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A treatise on the passions, so far as they regard the stage; with a critical enquiry into the theatrical merit of Mr. G-k, Mr. Q-n, and Mr. B-y. The first considered in the part of Lear, the two last opposed in Othello
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An estimate of the theatrical merits of the two tragedians of Crow-Street
In a letter from a gentleman in Dublin, to his friend in London