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  1. Cruelty and Desire in the Modern Theater
    Antonin Artaud, Sarah Kane, and Samuel Beckett
    Autor*in: De Vos, Laurens
    Erschienen: 2011
    Verlag:  Fairleigh Dickinson University Press, New Jersey ; ProQuest, Ann Arbor, Michigan

    Departing from a refreshing look at the ideas of Antonin Artaud, this book provides a thorough analysis of how both Sarah Kane and Samuel Beckett are indebted to his legacy. In juxtaposing these playwrights, De Vos minutely points out how both in... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Departing from a refreshing look at the ideas of Antonin Artaud, this book provides a thorough analysis of how both Sarah Kane and Samuel Beckett are indebted to his legacy. In juxtaposing these playwrights, De Vos minutely points out how both in their own way struggle with coming to terms with Artaud. A key concept in Lacanian psychoanalytic theories, desire lies at the root of the Theatre of Cruelty; Kane and Beckett prove that desire and cruelty are inextricably linked to one another, but that they appear in radically different disguises. Relying on Kane and Beckett, this book not only sheds a light on the precise intentions behind Artaud's project, it also maps out the structural parallels and dichotomies between the Theatre of Cruelty and the literary genre of tragedy.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781611470451
    RVK Klassifikation: EC 7507
    Schlagworte: Theater; Drama; Sehnsucht <Motiv>; Grausamkeit <Motiv>
    Weitere Schlagworte: Artaud, Antonin (1896-1948); Kane, Sarah (1971-1999); Beckett, Samuel (1906-1989)
    Umfang: 1 Online-Ressource (186 pages)
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