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  1. Writing and unwriting (media) art history
    Erkki Kurenniemi in 2048
    Autor*in:
    Erschienen: [2015]; ©2015
    Verlag:  The MIT Press, Cambridge, Massachusetts

    A critical mapping of the multiplicities of Finnish artist and technology pioneer Erkki Kurenniemi -- composer of electronic music, experimental filmmaker, inventor, collector, futurologist. mehr

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    Universitätsbibliothek Osnabrück
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    Universitätsbibliothek der Eberhard Karls Universität
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    A critical mapping of the multiplicities of Finnish artist and technology pioneer Erkki Kurenniemi -- composer of electronic music, experimental filmmaker, inventor, collector, futurologist.

     

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    Quelle: Verbundkataloge
    Beteiligt: Krysa, Joasia (HerausgeberIn); Parikka, Jussi (HerausgeberIn); Kurenniemi, Erkki (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262331111; 026233111X
    Schriftenreihe: Leonardo
    Schlagworte: Kurenniemi, Erkki ; 1941-2017 ; Themes, motives; New media art ; Finland; DIGITAL HUMANITIES & NEW MEDIA/General; COMPUTER SCIENCE/Computer Music; ARTS/Art History/Contemporary Art
    Umfang: 1 online resource (xxviii, 340 pages), illustrations.
  2. The rhythmic event
    art, media, and the sonic
    Erschienen: [2014]; ©2014
    Verlag:  MIT Press, Cambridge, Massachusetts

    "The sonic has come to occupy center stage in the arts and humanities. In the age of computational media, sound and its subcultures can offer more dynamic ways of accounting for bodies, movements, and events. In 'The Rhythmic Event', Eleni Ikoniadou... mehr

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    "The sonic has come to occupy center stage in the arts and humanities. In the age of computational media, sound and its subcultures can offer more dynamic ways of accounting for bodies, movements, and events. In 'The Rhythmic Event', Eleni Ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound. She investigates the ways in which recent digital art experiments that mostly engage with the virtual dimensions of sound suggest alternate modes of perception, temporality, and experience. Ikoniadou draws on media theory, digital art, and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affective. 'The Rhythmic Event' seeks to define the digital media artwork as an assemblage of sensations that outlive the space, time, and bodies that constitute and experience it. Ikoniadou proposes that the notion of rhythm - detached, however, from the idea of counting and regularity - can unlock the imperceptible, aesthetic potential enveloping the artwork. She speculates that addressing the event on the level of rhythm affords us a glimpse into the nonhuman modalities of thought proper to the digital and hidden in the gaps between strict definitions (e.g., human/sonic/digital) and false dichotomies (e.g., virtual/real). Operating at the margins of perception, the rhythmic artwork summons an obscure zone of sonic thought, which considers the event according to its power to become."--Publisher's description.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262320948; 0262320940
    Schriftenreihe: Technologies of lived abstraction
    Schlagworte: Electronic music ; History and criticism; Avant-garde (Music); DIGITAL HUMANITIES & NEW MEDIA/New Media Theory; COMPUTER SCIENCE/Computer Music; ARTS/Music & Sound Studies
    Umfang: 1 online resource (xii, 117 pages).
  3. Voice
    vocal aesthetics in digital arts and media
    Autor*in:
    Erschienen: 2010
    Verlag:  MIT Press, Cambridge, Mass.

    This work provides perspectives on the voice and technology from discussions of voice mail and podcasts to reflections on dance and sound poetry. mehr

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    This work provides perspectives on the voice and technology from discussions of voice mail and podcasts to reflections on dance and sound poetry.

     

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    Quelle: Verbundkataloge
    Beteiligt: Neumark, Norie (MitwirkendeR); Gibson, Ross (MitwirkendeR); Van Leeuwen, Theo (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0262289695; 9780262289696; 9780262290029; 0262290022
    Schriftenreihe: Leonardo
    Schlagworte: Communication ; Social aspects; Voice ; Social aspects; Technology and the arts; New media art; DIGITAL HUMANITIES & NEW MEDIA/General; COMPUTER SCIENCE/Computer Music; ARTS/Music & Sound Studies
    Umfang: 1 online resource (xxxiii, 399 pages), illustrations.
  4. Sonic warfare
    sound, affect, and the ecology of fear
    Erschienen: 2010
    Verlag:  MIT Press, Cambridge, Mass.

    "Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S.... mehr

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    "Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations." "Most theoretical discussions of sound and music cultures in relationship to power, Goodman argues, have a missing dimension: the politics of frequency. Goodman supplies this by drawing a speculative diagram of sonic forces, investigating the deployment of sound systems in the modulation of affect. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture." "Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths."--Jacket.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262258838; 0262258838; 9780262266338; 0262266334
    Schriftenreihe: Technologies of lived abstraction
    Schlagworte: Music ; Acoustics and physics; Music ; Social aspects; Music ; Philosophy and aesthetics; DIGITAL HUMANITIES & NEW MEDIA/General; COMPUTER SCIENCE/Computer Music; SOCIAL SCIENCES/Political Science/General
    Umfang: 1 online resource (xx, 270 pages).
  5. Sound unbound
    sampling digital music and culture
    Autor*in:
    Erschienen: 2010; ©2008
    Verlag:  MIT Press, Cambridge, Massachusetts ;

    The role of sound and digital media in an information-based society: artists--from Steve Reich and Pierre Boulez to Chuck D and Moby--describe their work.If Rhythm Science was about the flow of things, Sound Unbound is about the remix--how music,... mehr

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    The role of sound and digital media in an information-based society: artists--from Steve Reich and Pierre Boulez to Chuck D and Moby--describe their work.If Rhythm Science was about the flow of things, Sound Unbound is about the remix--how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul Miller aka DJ Spooky that Subliminal Kid asks artists to describe their work and compositional strategies in their own words. These are reports from the front lines on the role of sound and digital media in an information-based society. The topics are as diverse as the contributors: composer Steve Reich offers a memoir of his life with technology, from tape loops to video opera; Miller himself considers sampling and civilization; novelist Jonathan Lethem writes about appropriation and plagiarism; science fiction writer Bruce Sterling looks at dead media; Ron Eglash examines racial signifiers in electrical engineering; media activist Naeem Mohaiemen explores the influence of Islam on hip hop; rapper Chuck D contributes "Three Pieces"; musician Brian Eno explores the sound and history of bells; Hans Ulrich Obrist and Philippe Parreno interview composer-conductor Pierre Boulez; and much more. "Press 'play,'" Miller writes, "and this anthology says 'here goes.'" The groundbreaking music that accompanies the book features Nam Jun Paik, the Dada Movement, John Cage, Sonic Youth, and many other examples of avant-garde music. Most of this content comes from the archives of Sub Rosa, a legendary record label that has been the benchmark for archival sounds since the beginnings of electronic music. To receive these free music files, readers may send an email to the address listed in the book.ContributorsDavid Allenby, Pierre Boulez, Catherine Corman, Chuck D, Erik Davis, Scott De Lahunta, Manuel DeLanda, Cory Doctorow, Eveline Domnitch, Frances Dyson, Ron Eglash, Brian Eno, Dmitry Gelfand, Dick Hebdige, Lee Hirsch, Vijay Iyer, Ken Jordan, Douglas Kahn, Daphne Keller, Beryl Korot, Jaron Lanier, Joseph Lanza, Jonathan Lethem, Carlo McCormick, Paul D. Miller aka DJ Spooky that Subliminal Kid, Moby, Naeem Mohaiemen, Alondra Nelson, Keith and Mendi Obadike, Hans Ulrich Obrist, Pauline Oliveros, Philippe Parreno, Ibrahim Quaraishi, Steve Reich, Simon Reynolds, Scanner aka Robin Rimbaud, Nadine Robinson, Daniel Bernard Roumain (DBR), Alex Steinweiss, Bruce Sterling, Lucy Walker, Saul Williams, Jeff E. Winner

     

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