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  1. Romantic prose fiction
    Autor*in:
    Erschienen: 2008
    Verlag:  Benjamins, Amsterdam [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Gillespie, Gerald Ernest Paul (Sonstige)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789027234568
    RVK Klassifikation: EC 6655 ; EC 6654 ; EC 5174
    Schriftenreihe: A comparative history of literatures in European languages ; 23
    Schlagworte: Fiction / 18th century / History and criticism; Fiction / 19th century / History and criticism; Romanticism; Fiction; Fiction; Romanticism; Prosa; Romantik
    Umfang: XXI, 733 S.
  2. Storytelling in the works of Bunyan, Grimmelshausen, Defoe, and Schnabel
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,'... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,' Daniel Defoe's 'Robinson Crusoe,' and J. G. Schnabel's 'Insel Felsenburg' as prose works that reflect the stages in this transition. The protagonists in these works try to learn to use language in a pure, uncorrupted way. Their attitudes towards language are founded on their understanding of the Bible, and when they tell their life stories, they follow the structure of the Bible, because they accept it as 'the' paradigmatic story. Thus the Bible becomes a tool to justify the value of telling 'any' story. The authors try to give their own texts some of Scripture's authority by imitating the biblical model, but this leads to problems with closure and other tensions. If Bunyan's explicitly religious works affirm the value of individual narratives as part of a single, universal story, Grimmelshausen's and Defoe's protagonists effectively replace the sacred text with their own powerful, authoritative stories. J. G. Schnabel illustrates the extent of the secularization process in 'Insel Felsenburg' when he defends the entertainment value of escapist fiction and uses the Bible as the fictional foundation of his utopian civilization: arguments about the moral value of narrative give way to the depiction of storytelling as an end in itself. But Bunyan, Grimmelshausen, Defoe, and Schnabel all use positive examples of the transfiguring effect of reading and telling stories, whether sacred or secular, to justify the value of their own works. Janet Bertsch teaches at Wolfson and Trinity College, Cambridge

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136534; 9781571132994
    Schlagworte: Storytelling in literature; German fiction / Early modern, 1500-1700 / History and criticism; German fiction / 18th century / History and criticism; Fiction / 17th century / History and criticism; Fiction / 18th century / History and criticism
    Umfang: 1 online resource (152 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :

  3. Storytelling in the works of Bunyan, Grimmelshausen, Defoe, and Schnabel
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,'... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,' Daniel Defoe's 'Robinson Crusoe,' and J. G. Schnabel's 'Insel Felsenburg' as prose works that reflect the stages in this transition. The protagonists in these works try to learn to use language in a pure, uncorrupted way. Their attitudes towards language are founded on their understanding of the Bible, and when they tell their life stories, they follow the structure of the Bible, because they accept it as 'the' paradigmatic story. Thus the Bible becomes a tool to justify the value of telling 'any' story. The authors try to give their own texts some of Scripture's authority by imitating the biblical model, but this leads to problems with closure and other tensions. If Bunyan's explicitly religious works affirm the value of individual narratives as part of a single, universal story, Grimmelshausen's and Defoe's protagonists effectively replace the sacred text with their own powerful, authoritative stories. J. G. Schnabel illustrates the extent of the secularization process in 'Insel Felsenburg' when he defends the entertainment value of escapist fiction and uses the Bible as the fictional foundation of his utopian civilization: arguments about the moral value of narrative give way to the depiction of storytelling as an end in itself. But Bunyan, Grimmelshausen, Defoe, and Schnabel all use positive examples of the transfiguring effect of reading and telling stories, whether sacred or secular, to justify the value of their own works. Janet Bertsch teaches at Wolfson and Trinity College, Cambridge

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136534; 9781571132994
    Schlagworte: Storytelling in literature; German fiction / Early modern, 1500-1700 / History and criticism; German fiction / 18th century / History and criticism; Fiction / 17th century / History and criticism; Fiction / 18th century / History and criticism
    Umfang: 1 online resource (152 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :

  4. Romantic prose fiction
    Autor*in:
    Erschienen: 2008
    Verlag:  Benjamins, Amsterdam [u.a.]

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Gillespie, Gerald Ernest Paul (Sonstige)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789027234568
    RVK Klassifikation: EC 6655 ; EC 6654 ; EC 5174
    Schriftenreihe: A comparative history of literatures in European languages ; 23
    Schlagworte: Fiction / 18th century / History and criticism; Fiction / 19th century / History and criticism; Romanticism; Fiction; Fiction; Romanticism; Prosa; Romantik
    Umfang: XXI, 733 S.