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  1. The other worlds of Hector Berlioz
    travels with the orchestra
    Autor*in: Rij, Inge van
    Erschienen: 2015
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The locations where his musical works are set are less remote, and his... mehr

    Staats- und Universitätsbibliothek Bremen
    a mus 823/809
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    GE 2015/7618
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    F ber 626
    keine Fernleihe
    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy', Hochschulbibliothek
    keine Fernleihe
    Universität des Saarlandes, Fachrichtung für Musikwissenschaft, Bibliothek
    M B 152/67
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Württembergische Landesbibliothek
    65a/572
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    LP 63300 R572
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The locations where his musical works are set are less remote, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge vanRij's book takes a new approach to Berlioz's treatment of the orchestra by exploring the relationship between these two forms of control - the orchestra as abstract sound, and the orchestra as collective labour and instrumental technology. Van Rij reveals that the negotiation between worlds characteristic of Berlioz's writings also plays out in his music: orchestral technology may be concealed or ostentatiously displayed; musical instruments may be industrialised or exoticised; and the orchestral musicians themselves move between being a society of distinctive individuals and being a machine played by Berlioz himself"-- "Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring the relationship between these two forms of control - the orchestra as abstract sound, and the orchestra as collective labour and instrumental technology. Van Rij reveals that the negotiation between worlds characteristic of Berlioz's writings also plays out in his music: orchestral technology may be concealed or ostentatiously displayed; musical instruments might be industrialised or exoticised; and the orchestral musicians themselves move between being a society of distinctive individuals and being a machine played by Berlioz himself"--

     

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    Hinweise zum Inhalt
    Quelle: Herzogin Anna Amalia Bibliothek
    Beteiligt: Berlioz, Hector
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521896467; 9781108814010
    Weitere Identifier:
    9780521896467
    RVK Klassifikation: LP 63300
    Auflage/Ausgabe: 1. Aufl.
    Schlagworte: Orchestral music
    Weitere Schlagworte: Berlioz, Hector (1803-1869): Orchestra music
    Umfang: XII, 357 S., Ill., graph. Darst., Notenbeisp.
    Bemerkung(en):

    Machine generated contents note: Introduction; 1. Travels with the orchestra: travel writing and Berlioz's Orchestration Treatise; 2. Conquering other worlds: military metaphors, virtuosity, and subjectivity in Symphonie funèbre et triomphale and Harold en Italie; 3. Visions of other worlds: sensing the supernatural in Épisode de la vie d'un artiste and La nonne sanglante; 4. Back to (the music of) the future: aesthetics of technology in Berlioz's Euphonia and Damnation de Faust; 5. Exhibiting other worlds: Les Troyens, museum culture, and human zoos; Epilogue.

    Literaturverz. S. 339 - 350