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  1. Popular revenants
    the German Gothic and its international reception ; 1800 - 2000
    Autor*in:
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY [u.a.]

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Cusack, Andrew
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571135193; 9781571138279
    RVK Klassifikation: GE 6466 ; GE 5939 ; GE 5940
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Gothic fiction (Literary genre), German; Gothic fiction (Literary genre), German; Gothic fiction (Literary genre), English; Gothic revival (Literature); Horror tales; Horror films; Influence (Literary, artistic, etc.); Rezeption; Schauerliteratur; Schauerroman; Deutsch
    Umfang: 1 Online-Ressource (VI, 309 S.)
  2. Popular revenants
    the German Gothic and its international reception ; 1800 - 2000
    Autor*in:
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY [u.a.]

    Includes bibliographical references and index There is growing interest in the internationality of the literary Gothic, which is well established in English Studies. Gothic fiction is seen as transgressive, especially in the way it crosses borders,... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Includes bibliographical references and index There is growing interest in the internationality of the literary Gothic, which is well established in English Studies. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years redresses deficiencies in existing English-language sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (Connect to MyiLibrary resource)
    Quelle: Verbundkataloge
    Beteiligt: Cusack, Andrew
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1281016810; 9781571138279; 9781571135193; 9781281016812
    RVK Klassifikation: GE 5939
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Umfang: VI, 309 S.
    Bemerkung(en):

    "With two exceptions, the essays collected in this volume have evolved from papers presented at the symposium "Popular Revenants" held at Trinity College Dublin on 4-5 September 2009"--P. . -- Includes some essays translated from German

    Frontcover; Contents; Acknowledgments; Introduction; 1: Haunting (Literary) History: An Introduction to German Gothic; 2: "The echo of the question, as if it had merely resounded in a tomb":The Dark Anthropology of the Schauerroman in Schiller's Der Geisterseher; 3: Blaming the Other: English Translations of Benedikte Naubert's Hermann von Unna (1788/1794); 4: Scott, Hoffmann, and the Persistence of the Gothic; 5: Cultural Transfer in the Dublin University Magazine: James Clarence Mangan and the German Gothic

    6: In the Maelstrom of Interpretation: Reshaping Terror and Horror between 1798 and 1838 - Gleich, Hoffmann, Poe7: Popular Ghosts: Heinrich Heine on German Geistesgeschichte as Gothic Novel; 8: The Spirit World of Art and Robert Schumann's Gothic Novel Project: The Impact of Gothic Literature on Schumann's Writings; 9: About Face: E. T. A. Hoffmann, Weimar Film, and the Technological Afterlife of Gothic Physiognomy; 10: Of Rats, Wolves, and Men: The Pied Piper as Gothic Revenant and Provenant in Wilhelm Raabe's Die Hämelschen Kinder

    11: The Lady in White or The Laws of the Ghost in Theodor Fontane's Vor dem Sturm12: On Golems and Ghosts: Prague as a Site of Gothic Modernism; 13: "Ein Gespenst geht um": Irina Liebmann, Christa Wolf, and the Post-Wall Gothic; Works Cited; Notes on the Contributors; Index; Backcover

    Electronic reproduction; Available via World Wide Web
  3. Popular revenants
    the German gothic and its international reception, 1800-2000
    Autor*in:
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY ; JSTOR, New York, NY

    Zugang:

    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Cusack, Andrew; Murnane, Barry
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138279; 1571138277; 9781281016812; 1281016810
    RVK Klassifikation: GE 5940 ; GE 5939 ; GE 6466
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Schauerroman; Deutsch; Schauerliteratur; Rezeption
    Umfang: 1 Online-Ressource (vi, 309 pages)
    Bemerkung(en):

    "With two exceptions, the essays collected in this volume have evolved from papers presented at the symposium "Popular Revenants" held at Trinity College Dublin on 4-5 September 2009"--Acknowledgments

    Includes some essays translated from German

    Includes bibliographical references and index
  4. Popular revenants
    the German gothic and its international reception, 1800-2000
    Autor*in:
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to the present day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange - both between cultures and between discourses. Contributors: Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber. Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Cusack, Andrew (HerausgeberIn); Murnane, Barry (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138279
    RVK Klassifikation: GE 5939
    Schlagworte: Gothic revival (Literature); Horror tales; Horror films; Influence (Literary, artistic, etc.); Gothic fiction (Literary genre), German; Gothic fiction (Literary genre), English; Gothic fiction (Literary genre), German; Gothic fiction (Literary genre), German ; History and criticism ; Congresses; Gothic fiction (Literary genre), German ; Appreciation ; Congresses; Gothic fiction (Literary genre), English ; History and criticism ; Congresses; Gothic revival (Literature) ; Congresses; Horror tales ; History and criticism ; Congresses; Horror films ; History and criticism ; Congresses; Influence (Literary, artistic, etc.) ; Congresses
    Umfang: 1 Online-Ressource (vi, 309 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Andrew Cusack: Introduction

    Barry Murnane: Haunting (literary) history : an introduction to German gothic

    Jurgen Barkhoff: "The echo of the question, as if it had merely resounded in a tomb" : the dark anthropology of the Schauerroman in Schiller's Der Geisterseher

    Silke Arnold-de Simine: Blaming the other : the Schauerroman and Anglo-German cultural transfer around 1800

    Victor Sage: Scott, Hoffmann, and the persistence of the gothic

    Andrew Cusack: Intercultural transfer in the Dublin University magazine : James Clarence Mangan and the German gothic

    Mario Grizelj: In the maelstrom of interpretation : reshaping terror and horror between 1798 and 1838 : Gleich, Hoffmann, Poe

    Jorg Kreienbrock: Popular ghosts : Heinrich Heine on German Geistesgeschichte as gothic novel

    Monika Schmitz-Emans: The spirit world of art and Robert Schumann's gothic novel project : the impact of gothic literature on Schumann's writings

    Andrew Webber: About face : E.T.A. Hoffmann, Weimar film, and the technological afterlife of gothic physiognomy

    Peter Arnds: Of rats, wolves, and men : the Pied Piper as gothic revenant and provenant in Wilhelm Raabe's Die Hamelschen Kinder

    Matthias Bickenbach: The lady in white or the laws of the ghost in Theodor Fontane's Vor dem Sturm

    Barry Murnane: On golems and ghosts : Prague as a site of gothic modernism

    Catherine Smale.: "Ein gespenst geht um" : Christa Wolf, Irina Liebmann, and the post-Wall gothic
  5. Popular revenants
    the German gothic and its international reception, 1800-2000
    Autor*in:
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to the present day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange - both between cultures and between discourses. Contributors: Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber. Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Cusack, Andrew (HerausgeberIn); Murnane, Barry (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138279
    RVK Klassifikation: GE 5939
    Schlagworte: Gothic revival (Literature); Horror tales; Horror films; Influence (Literary, artistic, etc.); Gothic fiction (Literary genre), German; Gothic fiction (Literary genre), English; Gothic fiction (Literary genre), German; Gothic fiction (Literary genre), German ; History and criticism ; Congresses; Gothic fiction (Literary genre), German ; Appreciation ; Congresses; Gothic fiction (Literary genre), English ; History and criticism ; Congresses; Gothic revival (Literature) ; Congresses; Horror tales ; History and criticism ; Congresses; Horror films ; History and criticism ; Congresses; Influence (Literary, artistic, etc.) ; Congresses
    Umfang: 1 Online-Ressource (vi, 309 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Andrew Cusack: Introduction

    Barry Murnane: Haunting (literary) history : an introduction to German gothic

    Jurgen Barkhoff: "The echo of the question, as if it had merely resounded in a tomb" : the dark anthropology of the Schauerroman in Schiller's Der Geisterseher

    Silke Arnold-de Simine: Blaming the other : the Schauerroman and Anglo-German cultural transfer around 1800

    Victor Sage: Scott, Hoffmann, and the persistence of the gothic

    Andrew Cusack: Intercultural transfer in the Dublin University magazine : James Clarence Mangan and the German gothic

    Mario Grizelj: In the maelstrom of interpretation : reshaping terror and horror between 1798 and 1838 : Gleich, Hoffmann, Poe

    Jorg Kreienbrock: Popular ghosts : Heinrich Heine on German Geistesgeschichte as gothic novel

    Monika Schmitz-Emans: The spirit world of art and Robert Schumann's gothic novel project : the impact of gothic literature on Schumann's writings

    Andrew Webber: About face : E.T.A. Hoffmann, Weimar film, and the technological afterlife of gothic physiognomy

    Peter Arnds: Of rats, wolves, and men : the Pied Piper as gothic revenant and provenant in Wilhelm Raabe's Die Hamelschen Kinder

    Matthias Bickenbach: The lady in white or the laws of the ghost in Theodor Fontane's Vor dem Sturm

    Barry Murnane: On golems and ghosts : Prague as a site of gothic modernism

    Catherine Smale.: "Ein gespenst geht um" : Christa Wolf, Irina Liebmann, and the post-Wall gothic
  6. Popular revenants
    the German gothic and its international reception, 1800-2000
    Autor*in:
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to the present day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange - both between cultures and between discourses. Contributors: Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber. Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
  7. Popular revenants
    the German gothic and its international reception, 1800-2000
    Autor*in:
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to the present day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange - both between cultures and between discourses. Contributors: Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber. Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  8. Popular revenants
    the German Gothic and its international reception ; 1800 - 2000
    Autor*in:
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY [u.a.]

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Cusack, Andrew
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571135193; 9781571138279
    RVK Klassifikation: GE 6466 ; GE 5939 ; GE 5940
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Gothic fiction (Literary genre), German; Gothic fiction (Literary genre), German; Gothic fiction (Literary genre), English; Gothic revival (Literature); Horror tales; Horror films; Influence (Literary, artistic, etc.); Rezeption; Schauerliteratur; Schauerroman; Deutsch
    Umfang: 1 Online-Ressource (VI, 309 S.)
  9. Popular revenants
    the German gothic and its international reception, 1800-2000
    Autor*in:
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the... mehr

    Zugang:

    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Standort:
    Hessisches BibliotheksInformationsSystem HeBIS
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Hessisches BibliotheksInformationsSystem (HeBIS)

     

    The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to the present day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange - both between cultures and between discourses. Contributors: Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber. Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Cusack, Andrew (Herausgeber); Murnane, Barry (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138279
    RVK Klassifikation: GE 5940 ; GE 5939 ; GE 6466
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Schauerliteratur; Rezeption; Schauerroman
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)