hergane‘s first novel The Chameleon Ladies can be discussed from several perspectives. On the one hand, it can be read as a generational novel, on the other hand, it can also be read as a women‘s novel in the sense of portraying the history of emancipation of four generations of women. The novel can also be seen as a historical novel, because it covers a historical period of over 120 years and describes the living conditions of four generations of women, three of them living first in Romania and then in Germany, which are also historically conditioned. The novel could therefore also be seen as part of migration literature. This article will explore this complexity of this structure.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. Vorwort: Rodica Ofelia Miclea zum 60. Geburtstag
    Autor*in: Galter, Sunhild

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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Literaturen germanischer Sprachen; Deutsche Literatur (830)
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  3. [Rezension zu:] BRÜDER GRIMM GEDENKEN. BAND 17. In Verbindung mit Roland Berbig, Stephan Bialas, Wilhelm Braun, Holger Ehrhardt, Klaus Kaindl, Alan Kirkness, Ingrid Pergande-Kaufmann, Werner Röcke und Fritz Wagner. Hg. von Berthold Friemel. Stuttgart: S. Hirzel Verlag 2012, 404 S., ISBN: 978-3-7776-1491-5
    Autor*in: Galter, Sunhild

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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  4. "Grenzfall" von Merle Kröger – (auch) ein interkultureller Grenzfall
    Autor*in: Galter, Sunhild

    The title Grenzfall of this crime novel is based on a pun because it means in German both “borderline case” and “border incident”. The novel refers to an incident at the border between Poland and Germany, that really happened in 1992, when two Roma... mehr

     

    The title Grenzfall of this crime novel is based on a pun because it means in German both “borderline case” and “border incident”. The novel refers to an incident at the border between Poland and Germany, that really happened in 1992, when two Roma from Romania were shot in strange circumstances. Kröger continues in her fiction the film script that she had written for the documentary Revision, produced in 2012, 10 years after the incident. The crime novel tries to reveal the causes that led to the violent death of the two, to disclose why German police investigations were so superficial, to present what effects all this had on the families of the two dead men, and what regional and ethnic stereotypes dominate the thinking of those involved in the action.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  5. Der Andere als notwendiges Gegenüber im Roman "Der Mann schläft" von Sibylle Berg
    Autor*in: Galter, Sunhild

    Sibylle Berg develops in her novel Der Mann schläft a new, nihilistic definition of love. Nietzsche considers that modern mankind killed the god in itself, Dürrenmatt shows the absolute hopelessness of the postmodern society and Berg presents the end... mehr

     

    Sibylle Berg develops in her novel Der Mann schläft a new, nihilistic definition of love. Nietzsche considers that modern mankind killed the god in itself, Dürrenmatt shows the absolute hopelessness of the postmodern society and Berg presents the end of all known forms of love. For her protagonist it is enough to have found someone who needs her as much as she needs him to feel save and complete. But “the man” disappears during a journey to Asia while going to buy some papers. After waiting for three month for him to return she decides to stay there for the rest of her miserable life. The novel has an interesting structure, the story is told in dozens of short scenes, not in a chronological order but reffering to the period with “the man” and without him that confers to it a certain dramatic touch.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess