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Romantic poets, critics, and other madman
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Sounding imperial
poetic voice and the politics of Empire, 1730 - 1820 -
The poetry of chartism
aesthetics, politics, history -
The poet's mind
the psychology of Victorian poetry, 1830 - 1870 -
Romantic fiat
demystification and enchantment in lyric poetry -
Poetics of luxury in the nineteenth century
Keats, Tennyson, and Hopkins -
Romanticism, self-canonization, and the business of poetry
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Madness and the romantic poet
a critical history -
Literature and the growth of British nationalism
the influence of Romantic poetry and bardic criticism -
The Orient and the young romantics
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Women poets in the Victorian era
cultural practices and nature poetry -
The idea of infancy in nineteenth-century British poetry
romanticism, subjectivity, form -
Irish poetry under the union, 1801 - 1924
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Urbanization and English romantic poetry
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Other British voices
women, poetry, and religion, 1766-1840 -
Sense of place
Regionalität und Raumbewußtsein in der neueren britischen Lyrik -
The circle of our vision
Dante's presence in English romantic poetry -
The perversity of poetry
romantic ideology and the popular male poet of genius -
Georgic modernity and British romanticism
poetry and the mediation of history -
The Fin-de-Siècle poem
English literary culture and the 1890s -
Republican politics and English poetry, 1789 - 1874
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Victorian poetry as cultural critique
the politics of performative language -
Apocalypse and millenium in English Romantic poetry
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Romanticism and transcendence
Wordsworth, Coleridge, and the religious imagination -
What's the import?
nineteenth-century poems and contemporary critical practice