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  1. The German pícaro and modernity
    between underdog and shape-shifter
    Autor*in: Malkmus, Bernhard F.
    Erschienen: c2011
    Verlag:  Continuum, New York

    The German Pcaro and Modernity reads the re-emergence of the picaresque narrative in twentieth-century German-language writing as an expression of modernity and its social imaginaries. Malkmus argues that the picaresque, whose origins date back to... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The German Pcaro and Modernity reads the re-emergence of the picaresque narrative in twentieth-century German-language writing as an expression of modernity and its social imaginaries. Malkmus argues that the picaresque, whose origins date back to the Spanish Renaissance and the Baroque Age, re-emerged as a reflection both of Germany's explosive modernizing processes between 1880 and 1930 and of the most barbarous implosion of modern civilization under National Socialism. Another reason for the fertility of this literary form at that particular cultural moment is rooted in the complexities of

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1283307871; 1441197230; 9781283307871; 9781441197238
    RVK Klassifikation: GE 5940 ; GM 1600 ; GM 1825
    Schriftenreihe: New directions in German studies ; v. 2
    Schlagworte: Rogues and vagabonds in literature; German fiction; Picaresque literature, German
    Umfang: Online-Ressource (219 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [190]-213) and index

    Introduction: Boxing (in) life stories. The Spanish picaresque tradition and Its European repercussions "Students who have lost the Holy Writ" : Franz Kafka's Der Verschollene -- Students who have lost their teachers : Robert Walser's Jakob von Gunten -- Picaresque topoi I. Tertium datur : between autonomy and self-preservation -- The confidence man as shape-shifter : Thomas Mann's Bekenntnisse des Hochstaplers Felix Krull -- Picaresque topoi II. Third space : A stage for the modern picaro -- The shape-shifter as underdog : Edgar Hilsenrath's Der Nazi und der Friseur -- Picaresque topoi III. Third Agents : The inclusion of the excluded -- The eternal recurrence of the picaresque body : Günter Grass' Die Blechtrommel -- Drumming (out) life stories.

    Electronic reproduction; Available via World Wide Web