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  1. The monastic enclosure
    Erschienen: 29.06.2022

    The moral and physical enclosure of monks and nuns is central to the founding documents of Western monasticism. But even there it encountered the need for monasteries to interact with their societies, through recruits, hospitality, and the monastic... mehr

     

    The moral and physical enclosure of monks and nuns is central to the founding documents of Western monasticism. But even there it encountered the need for monasteries to interact with their societies, through recruits, hospitality, and the monastic economy. The increasing intensity of this tension is traced through key reforming texts, until later English visitations open up religious houses to closer scrutiny, ironically aided by inmates' quandary over whether to conceal or reveal their secrets.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Christentum, Christliche Theologie (230); Literatur und Rhetorik (800); Geschichte Europas (940)
    Sammlung: ICI Berlin
    Schlagworte: Mönchtum; Klausur; Ordensregel; Benediktiner; Zisterzienser; Benedikt XII., Papst; Ordensreform; Visitation
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  2. The openness of the enclosed convent : evidence from the Lüne letter collection
    Erschienen: 29.06.2022

    This article draws on the nearly 1800 letters which survive from the Benedictine convent of Lüne, near Lüneburg in northern Germany, and were written between c. 1460 and 1555. It explores the textual and visual strategies which nuns in the later... mehr

     

    This article draws on the nearly 1800 letters which survive from the Benedictine convent of Lüne, near Lüneburg in northern Germany, and were written between c. 1460 and 1555. It explores the textual and visual strategies which nuns in the later Middle Ages used to negotiate their enclosed status. It suggests that the language and imagery of openness were a means for the nuns to remind those outside the convent wall of their presence and purpose in life.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Christentum, Christliche Theologie (230); Literatur und Rhetorik (800); Geschichte Mitteleuropas; Deutschlands (943)
    Sammlung: ICI Berlin
    Schlagworte: Kloster Lüne; Nonne; Brief; Klausur; Offenheit
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  3. The book half open : humanist friendship in Holbein's portrait of Hermann von Wedigh III
    Erschienen: 29.06.2022

    A small, blind-tooled volume sits on a table covered in green baize: one clasp is open, the other is closed; and a slip of paper emerges from it reading 'Veritas odium parit' ('truth breeds hatred'). This detail occurs in the foreground of a portrait... mehr

     

    A small, blind-tooled volume sits on a table covered in green baize: one clasp is open, the other is closed; and a slip of paper emerges from it reading 'Veritas odium parit' ('truth breeds hatred'). This detail occurs in the foreground of a portrait by Hans Holbein of a young man identified as the Cologne patrician Hermann von Wedigh III (Metropolitan Museum of Art, New York). A study of the physical features of the book and of the history of the brief text - actually an ancient and then Erasmian adage - leads to a new interpretation of the painting in the context of humanist friendship. The book is seen to be a multivalent simile for the work of art authored by the artist as well as for the sitter himself, raising questions about the implications for these of a medium that can be opened and closed. The half-open condition of the book is understood to reflect the complementary pressures of openness and closedness, accessibility and intimacy, that characterized the Renaissance republic of letters.

     

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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Malerei, Gemälde (750); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Holbein, Hans; Buch <Motiv>; Terentius Afer, Publius; Andria; Rezeption; Erasmus, Desiderius; Adagia; Freundschaft; Humanismus
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess

  4. Medieval Denmark and its languages : the case for a more open literary historiography
    Erschienen: 23.06.2022

    This chapter makes the case for a literary history that accounts for the multilingual nature of medieval Denmark, giving particular attention to Danish, German, and Latin. It relates such a project to current research interests such as crossing the... mehr

     

    This chapter makes the case for a literary history that accounts for the multilingual nature of medieval Denmark, giving particular attention to Danish, German, and Latin. It relates such a project to current research interests such as crossing the boundaries of national philologies; demonstrates the need for it by reviewing existing surveys of the period; and outlines some lines of enquiry, including the translation and transmission of texts, that it could pursue.

     

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  5. Including the excluded : strategies of opening up in late medieval religious writing
    Erschienen: 27.06.2022

    Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening... mehr

     

    Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening up a discourse from which the laity had previously been excluded. Using forms which defy conventional author-based aesthetic norms, these songs explore poetic practices which are both collective and inclusive.

     

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