Ergebnisse für *

Es wurden 7 Ergebnisse gefunden.

Zeige Ergebnisse 1 bis 7 von 7.

Sortieren

  1. Audiovisual speech processing
    Autor*in:
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range of research investigating how these two types of signals are used in spoken communication, how they interact, and how they can be used to enhance the realistic synthesis and recognition of audible and visible speech. The volume begins by addressing two important questions about human audiovisual performance: how auditory and visual signals combine to access the mental lexicon and where in the brain this and related processes take place. It then turns to the production and perception of multimodal speech and how structures are coordinated within and across the two modalities. Finally, the book presents overviews and recent developments in machine-based speech recognition and synthesis of AV speech"--Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Bailly, Gérard
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107006829; 9780511843891
    RVK Klassifikation: ES 950 ; ET 220
    Schlagworte: Speech Perception; Lipreading; Phonetics; Speech / physiology; Visual Perception; Sprachverarbeitung
    Umfang: 1 Online-Ressource (XXXV, 470 S.), Ill., graph. Darst.
    Bemerkung(en):

    Literaturverz. S. 403 - 468

  2. Audiovisual speech processing
    Autor*in:
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range of research investigating how these two types of signals are used in spoken communication, how they interact, and how they can be used to enhance the realistic synthesis and recognition of audible and visible speech. The volume begins by addressing two important questions about human audiovisual performance: how auditory and visual signals combine to access the mental lexicon and where in the brain this and related processes take place. It then turns to the production and perception of multimodal speech and how structures are coordinated within and across the two modalities. Finally, the book presents overviews and recent developments in machine-based speech recognition and synthesis of AV speech"--Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Bailly, Gérard
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107006829; 9781107499324; 1107006821
    RVK Klassifikation: ES 950 ; ET 220 ; ET 215
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Speech Perception; Lipreading; Phonetics; Speech / physiology; Visual Perception; Sprachverarbeitung
    Umfang: XXXVI, 470 S., Ill., graph. Darst.
    Bemerkung(en):

    Literaturverz. S. 403 - 468

    Hier auch später erschienene, unveränderte Nachdrucke

  3. Audiovisual Speech Processing
    Autor*in:
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range of research investigating how these two types of signals are used in spoken communication, how they interact, and how they can be used to enhance the realistic synthesis and recognition of audible and visible speech. The volume begins by addressing two important questions about human audiovisual performance: how auditory and visual signals combine to access the mental lexicon and where in the brain this and related processes take place. It then turns to the production and perception of multimodal speech and how structures are coordinated within and across the two modalities. Finally, the book presents overviews and recent developments in machine-based speech recognition and synthesis of AV speech

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Bailly, Gérard; Perrier, Pascal; Vatikiotis-Bateson, Eric
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511843891
    Weitere Identifier:
    RVK Klassifikation: ES 950
    Auflage/Ausgabe: Online-Ausg.
    Schlagworte: Speech Perception; Lipreading; Phonetics; Speech; Visual Perception; Speech processing systems; Speech perception; Speech perception; Speech processing systems
    Umfang: Online-Ressource (1 online resource (506 p.)), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    R.E. Remez: 1. Three puzzles of multimodal speech perception

    L.E. Bernstein: 2. Visual speech perception

    K. Lander and V. Bruce: 3. Dynamic information for face perception

    D. Burnham and K. Sekiyama: 4. Investigating auditory-visual speech perception development

    R. Campbell and M. MacSweeney: 5. Brain bases for seeing speech: fMRI studies of speechreading

    D. Beautemps, M.-A. Cathiard, V. Attina, and C. Savariaux: 6. Temporal organization of cued speech production

    M.-A. Cathiard, A. Vilain, R. Laboissière, H. Loevenbruck, C. Savariaux, and J.-L. Schwartz: 7. Bimodal perception within the natural time-course of speech production

    N.M. Brooke and S.D. Scott: 8. Visual and audiovisual synthesis and recognition of speech by computers

