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1. Interrupted and unfinished : the open-ended Dante of the "Commedia"

   Autor*in: Crisafi, Nicolò

   Erschienen: 23.06.2022

   This essay interprets Dante's "Commedia" as an 'open work' (Eco). It grounds its open-endedness in its representations of interruption: from fictional obstacles in the protagonist's path in the "Inferno" to the narrator's anxiety over unfinishedness... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/68701/crisafi_interrupted-and-unfinished.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-687019 https://doi.org/10.37050/ci-23_05

   This essay interprets Dante's "Commedia" as an 'open work' (Eco). It grounds its open-endedness in its representations of interruption: from fictional obstacles in the protagonist's path in the "Inferno" to the narrator's anxiety over unfinishedness in the "Paradiso". Taking its cue from Boccaccio's creative rewriting of Dante's life, the essay resists the pressure of 'total coherence' embedded in (and often projected onto) the "Commedia", in order to reclaim the material vulnerability of the text and of its author.

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   Quelle:	GiNDok
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); bookPart
   Format:	Online
   ISBN:	978-3-96558-029-9; 978-3-96558-030-5
   DDC Klassifikation:	Literatur und Rhetorik (800); Italienische, rumänische, rätoromanische Literaturen (850)
   Sammlung:	Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
   Schlagworte:	Dante, Alighieri; Divina commedia; Offenheit; Unterbrechung; Abgeschlossenheit; Boccaccio, Giovanni; Trattatello in laude di Dante
   Lizenz:	creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess