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  1. Witnessing, memory, poetics
    H. G. Adler and W. G. Sebald
    Autor*in:
    Erschienen: 2014
    Verlag:  Camden House, Rochester, NY [u.a.]

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    90.334.73
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB343497824
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Fachkatalog Germanistik
    Beteiligt: Finch, Helen (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1571135898; 9781571135896
    RVK Klassifikation: GN 9999 ; GN 2572
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schriftenreihe: Dialogue and disjunction: studies in German Literature Linguistis and Culture
    Schlagworte: Erinnerung <Motiv>; Judenvernichtung <Motiv>
    Weitere Schlagworte: Adler, H. G. (1910-1988); Sebald, W. G. (1944-2001)
    Umfang: X, 322 S.
    Bemerkung(en):

    Since 1945, authors and scholars have intensely debated what form literary fiction about the Holocaust should take. The works of H.G. Adler (1910-1988) and W.G. Sebald (1944-2001), two modernist scholar-poets who settled in England but never met, present new ways of reconceptualising the nature of witnessing, literary testimony, and the possibility of a 'poetics' after Auschwitz, Adler, a Czech Jew who survived Theresienstadt and Auschwitz, was a prolific writer of prose and poetry, but his work remained little known until Sebald, possibly the most celebrated German writer of recent years, cited it in his 2001 novel, Austerlitz. Since then, a rediscovery of Adler has been under way. This volume of essays by international experts on Adler and Sebald investigates the connections between the two writers to reveal a new hybrid paradigm of writing about the Holocaust that advances our understanding of the relationship between literature, historiography, and autobiography. In doing so. The volume also reflects on the wider literary-political implications of Holocaust representation, demonstrating the shifting norms in German-language 'Holocaust literature'

    Literaturverz. S. [277] - 296