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1. Performance art in the 1990s and the generation gap

   Autor*in: Saurisse, Pierre

   Erschienen: 14.04.2022

   In the 1990s, the question of the legacy of historical performance was posed with a particular sense of urgency. In the context of most pioneers of the art form having retired from live performance, reenactments not only reproduced past works but... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/67783/Saurisse_performance-art-in-the-1990s.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-677837 https://doi.org/10.37050/ci-21_17

   In the 1990s, the question of the legacy of historical performance was posed with a particular sense of urgency. In the context of most pioneers of the art form having retired from live performance, reenactments not only reproduced past works but positioned artists within the genealogy of performance. The sense of the passage of a generation and the transmission of the memory of past performances were made explicit by Marina Abramović in "The Biography" (1992), a theatre piece in which she stages the very process of accounting for her past, as well as by Takashi Murakami and Oleg Kulik, who emerged on the art scene in the 1990s and mimicked live works from the past.

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   Quelle:	GiNDok
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); bookPart
   Format:	Online
   ISBN:	978-3-96558-029-9; 978-3-96558-028-2
   DDC Klassifikation:	Freizeitgestaltung, darstellende Künste, Sport (790); Literatur und Rhetorik (800)
   Sammlung:	ICI Berlin
   Schlagworte:	Performance <Künste>; Reenactment; Geschichte 1990-2000; Abramović, Marina
   Lizenz:	creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess