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  1. Kafka's social discourse
    an aesthetic search for community
    Autor*in: Blum, Mark E.
    Erschienen: 2011
    Verlag:  Lehigh Univ. Press, Bethlehem [Pa.]

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781611460087; 1611460085; 9781611460094
    RVK Klassifikation: GM 4004
    Schlagworte: Interpersonal relations in literature; Communities in literature; Social problems in literature; Literature and society / Germany / History / 20th century; Geschichte; Zwischenmenschliche Beziehung <Motiv>; Gemeinschaft <Motiv>
    Weitere Schlagworte: Kafka, Franz / 1883-1924 / Criticism and interpretation; Kafka, Franz / 1883-1924 / Political and social views; Kafka, Franz / 1883-1924 / Amerika; Kafka, Franz / 1883-1924 / Prozess; Kafka, Franz / 1883-1924 / Schloss; Kafka, Franz (1883-1924): Das Schloss; Kafka, Franz (1883-1924): Der Verschollene; Kafka, Franz (1883-1924): Der Prozess
    Umfang: 303 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Kafka's social discourse as an aesthetic search for community -- Social discourse and the actualization of the good -- Amerika as an anatomy of social discourse -- The trial as the social discourse of self in a community of others -- The castle and the social discourse of community -- The castle as a pastoral narrative: the good, the beautiful,and the human community

  2. Handbuch Nachkriegskultur
    Literatur, Sachbuch und Film in Deutschland (1945-1962)
    Autor*in: Agazzi, Elena
    Erschienen: 2013
    Verlag:  De Gruyter, Berlin

    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Schütz, Erhard (Sonstige)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110221404; 3110221403; 9783110221398; 311022139X
    RVK Klassifikation: GN 1501
    Schriftenreihe: De Gruyter Handbook
    Schlagworte: German literature / 20th century / History and criticism; Literature and society / Germany / History / 20th century; Motion pictures / Germany / History / 20th century; Motion pictures and history / Germany; LITERARY CRITICISM / European / German; German literature; Literature and society; Motion pictures; Motion pictures and history; Film; Geschichte; German literature; Motion pictures; Literature and society; Motion pictures and history; Selbstbild; Nachkriegszeit <Motiv>; Kultur; Literatur; Deutsch; Nachkriegszeit; Film
    Umfang: 724 pages
    Bemerkung(en):

    Werner Keller: Und die Bibel hat doch recht (1955)

    Vorbemerkung; Nach dem Entkommen, vor dem Ankommen. Eine Einführung; I. Vorab; II. Deutschland heute damals; III. Deutschland in Europa; IV. Die Rolle der Medien; V. Konzepte und Ideengeber; VI. Alltagsverhältnisse; VII. Konfigurationen des Übergangs; (1) Krieg und Zivilisationsbruch; Einleitung; Theodor Plievier: Stalingrad (1945) Cecilia Morelli; Gerhard Lamprecht: Irgendwo in Berlin (1946) Manuel Köppen; Gerhard Boldt: Die letzten Tage der Reichskanzlei (1947); Hans Erich Nossack: Der Untergang (1948); Ilse Aichinger: Die größere Hoffnung (1948)

    Jakob Littner: Aufzeichnungen aus einem Erdloch (1948)Peter Bamm: Die unsichtbare Flagge (1952); Alfred Andersch: Die Kirschen der Freiheit (1952); Paul Celan: Mohn und Gedächtnis (1952); Hans Hellmut Kirst: NullAcht Fünfzehn (RomanTrilogie, 1954/1955); Gert Ledig: Vergeltung (1956); Bernhard Wicki: Die Brücke (1959); Günter Reisch, HansJoachim Kasprzik: Gewissen in Aufruhr (FernsehFünfteiler, 1961); (2) Gefangenschaft und Heimkehr; Einleitung; Wolfgang Borchert: Draußen vor der Tür (1947); Harald Braun: Zwischen gestern und morgen (1947); Joseph von Baky: ... und über uns der Himmel (1948)

