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  1. Das Unsagbare verschweigen
    Holocaust-Literatur aus Täterperspektive : eine interdisziplinäre Textanalyse
    Autor*in: Altmann, Eva Mona
    Erschienen: [2021]
    Verlag:  transcript, Bielefeld

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  2. Das Unsagbare verschweigen
    Holocaust-Literatur aus Täterperspektive. Eine interdisziplinäre Textanalyse
    Autor*in: Altmann, Eva Mona
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

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  3. Empatia e conflito entre o trágico e o cômico : uma leitura de "Comédia em tom menor" de Hans Keilson
    Autor*in: Andrade, Patricia Helena Baialuna de

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    Quelle: Verbundkataloge
    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel:
    Enthalten in: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 23.2020, Nr. 41, S. 176-190; Online-Ressource
    Schlagworte: Keilson, Hans; Erzählperspektive; Einfühlung; Komik
    Weitere Schlagworte: Keilson, Hans: Komödie in Moll; Perspective; Empathy; Comedy; Perspectiva; Empatia; Cômico
    Umfang: Online-Ressource
  4. Ethics in the gutter
    empathy and historical fiction in comics
    Autor*in: Polak, Kate
    Erschienen: 2017
    Verlag:  The Ohio State University Press, Columbus

    Ethics in the Gutter: Empathy and Historical Fiction in Comics explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of... mehr

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Bibliotheksverbund Bayern (BVB)

     

    Ethics in the Gutter: Empathy and Historical Fiction in Comics explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of larger cultural conversations, have been the objects of sustained study, fictional graphic narratives that - as Linda Hutcheon has put it - both "enshrine and question" history are also an important area of study. By bringing narratology and psychological theory to bear on a range of graphic narratives, Kate Polak seeks to question how the form utilizes point of view and the gutter as ethical tools that shape the reader's empathetic reactions to the content. This book's most important questions surround how we receive and interpret representations of history, considering the ways in which what we think we know about historical atrocities can be at odds with the convoluted circumstances surrounding violence. Beginning with a new look at "Watchmen," and including examinations of such popular series as "Scalped" and "Hellblazer" as well as "Bayou" and "Deogratias," the book questions how graphic narratives create an alternative route by which to understand large-scale violence. Ethics in the Gutter explores how graphic narrative representations of violence can teach readers about the possibilities and limitations of empathy and ethics

     
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