    G. Potamianos, C. Neti, J. Luettin, and I. Matthews: 9. Audiovisual automatic speech recognition

    M. Slaney and C. Bregler: 10. Image-based facial synthesis

    T. Ezzat, G. Geiger, and T. Poggio: 11. A trainable videorealistic speech animation system

    D.W. Massaro, M.M. Cohen, M. Tabain, J. Beskow, and R. Clark: 12. Animated speech: research progress and applications

    E. Vatikiotis-Bateson and K.G. Munhall: 13. Empirical perceptual-motor linkage of multimodal speech

    G. Bailly, P. Badin, L. Revéret, and A. Ben Youssef.: 14. Sensorimotor characteristics of speech production

  4. Audiovisual Speech Processing
    Autor*in:
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Technische Universität Hamburg, Universitätsbibliothek
    keine Fernleihe
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    keine Fernleihe
    Universitätsbibliothek Rostock
    keine Fernleihe

     

    When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range of research investigating how these two types of signals are used in spoken communication, how they interact, and how they can be used to enhance the realistic synthesis and recognition of audible and visible speech. The volume begins by addressing two important questions about human audiovisual performance: how auditory and visual signals combine to access the mental lexicon and where in the brain this and related processes take place. It then turns to the production and perception of multimodal speech and how structures are coordinated within and across the two modalities. Finally, the book presents overviews and recent developments in machine-based speech recognition and synthesis of AV speech

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Bailly, Gérard; Perrier, Pascal; Vatikiotis-Bateson, Eric
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511843891
    Weitere Identifier:
    RVK Klassifikation: ES 950
    Auflage/Ausgabe: Online-Ausg.
    Schlagworte: Speech Perception; Lipreading; Phonetics; Speech; Visual Perception; Speech processing systems; Speech perception; Speech perception; Speech processing systems
    Umfang: Online-Ressource (1 online resource (506 p.)), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    R.E. Remez: 1. Three puzzles of multimodal speech perception

    L.E. Bernstein: 2. Visual speech perception

    K. Lander and V. Bruce: 3. Dynamic information for face perception

    D. Burnham and K. Sekiyama: 4. Investigating auditory-visual speech perception development

    R. Campbell and M. MacSweeney: 5. Brain bases for seeing speech: fMRI studies of speechreading

    D. Beautemps, M.-A. Cathiard, V. Attina, and C. Savariaux: 6. Temporal organization of cued speech production

    M.-A. Cathiard, A. Vilain, R. Laboissière, H. Loevenbruck, C. Savariaux, and J.-L. Schwartz: 7. Bimodal perception within the natural time-course of speech production

    N.M. Brooke and S.D. Scott: 8. Visual and audiovisual synthesis and recognition of speech by computers

    G. Potamianos, C. Neti, J. Luettin, and I. Matthews: 9. Audiovisual automatic speech recognition

    M. Slaney and C. Bregler: 10. Image-based facial synthesis

    T. Ezzat, G. Geiger, and T. Poggio: 11. A trainable videorealistic speech animation system

    D.W. Massaro, M.M. Cohen, M. Tabain, J. Beskow, and R. Clark: 12. Animated speech: research progress and applications

    E. Vatikiotis-Bateson and K.G. Munhall: 13. Empirical perceptual-motor linkage of multimodal speech

    G. Bailly, P. Badin, L. Revéret, and A. Ben Youssef.: 14. Sensorimotor characteristics of speech production

  5. Audiovisual speech processing
    Autor*in:
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Includes bibliographical references (p. 403-468) and index Presents a complete overview of all aspects of audiovisual speech including perception, production, brain processing and technology mehr

    Universitätsbibliothek Kiel, Zentralbibliothek
    keine Fernleihe
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    Includes bibliographical references (p. 403-468) and index Presents a complete overview of all aspects of audiovisual speech including perception, production, brain processing and technology

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (Connect to MyiLibrary resource)
    Quelle: Verbundkataloge
    Beteiligt: Bailly, G.; Vatikiotis-Bateson, Eric; Perrier, Pascal
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139375528; 0511843895; 1107006821; 9781280773563; 9781107006829; 9781139378383; 9780511843891
    RVK Klassifikation: ES 950 ; ET 220
    Schlagworte: Lipreading; Speech; Speech Perception; Phonetics; Visual Perception
    Umfang: xxxvi, 470 p
    Bemerkung(en):

    Description based upon print version of record

    Cover; Audiovisual Speech Processing; Title; Copyright; Dedication; Contents; Figures; Tables; Contributors; Preface; Acknowledgments; Introduction; 1: Three puzzles of multimodal speech perception; 1.1 Introduction; 1.2 Organization; 1.2.1 Assessing audiovisual speech transmission; 1.2.2 The autonomy of audiovisual coherence; 1.2.3 A unimodal parallel; 1.2.4 The puzzle; 1.3 Event perception and speech perception; 1.3.1 Temporal coincidence and phonetic perception; 1.3.2 Whose face, whose voice?; 1.3.3 Whose vowels?; 1.3.4 The puzzle; 1.4 Experience; 1.4.1 Perceptual tuning to a talker

    1.4.2 Sensory substitution1.4.3 Natural quality; 1.4.4 The puzzle; 1.5 A conclusion; 1.6 Acknowledgments; 2: Visual speech perception; 2.1 Introduction; 2.1.1 Visual speech perception and visual speech signals; 2.1.2 Phonetic impoverishment in relationship to words; Visemes; Homophenous words; 2.1.3 Spoken word recognition; 2.2 Evaluation of visemes and word homopheny; 2.2.1 Experimental method; 2.2.2 Results; 2.2.3 Summary; 2.3 Phonetic distinctiveness of English words; 2.3.1 Predictability of visual spoken word recognition; 2.3.2 Summary; 2.4 Research strategies; 2.4.1 Summary

    2.5 General conclusions2.6 Acknowledgments; 3: Dynamic information for face perception; 3.1 Introduction; 3.2 Motion information for expression perception; 3.3 Motion information for visual speech perception; 3.4 Dynamic information for familiar face recognition; 3.5 Dynamic information for unfamiliar face learning; 3.6 Practical considerations; 3.7 Theoretical interpretations; 3.8 Future research and conclusions; 4: Investigating auditory-visual speech perception development; 4.1 Speech perception is auditory-visual; 4.2 Auditory-visual speech perception

    4.3 Methods for investigating development4.4 The ontogenetic development method; 4.4.1 Auditory-visual speech perception in infants; 4.4.2 The development of auditory-visual speech perception; 4.5 The cross-language development method; 4.6 Combined methods; 4.7 Conclusions and an application: automatic speech recognition; 4.8 Acknowledgments; 5: Brain bases for seeing speech: fMRI studies of speechreading; 5.1 Introduction; 5.2 Route maps and guidelines; 5.2.1 Brain regions; 5.2.2 Networks and connections; 5.2.3 Processing streams; 5.2.4 Implications for speechreading and audiovisual speech

    5.3 Silent speechreading and auditory cortex5.3.1 How specific is the activation?; 5.3.2 Controversy: which parts of auditory cortex are activated by silent seen speech in hearing people?; 5.3.3 Still and moving speech: dual routes for silent speechreading?; 5.3.4 The role of the superior temporal sulcus; 5.3.5 STSp and audiovisual speech: a binding function?; 5.4 Audiovisual integration: timing; 5.5 Speechreading: other cortical regions; 5.6 Speechreading in people born deaf; 5.7 Conclusions, directions; 5.8 Acknowledgments; 5.9 Appendix: Glossary of acronyms and terms

    5.9.1 Functional imaging techniques (and see Cabeza and Kingstone 2006 for further details)

    Available via World Wide Web

  6. Audiovisual speech processing
    Autor*in:
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range of research investigating how these two types of signals are used in spoken communication, how they interact, and how they can be used to enhance the realistic synthesis and recognition of audible and visible speech. The volume begins by addressing two important questions about human audiovisual performance: how auditory and visual signals combine to access the mental lexicon and where in the brain this and related processes take place. It then turns to the production and perception of multimodal speech and how structures are coordinated within and across the two modalities. Finally, the book presents overviews and recent developments in machine-based speech recognition and synthesis of AV speech"--Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Bailly, Gérard
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107006829; 9781107499324; 1107006821
    RVK Klassifikation: ES 950 ; ET 220 ; ET 215
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Speech Perception; Lipreading; Phonetics; Speech / physiology; Visual Perception; Sprachverarbeitung
    Umfang: XXXVI, 470 S., Ill., graph. Darst.
    Bemerkung(en):

    Literaturverz. S. 403 - 468

    Hier auch später erschienene, unveränderte Nachdrucke

  7. Optics, ethics, and art in the thirteenth and fourteenth centuries
    looking into Peter of Limoges's moral treatise on the eye
    Autor*in:
    Erschienen: [2018]; © 2018
    Verlag:  PIMS, Pontifical Institute of Medieval Studies, Toronto, Ontario

    "This volume examines afresh the various ways in which the introduction of ancient and Arabic optical theories transformed thirteenth-century thinking about vision, how scientific learning came to be reconciled with theological speculation, and the... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2018:4993:
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 182753
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Forschungsbibliothek Gotha
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    DBA-Hi 205
    keine Fernleihe
    Universitätsbibliothek Heidelberg
    2018 C 2207
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universität Stuttgart, Historisches Institut, Bibliothek
    Wc 22/46
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Herzog August Bibliothek Wolfenbüttel
    68.4° 471
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This volume examines afresh the various ways in which the introduction of ancient and Arabic optical theories transformed thirteenth-century thinking about vision, how scientific learning came to be reconciled with theological speculation, and the effect these new developments had on those who learned about them through preaching. At the core of this collection lies Peter of Limoges's 'Tractatus moralis de oculo', a compilation remarkable for subsuming science into the edifice of theology and glossing the physiology of the eye and theories of perception in terms of Christian ethics and moralization, making esoteric learning accessible to the public (including artists) through preaching. Transgressing traditional boundaries between art history, science, literature, and the history of religion, the nine essays in this volume complicate the generally accepted understanding of the impact science had on thirteenth-century visual culture."--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Beteiligt: Kessler, Herbert L. (HerausgeberIn); Newhauser, Richard (HerausgeberIn); Russell, Arthur J. (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780888442093
    Weitere Identifier:
    9780888442093
    RVK Klassifikation: BN 2504 ; CE 1250
    Schriftenreihe: Text - image - context ; 5
    Studies and texts ; 209
    Schlagworte: Vision; Eye in art; Optics and art; Optics; Visual communication; Visual perception; Art and science; Science, Medieval; Religion and science; Visual Perception; Religion and Science; Communication; Art; Science; History, Medieval
    Weitere Schlagworte: Peter of Limoges (-1306): De oculo morali
    Umfang: xiv, 212 Seiten, Illustrationen, 26 x 21 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 190-205

    Mit Register

    Herbert L. Kessler and Richard G. Newhauser: Introduction

    Richard G. Newhauser: Morals, science, and the edification of the senses

    Carolyn Muessig: "Can't take my eyes off of you" : mutual gazing between the divine and humanity in late medieval preaching

    Donal Cooper: Preaching amidst pictures : visual contexts for sermons in late medieval Tuscany

    Aden Kumler: Seeing the worldly with a moral eye : illuminated observation as introspection

    Jacques Berlioz: Eyes in the back of the head : exempla and vision in the Moral treatise on the eye by Peter of Limoges

    Larry Scanlon: Is the Exemplum a mirror?

    A. Mark Smith: Skating on thin eyes : Hans Belting on the optics of Arabic and Western art

    Christopher R. Larry: "To see clearly": the place of relief in medieval visual culture

    Herbert L. Kessler.: Fenestra obliqua: art and Peter of Limoge's Modes of seeing