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  1. The idea of "modern art" in Renaissance Italy : essay
    Autor*in: Brennan, Robert
    Erschienen: 16.03.2021

    The Italian Renaissance has long been studied as a point of origin for "modern" ideas about art. This approach, which can be traced back to figures like Giorgio Vasari and Jacob Burckhardt, remains central in scholarship on Renaissance art to this... mehr

     

    The Italian Renaissance has long been studied as a point of origin for "modern" ideas about art. This approach, which can be traced back to figures like Giorgio Vasari and Jacob Burckhardt, remains central in scholarship on Renaissance art to this day. For example, on the first page of a recent textbook on Italian Renaissance art, Stephen Campbell and Michael Cole begin by laying out two contrary views of the period. To Renaissance writers like Lorenzo Ghiberti, they explain, the Renaissance meant the rebirth of classical antiquity; "to others, however, it has seemed that the importance of Italian art after about 1400 lay not in its return to origins but in the emergence of something entirely new and characteristically modern - the idea of art itself." [...] While this outlook has certainly made a lasting contribution to Renaissance art history, it has also given rise to certain blind spots and misconceptions in the field. For example, it is often assumed that the word "art" underwent a radical change of meaning in the Renaissance, anticipating the later, post-Enlightenment notion of the "fine arts" as an autonomous field of creative activity. However, close readings of period texts often suggest the opposite.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teile des Periodikums; PeriodicalPart
    Format: Online
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Schlagworte: Kunst; Renaissance; Italien
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  2. "Art and defects" in the eye of a beholder : conference report
    Autor*in: Muilwijk, Bob
    Erschienen: 13.01.2021

    The conference "Kunst und Gebrechen" ("Art and Defects"), which was scheduled from March 19th to March 21st and then postponed due to Covid-19, finally took place from November 5th through to November 7th. [...] The conference had a clear... mehr

     

    The conference "Kunst und Gebrechen" ("Art and Defects"), which was scheduled from March 19th to March 21st and then postponed due to Covid-19, finally took place from November 5th through to November 7th. [...] The conference had a clear biographical focus: Most of the fourteen presentations sought to disentangle the influence any clear "defects" artists might have had on their work or their reception. Of course, this already poses a problem that many of the speakers addressed: the idea of "defects" presupposes a teleological norm, be it physical, mental or concerning age or gender, from which it is possible to deviate. A defect is a defect first and foremost in the eye of the beholder and, as Manfred Kern mentioned in his introduction, it can be seen not just as an impediment, but as a catalyst for artistic expression, too.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teile des Periodikums; PeriodicalPart
    Format: Online
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Schlagworte: Kunst; Kreativität; Disability Studies; Krankheit; Darstellende Kunst; Musik
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  3. The work of art in the age of Trump
    Autor*in: Shields, Ross
    Erschienen: 15.02.2021

    In the age of mechanical reproducibility, the 'aura' surrounding works of art undergoes a crisis. The contemporary relevance of Walter Benjamin's thesis - in its societal, aesthetic, and media-theoretical significance - is illustrated by former U.S.... mehr

     

    In the age of mechanical reproducibility, the 'aura' surrounding works of art undergoes a crisis. The contemporary relevance of Walter Benjamin's thesis - in its societal, aesthetic, and media-theoretical significance - is illustrated by former U.S. president Donald Trump's purported ownership of "Les deux soeurs" ("Two Sisters"), also known as "Sur la terrasse" ("On the Terrace"), by Pierre-Auguste Renoir. Journalist Mark Bowden, who caught a glimpse of the painting when he was invited to Trump's jet in 1997, describes the event in an article for Vanity Fair: "He showed off the gilded interior of his plane - calling me over to inspect a Renoir on its walls, beckoning me to lean in closely to see … what? The luminosity of the brush strokes? The masterly use of color? No. The signature. 'Worth $10 million,' he told me." Of course, this is the attitude that one might expect from a real-estate mogul turned art collector (although not from a future president). In ignorance of both form and content - to say nothing of their unity - the painting is reduced to its sheer exchange value, concentrated in the signature guaranteeing its authenticity.

     
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  4. Portrait of a philosopher : notes on a new biography of Jacques Derrida
    Autor*in: Precht, Oliver
    Erschienen: 07.05.2021

    Rezension zu Peter Salmon, "An Event, Perhaps. A Biography of Jacques Derrida", London / New York: Verso, 2020. mehr

     

    Rezension zu Peter Salmon, "An Event, Perhaps. A Biography of Jacques Derrida", London / New York: Verso, 2020.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teile des Periodikums; PeriodicalPart
    Format: Online
    ISBN: https://doi.org/10.13151/zfl-blog/20210507-01
    DDC Klassifikation: Philosophie und Psychologie (100); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Derrida, Jacques; Biografie; Philosophie; Theorie; Geschichte
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. How to write as an outsider about what it means to be German
    Autor*in: Engelstein, Stefani
    Erschienen: 17.12.2021

    First as a student of comparative literature with a focus on German and then as a professor of German Studies, I’ve been traveling back and forth to Germany for three decades, almost exactly the age of the reunified German state. I have stayed for... mehr

     

    First as a student of comparative literature with a focus on German and then as a professor of German Studies, I’ve been traveling back and forth to Germany for three decades, almost exactly the age of the reunified German state. I have stayed for weeks, for months, or for more than a year at a time. I have lived in Leipzig, in Cologne, and in Munich, but I have spent by far the most time in Berlin, a place that I have come to consider a second home. Throughout that time, Germany has changed enormously, both demographically and attitudinally. In relation to diversity in general and in its relationship to Jews.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: GiNDok
    Sprache: Englisch
    Medientyp: Teile des Periodikums; PeriodicalPart
    Format: Online
    ISBN: https://doi.org/10.13151/zfl-blog/20211217-01
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Deutschland; Geschichte; Identität; Diversität; Juden
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess