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  1. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: 1996
    Verlag:  University of Toronto Press, Toronto [Ont.] ; JSTOR, New York, NY

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

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    Hessisches BibliotheksInformationsSystem HeBIS
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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard. O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442670600; 1442670606
    RVK Klassifikation: GN 1900
    Schriftenreihe: Theory/culture
    Schlagworte: Deutsch; Literatur; Narrativität
    Umfang: 1 Online-Ressource (x, 205 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  2. Acts of narrative
    textual strategies in modern German fiction
    Autor*in:
    Erschienen: c1996
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: O'Neill, Patrick
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442670600; 1442670606
    Schriftenreihe: Theory
    Theory/culture
    Schlagworte: German fiction; Roman allemand; Narration; Narration (Rhetoric); German fiction; LITERARY CRITICISM ; European ; German; German fiction; Narration (Rhetoric); Literatur; Narrativität; Criticism, interpretation, etc
    Umfang: Online Ressource (x, 205 p.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

  3. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: 1996
    Verlag:  University of Toronto Press, Toronto [Ont.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

    Hessisches BibliotheksInformationsSystem HeBIS
    keine Fernleihe

     

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard. O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442670600; 1442670606
    RVK Klassifikation: GN 1900
    Schriftenreihe: Theory/culture
    Schlagworte: Deutsch; Literatur; Narrativität
    Umfang: 1 Online-Ressource (x, 205 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  4. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: c1996
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442670600; 1442670606; 0802009824; 9780802009821
    Schriftenreihe: Theory/culture series
    Schlagworte: Roman allemand / 20e siècle / Histoire et critique; Narration; Literatur; Narrativität; LITERARY CRITICISM / European / German; German fiction; Narration (Rhetoric); German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Umfang: 1 Online-Ressource (x, 205 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Death in Venice : narrative situations in Thomas Mann's Der Tod in Venedig -- - Trial : paradigms of indeterminacy in Franz Kafka's Der Prozess -- - Harry Haller's records : the ludic imagination in Hermann Hesse's Steppenwolf -- - Auto da fé : reading misreading in Elias Canetti's Die Blendung -- - Tin Drum : implications of unrealibility in Günter Grass's Die Blechtrommel -- - Two views : the authority of discourse in Uwe Johnson's Zwei Ansichten -- - Goalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter -- - Lime works : narrative and noise in Thomas Bernhard's Das Kalkwerk

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard

    O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system