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  1. Black and white: Michel Tournier, Anatole France & Genesis
    Autor*in: Tumanov, Vladimir
    Erschienen: 30.12.2014

    This article deals with Michel Tournier as a writer of hypertexts. The first chapter of "Gaspard, Melchior et Balthazar" is considered with respect to two possible unmarked hypotextual connections. The first is a short story by Anatole France... mehr

     

    This article deals with Michel Tournier as a writer of hypertexts. The first chapter of "Gaspard, Melchior et Balthazar" is considered with respect to two possible unmarked hypotextual connections. The first is a short story by Anatole France entitled "Balthasar", and the song of songs is the key element that connects France's and Tournier's texts. The second is an episode from Genesis which I term "The sister-wife Hoax". The main concern in this study is the issue of human dignity as it relates to race and sexuality.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Tournier, Michel; France, Anatole; Genesis; Hypertext
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    info:eu-repo/semantics/openAccess
  2. John and Abel in Michel Tournier's "Le roi des aulnes"
    Autor*in: Tumanov, Vladimir

    Many critics have pointed out the importance of revelation by John of Patmos as an intertext in Michel Tournier's "Le roi des aulnes" [...]. They normally refer to the apocalyptic ending of the novel as the most obvious link with the Johannine text.... mehr

     

    Many critics have pointed out the importance of revelation by John of Patmos as an intertext in Michel Tournier's "Le roi des aulnes" [...]. They normally refer to the apocalyptic ending of the novel as the most obvious link with the Johannine text. This connection is obvious not only because the final scene is the destruction of Kaltenborn castle with all its inhabitants (and by extension the destruction of the entire Third Reich), but also because there are direct references to revelation in Tournier's text [...]. However, the importance of Johannine discourse goes well beyond this overt intertextuality.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen romanischer Sprachen; Französische Literatur (840)
    Schlagworte: Tournier, Michel / Le roi des aulnes; Intertextualität
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    info:eu-repo/semantics/openAccess
  3. 'Ecce Bellum' : Garshin's "Four Days"
    Autor*in: Tumanov, Vladimir

    Vsevolod Garshin's "Four Days" is the story of a wounded soldier left for dead on a deserted battlefield: During four days of physical and mental agony, he reassesses his formerly idealistic attitude towards war and ends up condemning it as something... mehr

     

    Vsevolod Garshin's "Four Days" is the story of a wounded soldier left for dead on a deserted battlefield: During four days of physical and mental agony, he reassesses his formerly idealistic attitude towards war and ends up condemning it as something far from glorious and noble. However, the importance of Garshin's short story in literary history is not so much its anti-war message as the innovative nature of the form used to convey that message. Garshin was the first to explore the potential of direct interior monologue (hereinafter: DIM): a technique which seeks to create the artistic illusion that the reader is eavesdropping on a character's inner discourse without any mediation on the part of a narrator [...]. Because Garshin's text anticipated many of the devices later used by such masters of the genre as James Joyce and William Faulkner, the form of "Four Days" merits close analysis.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); bookPart
    Format: Online
    ISBN: 1-902949-03-x
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Garšin, Vsevolod M. / Četyre dnja; Innerer Monolog
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  4. Film review: The Matrix cult
    Autor*in: Tumanov, Vladimir

    Much of the semiotic discussion around the deeper structures of "The Matrix" has tended to center around positive ethical and philosophical systems. Thus, numerous critics have pointed out the Christian subtext in the film with Neo as Christ and... mehr

     

    Much of the semiotic discussion around the deeper structures of "The Matrix" has tended to center around positive ethical and philosophical systems. Thus, numerous critics have pointed out the Christian subtext in the film with Neo as Christ and Morpheus as John the Baptist (James L. Ford: 8). The Garden of Eden story has been superimposed on "The Matrix" as well with the implication that just as Adam's and Eve's awakening to knowledge makes Christianity possible, so too, Neo's awakening will lead to the salvation of humanity by a Christ-like figure (cf. James S. Spiegel: 13). Others have picked out connections with Joseph Campbell's monomyth concept where the hero must depart from the familiar world, go into a netherworld and return morally transformed (A. Samuel Kimball: 176, 198). There is also the Platonic interpretation where the passage toward the light from the famous cave allegory is read into the awakening process of "The Matrix": "The theme of appearance versus reality is as old as Plato's Republic. And while perhaps no writer or artist has improved upon his cave allegory in presenting this theme, the Wachowski brothers' The Matrix might be as effective an attempt as any since Plato, in cinematic history anyway" (James S. Spiegel: 9). Buddhism and its notion that reality is illusion appears as an equally convincing model for reading "The Matrix" (James L. Ford: 10). Even Gnosticism has been used as an interesting semiotic framework for the film (Frances Flannery-Dailey and Rachel Wagner: 10-12).

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Rezension
    Format: Online
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791)
    Schlagworte: The matrix <Film, 1999>; Intertextualität
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    info:eu-repo/semantics/openAccess
  5. All bad : the biblical flood revisited in modern fiction
    Autor*in: Tumanov, Vladimir

    Modern retellings of the Flood pericope (Genesis 6–8) depend on the age of the targeted audience. Writing for adults, Wolfdietrich Schnurre, Brigitte Schär, Timothy Findley, and Anne Provoost ask whether universal annihilation can be justified. Their... mehr

     

    Modern retellings of the Flood pericope (Genesis 6–8) depend on the age of the targeted audience. Writing for adults, Wolfdietrich Schnurre, Brigitte Schär, Timothy Findley, and Anne Provoost ask whether universal annihilation can be justified. Their criticism of the divine notion that evil is universal and indiscriminate collective punishment is therefore justified, reveals values that are incompatible with those informing the original biblical narrative. However much modernity is aware that myths are symbolic, it apparently cannot assimilate their ethics without a critical reassessment. In this, modern writers rely on the realistic premises of modern novelistic narration. In contrast, modern retellings of the Flood story for children appear to be far more prepared to accept the ancient value system underlying the biblical narrative. Books for younger audiences seem to be much more comfortable with the notion of generalized evil and global punishment than works for adults. This becomes particularly striking in a number of picture books about Noah's ark. The narrative stance of writers ultimately depends on the way they perceive adulthood and childhood.

     
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    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Sintflut <Motiv>
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    info:eu-repo/semantics/openAccess