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The limits of realism
empire, empiricism, and enchantment in Honoré de Balzac, Anthony Trollope, and Theodor Fontane -
E. T. A. Hoffmann's domestic spaces
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In my flesh shall I see God
Franz Kafka's 'In der Strafkolonie'. the alphabet, the covenant, and Isaac Luria's tikkun olam -
From maidens to mephistophela
the transformation of Heinrich Heine's female figures -
The dynamics of space in Goethe's 'West-Östlicher Divan'
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The eloquence of silent retreat
paradox and ambiguity in Ilse Langner's mythological plays from 1932 - 1977 -
Uwe Timm's postcolonial novels
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Spielraum
Karl Philipp Moritz's topography of modernity -
Christa Wolf
the making of an intellectual woman -
The death of civilization
ethics and politics in the work of Hermann Broch, 1886 - 1951 -
Women and writing in the works of Novalis
transformation beyond measure? -
Mastering the maidservant
Dienstmädchen fantasies in Germany and Austria, 1794 - 1918 -
Playing against type
'actress-writers' in German literature and culture, 1775 - 1815 -
I am all that is, that was and that shall be, and no mortal has lifted my veil
Kant, Novalis, Goethe, and the veiled goddess Isis -
Autonomy and subjugation
the dynamics of emancipation and race in the writings of precolonial German women autors -
Why grotesque?
Transgression and ambiguity in 'posttraumatic' literature -
The syncopated self
crises of historical experience in the modernist 'Bildungsroman' -
Mapping topographies in the Anglo and German narratives of Joseph Conrad, Anna Seghers, James Joyce, and Uwe Johnson
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Dance and the dancer in early twentieth century German literature
Hofmannsthal, Wedekind, Hauptmann -
Future reading
romanticism, aesthetics, politics -
Invested identities
the economics of self-development in the 'Bildungsroman' -
Necr-Ophelia
death, femininity and the making of modern aesthetics -
The modern savage
figures on the fascist 'primitive' in interwar Europe -
Blind alleys
Hugo von Hofmannsthal, Oscar Wilde and the problem of aestheticism -
Performing 'that-which-will-become'
posthuman and queer bodies in the work of Heinrich von Kleist and Oscar Wilde