    Günter Eich: Abgelegene Gehöfte (1948)Walter Kolbenhoff: Heimkehr in die Fremde (1949); Alfred Döblin: Schicksalsreise (1949); Hans Werner Richter: Sie fielen aus Gottes Hand (1951); Helmut Gollwitzer: ... und führen, wohin du nicht willst (1951); George Forestier: Ich schreibe mein Herz in den Staub der Straße (1952); Josef Martin Bauer: So weit die Füße tragen (1955); (3) Flucht und Vertreibung; Einleitung -- Kirsten Möller und Alexandra Tacke; Jürgen Thorwald: Es begann an der Weichsel, Das Ende an der Elbe (1949/50); Edwin Erich Dwinger: Wenn die Dämme brechen ... (1950)

    Arno Schmidt: Die Umsiedler (1953)Siegfried Lenz: So zärtlich war Suleyken (1955); Wolfgang Liebeneiner: Waldwinter (1956); Frank Wisbar: Nacht fiel über Gotenhafen (1960); Heiner Müller: Die Umsiedlerin oder Das Leben auf dem Lande (1961); Franz Fühmann: Böhmen am Meer (1962); Marion Gräfin Dönhoff: Namen, die keiner mehr nennt (1962); (4) Die Schuldfrage; Einleitung; Ernst Wiechert: Der Totenwald (1946); Eugen Kogon: Der SSStaat (1946); Wolfgang Staudte: Die Mörder sind unter uns (1946); Karl Jaspers: Die Schuldfrage (1946); Victor Klemperer: LTI (1947)

    Ernst von Salomon: Der Fragebogen (1951)Helmut Käutner: Des Teufels General (1955); Bruno Apitz: Nackt unter Wölfen (1958); Heiner Carow: Sie nannten ihn Amigo (1959); Max Frisch: Andorra (1961); (5) Seelenheil und Religion Einleitung; Hermann Hesse: Das Glasperlenspiel (1943/46); Elisabeth Langgässer: Das unauslöschliche Siegel (1946); Thomas Mann: Doktor Faustus (1947); Harald Braun: Nachtwache (1949); Stefan Andres: Die Sintflut (RomanTrilogie, 1949/51/59); Albrecht Goes: Das Brandopfer (1954); Klemens Brockmöller, S.J.: Christentum am Morgen des Atomzeitalters (1954)

    This book discusses research on the culture of postwar Germany (1945-1962). Topics such as war, destruction, homecoming, flight, expulsion, guilt, daily life, andreligion are explored systematically, using examples and by focusing on fiction, nonfiction, and film in the two German states. Historians and scholars in the field of literature and film address various core questions concerning aesthetic representation and the formation of contemporary history

    Includes bibliographical references and index

  3. German literary culture at the zero hour
    Erschienen: [2013]; © 2004
    Verlag:  Camden House, an imprint of Boydell & Brewer Inc., Rochester, NY ; Woodbridge, Suffolk

    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Deutsches Forum für Kunstgeschichte, Bibliothek
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation of their country, the crimes of the Hitler dictatorship, the onset of the Cold War, and ultimately the political division of the nation. To a large extent these debates took place in literature and literary discourse, and they continue to have pressing relevance for Germany today, when the country is rediscovering and exploring this previously neglected period in literature and film. Yet the period has been neglected in scholarship, and is little understood; for the first time in English, this book offers a systematic overview of the hotly contested intellectual debates of this period: the problem of German guilt, the question of the return of literary and political émigrés such as Thomas Mann, the relevance of the cultural tradition of German humanism for the postwar period, the threat of nihilism, the politicization of literature, and the status of German young people who had been indoctrinated by the Nazis. Stephen Brockmann challenges the received wisdom that the immediate postwar period in Germany was intellectually barren, characterized primarily by silence on the major issues of the day; he reveals, in addition to attempts to obfuscate those issues, a German intellectual-and literary-world characterized by an often high level of dialogue and debate. Stephen Brockmann is professor of German at Carnegie Mellon University. He is the recipient of the 2007 DAAD (German Academic Exchange Service) Prize for Distinguished Scholarship in German and European Studies/Humanities

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136527
    Schriftenreihe: Studies in German literature, linguistics and culture
    Schlagworte: Geschichte; German literature / 20th century / History and criticism; Literature and society / Germany / History / 20th century; Authors, German / 20th century / Political and social views
    Umfang: 1 Online-Ressource (XI, 295 Seiten)
    Bemerkung(en):

    Literaturangaben

    Literaturverzeichnis Seite 263-283

    Index

    :

  4. Writing the new Berlin
    the German capital in post-Wall literature
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    The wall was still coming down when critics began to call for the great Berlin novel that could explain what was happening to Germany and the Germans. Such a novel never appeared. Instead, writers have created a patchwork imaginary - in the form of... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The wall was still coming down when critics began to call for the great Berlin novel that could explain what was happening to Germany and the Germans. Such a novel never appeared. Instead, writers have created a patchwork imaginary - in the form of about 300 works of fiction set in Berlin - of a city and a nation whose identity collapsed virtually overnight. Contributors to this literary collage include established writers like Peter Schneider and Christa Wolf, young authors like Tanja Dückers and Ingo Schramm, German-Turkish authors Zafer Senocak and Yadé Kara, and the Austrians Kathrin Röggla and Marlene Streeruwitz. The non-arrival of the great Berlin novel marks the reorientation in German culture and literature that is the focus of this study: the experience of unification was too diverse, too postmodern, too influenced by global developments to be captured by one novel. Berlin literature of the postunification decade is marked by ambiguity: change is linked to questions of historical continuity; postmodern simulation finds its counterpart in a quest for authenticity; and the assimilation of Germanness into European and global contexts is both liberation and loss. This book pursues a nuanced understanding of the search for new ways to tell the story of Germany's past and of its importance for the formation of a new German identity. Katharina Gerstenberger is associate professor of German at the University of Cincinnati

     

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    Volltext (URL des Erstveröffentlichers)
  5. German literary culture at the zero hour
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation of their country, the crimes of the Hitler dictatorship, the onset of the Cold War, and ultimately the political division of the nation. To a large extent these debates took place in literature and literary discourse, and they continue to have pressing relevance for Germany today, when the country is rediscovering and exploring this previously neglected period in literature and film. Yet the period has been neglected in scholarship, and is little understood; for the first time in English, this book offers a systematic overview of the hotly contested intellectual debates of this period: the problem of German guilt, the question of the return of literary and political émigrés such as Thomas Mann, the relevance of the cultural tradition of German humanism for the postwar period, the threat of nihilism, the politicization of literature, and the status of German young people who had been indoctrinated by the Nazis. Stephen Brockmann challenges the received wisdom that the immediate postwar period in Germany was intellectually barren, characterized primarily by silence on the major issues of the day; he reveals, in addition to attempts to obfuscate those issues, a German intellectual-and literary-world characterized by an often high level of dialogue and debate. Stephen Brockmann is professor of German at Carnegie Mellon University. He is the recipient of the 2007 DAAD (German Academic Exchange Service) Prize for Distinguished Scholarship in German and European Studies/Humanities

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136527; 9781571132987
    Schlagworte: Geschichte; German literature / 20th century / History and criticism; Literature and society / Germany / History / 20th century; Authors, German / 20th century / Political and social views
    Umfang: 1 online resource (xi, 295 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :

  6. Writing the new Berlin
    the German capital in post-Wall literature
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    The wall was still coming down when critics began to call for the great Berlin novel that could explain what was happening to Germany and the Germans. Such a novel never appeared. Instead, writers have created a patchwork imaginary - in the form of... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The wall was still coming down when critics began to call for the great Berlin novel that could explain what was happening to Germany and the Germans. Such a novel never appeared. Instead, writers have created a patchwork imaginary - in the form of about 300 works of fiction set in Berlin - of a city and a nation whose identity collapsed virtually overnight. Contributors to this literary collage include established writers like Peter Schneider and Christa Wolf, young authors like Tanja Dückers and Ingo Schramm, German-Turkish authors Zafer Senocak and Yadé Kara, and the Austrians Kathrin Röggla and Marlene Streeruwitz. The non-arrival of the great Berlin novel marks the reorientation in German culture and literature that is the focus of this study: the experience of unification was too diverse, too postmodern, too influenced by global developments to be captured by one novel. Berlin literature of the postunification decade is marked by ambiguity: change is linked to questions of historical continuity; postmodern simulation finds its counterpart in a quest for authenticity; and the assimilation of Germanness into European and global contexts is both liberation and loss. This book pursues a nuanced understanding of the search for new ways to tell the story of Germany's past and of its importance for the formation of a new German identity. Katharina Gerstenberger is associate professor of German at the University of Cincinnati

     

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  7. 1918, tramonti tedeschi
    Erschienen: [2018]
    Verlag:  Bonanno editore, Acireale

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    ISBN: 9788863181760
    Schriftenreihe: Cultura tedesca ; 11
    Schlagworte: German literature / 20th century / History and criticism; Literature and society / Germany / History / 20th century; Literature and history / Germany / History / 20th century; Zeitenwende; Deutsch; Literatur
    Umfang: 134 pages, 22 cm
    Bemerkung(en):

    Includes bibliographical references and index

  8. Thomas Mann's world
    empire, race, and the Jewish question
    Erschienen: 2011
    Verlag:  University of Michigan Press, Ann Arbor

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780472117468
    RVK Klassifikation: GM 4782
    Schlagworte: Jews in literature; Race in literature; Literature and society / Germany / History / 20th century; Geschichte; Juden <Motiv>
    Weitere Schlagworte: Mann, Thomas / 1875-1955 / Criticism and interpretation; Mann, Thomas / 1875-1955 / Political and social views; Mann, Thomas (1875-1955)
    Umfang: VIII, 256 S.
    Bemerkung(en):

    Rez.: Modern language review 107 (2012),2, S. 650-651 (Ritchie Robertson); German studies review 35 (2012),2, S. 426-428 (Frederick A. Lubich)

    Includes bibliographical references and index

  9. Kafka's social discourse
    an aesthetic search for community
    Autor*in: Blum, Mark E.
    Erschienen: 2011
    Verlag:  Lehigh Univ. Press, Bethlehem [Pa.]

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781611460087; 1611460085; 9781611460094
    RVK Klassifikation: GM 4004
    Schlagworte: Interpersonal relations in literature; Communities in literature; Social problems in literature; Literature and society / Germany / History / 20th century; Geschichte; Zwischenmenschliche Beziehung <Motiv>; Gemeinschaft <Motiv>
    Weitere Schlagworte: Kafka, Franz / 1883-1924 / Criticism and interpretation; Kafka, Franz / 1883-1924 / Political and social views; Kafka, Franz / 1883-1924 / Amerika; Kafka, Franz / 1883-1924 / Prozess; Kafka, Franz / 1883-1924 / Schloss; Kafka, Franz (1883-1924): Das Schloss; Kafka, Franz (1883-1924): Der Verschollene; Kafka, Franz (1883-1924): Der Prozess
    Umfang: 303 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Kafka's social discourse as an aesthetic search for community -- Social discourse and the actualization of the good -- Amerika as an anatomy of social discourse -- The trial as the social discourse of self in a community of others -- The castle and the social discourse of community -- The castle as a pastoral narrative: the good, the beautiful,and the human community