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  1. Representation and memory in graphic novels
    Erschienen: 2019
    Verlag:  Routledge, London ; New York

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating trauma in Marjane Satrapi's Persepolis - Memories of illness in epileptic by David B. and Stitches by David Small - Multimodal memories: the photographer: into war-torn Afghanistan with Doctors Without Borders by Guibert et al and Ari Folman's Waltz with Bashir - Comics online: memories from the exclusion zone in At work inside our detention centres: A Guard's Story by Wallman et al, and Villawood by Safdar Ahmed. ; Introduction "This book analyses the relationship between comics and cultural memory. By focusing on a range of landmark comics from the 20th and 21st centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes, and individuals living with particular health conditions."--

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472481566; 9780367670795
    RVK Klassifikation: EC 7120 ; AP 88832
    Schriftenreihe: Memory studies: Global constellations ; 11
    Schlagworte: Graphic novels; Collective memory and literature; Memory in literature; Kollektives Gedächtnis; Comicroman
    Weitere Schlagworte: Ahmed, Safdar; Kiyama, Henry Yoshitaka (1885-1951); Polonsḳi, Daṿid (1973-); Tan, Shaun (1974-); Small, David (1945-); Grant, Pat (1981-); B., David (1959-); Yang, Gene Luen (1973-); Folman, Ari (1962-)
    Umfang: ix, 198 Seiten, Illustrationen
  2. The expanding art of comics
    ten modern masterpieces
    Erschienen: [2017]
    Verlag:  University Press of Mississippi, Jackson

    "In The Expanding Art of Comics: Ten Modern Masterpieces, prominent scholar Thierry Groensteen offers a distinct perspective on important evolutions in comics since the 1960s through close readings of ten seminal works. He covers over half a century... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In The Expanding Art of Comics: Ten Modern Masterpieces, prominent scholar Thierry Groensteen offers a distinct perspective on important evolutions in comics since the 1960s through close readings of ten seminal works. He covers over half a century of comics production, sampling a single work from the sixties (Ballad of the Salt Sea by Hugo Pratt), seventies (The Airtight Garage of Jerry Cornelius by Moebius), eighties (Watchmen by Alan Moore and Dave Gibbons), and nineties (Epileptic by David B.). Then this remarkable critic, scholar, and author of The System of Comics and Comics and Narration delves into recent masterpieces, such as Building Stories by Chris Ware. Each of these books created an opening, achieved a breakthrough, offered a new narrative model, or took up an emerging tendency and perfected it. Groensteen recaptures the impact with which these works, each in its own way, broke with what had gone before. He regards comics as an expanding art, not only because groundbreaking works such as these are increasing in number, but also because it is an art that has only gradually become aware of its considerable potential and is unceasingly opening up new expressive terrain"...

     

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    Quelle: Verbundkataloge
    Beteiligt: Miller, Ann
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781496808028; 9781496820129
    RVK Klassifikation: AP 88720 ; EC 7120
    Schlagworte: LITERARY CRITICISM / Comics & Graphic Novels / bisacsh; SOCIAL SCIENCE / Popular Culture / bisacsh; Comic books, strips, etc; Graphic novels; LITERARY CRITICISM / Comics & Graphic Novels; SOCIAL SCIENCE / Popular Culture; Comic; Comicroman
    Weitere Schlagworte: Goblet, Dominique (1967-); Moore, Alan (1953-): Watchmen; Tan, Shaun (1974-): The arrival; Thompson, Craig (1975-); Giraud, Jean (1938-2012); B., David (1959-); Pratt, Hugo (1927-1995): Una ballata del mare salato; Bechdel, Alison (1960-): Fun home; Ware, Chris (1967-)
    Umfang: XI, 240 Seiten, Illustrationen
    Bemerkung(en):

    Originally published in 2015 by Les Impressions Nouvelles as "Un Art en expansion: Dix chefs-d'oeuvre de la bande dessinée moderne"

    Includes bibliographical references and index

  3. Representation and memory in graphic novels
    Erschienen: 2019
    Verlag:  Routledge, London ; New York

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Internationale Jugendbibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating trauma in Marjane Satrapi's Persepolis - Memories of illness in epileptic by David B. and Stitches by David Small - Multimodal memories: the photographer: into war-torn Afghanistan with Doctors Without Borders by Guibert et al and Ari Folman's Waltz with Bashir - Comics online: memories from the exclusion zone in At work inside our detention centres: A Guard's Story by Wallman et al, and Villawood by Safdar Ahmed. ; Introduction "This book analyses the relationship between comics and cultural memory. By focusing on a range of landmark comics from the 20th and 21st centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes, and individuals living with particular health conditions."--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472481566; 9780367670795
    RVK Klassifikation: EC 7120 ; AP 88832
    Schriftenreihe: Memory studies: Global constellations ; 11
    Schlagworte: Graphic novels; Collective memory and literature; Memory in literature; Kollektives Gedächtnis; Comicroman
    Weitere Schlagworte: Ahmed, Safdar; Kiyama, Henry Yoshitaka (1885-1951); Polonsḳi, Daṿid (1973-); Tan, Shaun (1974-); Small, David (1945-); Grant, Pat (1981-); B., David (1959-); Yang, Gene Luen (1973-); Folman, Ari (1962-)
    Umfang: ix, 198 Seiten, Illustrationen
  4. Representation and memory in graphic novels
    Erschienen: 2020
    Verlag:  Routledge, London ; New York

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating... mehr

    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Comics, memory, and the visual archive - Migrant memories in Henry Yoshitaka Kiyama's The Four Immigrants manga, and The Arrival by Shaun Tan - Racism and cultural after-lives: American born Chinese by Gene Luen Yang and Pat Grant's Blue - Narrating trauma in Marjane Satrapi's Persepolis - Memories of illness in epileptic by David B. and Stitches by David Small - Multimodal memories: the photographer: into war-torn Afghanistan with Doctors Without Borders by Guibert et al and Ari Folman's Waltz with Bashir - Comics online: memories from the exclusion zone in At work inside our detention centres: A Guard's Story by Wallman et al, and Villawood by Safdar Ahmed. ; Introduction "This book analyses the relationship between comics and cultural memory. By focusing on a range of landmark comics from the 20th and 21st centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes, and individuals living with particular health conditions."--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367670795
    RVK Klassifikation: EC 7120
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: Memory studies: Global constellations ; 11
    Schlagworte: Graphic novels; Collective memory and literature; Memory in literature; Kollektives Gedächtnis; Comicroman
    Weitere Schlagworte: Ahmed, Safdar; Kiyama, Henry Yoshitaka (1885-1951); Polonsḳi, Daṿid (1973-); Tan, Shaun (1974-); Small, David (1945-); Grant, Pat (1981-); B., David (1959-); Yang, Gene Luen (1973-); Folman, Ari (1962-)
    Umfang: ix, 198 Seiten, Illustrationen