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  1. Editing early modern women
    Autor*in:
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    This collection of new essays is a comprehensive exploration of the theoretical and practical issues surrounding the editing of texts by early modern women. The chapters consider the latest developments in the field and address a wide range of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 966859
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Forschungsbibliothek Gotha
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2019/3786
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2017 A 2469
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Mannheim
    500 HI 1110 R826
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    56 A 5561
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    66.3823
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This collection of new essays is a comprehensive exploration of the theoretical and practical issues surrounding the editing of texts by early modern women. The chapters consider the latest developments in the field and address a wide range of topics, including the 'ideologies' of editing, genre and gender, feminism, editing for student or general readers, print publishing, and new and possible future developments in editing early modern writing, including digital publishing. The works of writers such as Queen Elizabeth I, Mary Wroth, Anne Halkett, Katherine Philips and Katherine Austen are examined, and the issues discussed are related to the ways editing in general has evolved in recent years. This book offers readers an original overview of the central issues in this growing field and will interest students and scholars of early modern literature and drama, textual studies, the history of editing, gender studies and book history.

     

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    Quelle: Herzog August Bibliothek Wolfenbüttel
    Beteiligt: Ross, Sarah C. E. (HerausgeberIn); Salzman, Paul (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1107129958; 9781107129955
    Weitere Identifier:
    9781107129955
    RVK Klassifikation: HI 1110
    Schlagworte: English literature; English literature; Manuscripts, English; Women editors; Women and literature; Women and literature; English literature / Congresses / History and criticism / Women authors
    Umfang: xii, 299 Seiten, Illustrationen
    Bemerkung(en):

    Aus der Danksagung: "Editing Early Modern Women also arises more specifically out of two symposia on early modern women ..."

    Susan M. Felch: Introduction: editing early modern women

    Danielle Clarke: The backward gaze: Editing Elizabeth Tyrwhit's prayerbook

    Ramona Wray: Producing gender: Mary Sidney Herbert and her early editors

    Elizabeth Clarke: Editing the feminist agenda: the power of the textual critic and Elizabeth Cary's the tragedy of Mariam

    Suzanne Trill: Contextualizing the woman writer: editing Lucy Hutchinson's religious prose

    Diana G. Barnes: Critical categories: toward an archaeology of Anne, Lady Halkett's archive

    Leah S. Marcus: Editing early modern women's letters for print publications

    Marion Wynne Davies: Editing Queen Elizabeth I

    Marie-Louise Coolahan: Editing early modern women's dramatic writing for performance

    Mary Ellen Lamb: Single-author manuscripts, Poems (1664), and the editing of Katherine Philips

    Sarah C.E. Ross and Elizabeth Scott-Bauman: Out of the archives: Mary Wroth's Countess of Montgomery's urania

    Pamela S. Hammons: Anthologizing early modern women's poetry:women poets of the English Civil War

    Patricia Pender and Rosalind Smith: Modernizing Katherine Austen's Book M (1664) for the twenty-first-century, non-expert reader

    : Editing early modern women in the digital age