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1. Representing the world, weathering its end : Arthur Bispo do Rosário's ecology of the ship

   Autor*in: Miguel, Marlon

   Erschienen: 03.11.2020

   This chapter explores the intrinsic relationship between weather/weathering and the imaginary of the sea, which features in the work of artist Arthur Bispo do Rosário. Bispo was a black man who spent most of his life in psychiatric institutions.... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/56772/miguel_representing-the-world.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-567727 https://doi.org/10.37050/ci-17_12

   This chapter explores the intrinsic relationship between weather/weathering and the imaginary of the sea, which features in the work of artist Arthur Bispo do Rosário. Bispo was a black man who spent most of his life in psychiatric institutions. There is an important interplay between his psychotic deliriums and the production of hundreds of objects, many of them ships or forms that relate to the sea. These objects open up a discussion on decoloniality as they are embedded with marks left by the transatlantic slave trade.

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   Quelle:	GiNDok
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); bookPart
   Format:	Online
   ISBN:	978-3-96558-009-1; 978-3-96558-010-7
   DDC Klassifikation:	Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
   Sammlung:	ICI Berlin
   Schlagworte:	Rosario, Arthur Bispo do; Postkolonialismus; Kunst; Schiff <Motiv>
   Lizenz:	creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess