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Christoph Hein in perspective [Rezension]
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The malevolent God and Paul Celan's 'Tenebrae'
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Instrumentalisierung der Geschichte
Günter de Bruyns "Märkische Forschungen" und Stefan Heyms "König David Bericht" -
Translation and interpretation
Adolf Muschgs 'Ein Glockenspiel' -
Ackermann, Karin: Heinrich von Kleist, 'Michael Kohlhaas' [Rezension]
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Das Unbehagen in der Kultur
Switzerland and China in Adolf Muschgs 'Baiyun' -
Die jüdische messianische Tradition und Ernst Tollers 'Wandlung'
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Christoph Hein's 'Das Napoleon-Spiel' and the ludic principle
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Austrians and Jews at the turns of the century
Robert Schindel's 'Gebürtig' and Arthur Schnitzler's 'Der Weg ins Freie' -
Neubauer, Martin: Theodor Fontane, 'Irrungen, Wirrungen' [Rezension]
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Felstiner, John: Paul Celan [Rezension]
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Individual and type in Arthur Schnitzler's 'Liebelei'
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'Amy or the metamorphosis' as a Bildungsroman
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Kafka and the reader
the world as text in 'Forschungen eines Hundes' -
The Malevolent God and Paul Celan's "Tenebrae"
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Anarchism in the dramas of Ernst Toller
the realm of necessity and the realm of freedom -
Anarchism in the dramas of Ernst Toller
the realm of necessity and the realm of freedom -
Anarchism in the dramas of Ernst Toller
the realm of necessity and the realm of freedom -
Anarchism in the dramas of Ernst Toller
the realm of necessity and the realm of freedom -
Anarchism in the dramas of Ernst Toller
the realm of necessity and the realm of freedom -
Anarchism in the dramas of Ernst Toller
The realism of necessity and the realm of freedom