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  1. Telling stories
    postmodernism and the invalidation of traditional narrative
    Erschienen: 1995
    Verlag:  Rowman & Littlefield, Lanham [u.a.]

    "Michael Roemer's groundbreaking work argues that every story, be it ancient myth or documentary film, is completed before we read or watch it. He explores why a society like ours - predicated on free will - is addicted to tales that neither we, nor... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Europa-Universität Viadrina, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Michael Roemer's groundbreaking work argues that every story, be it ancient myth or documentary film, is completed before we read or watch it. He explores why a society like ours - predicated on free will - is addicted to tales that neither we, nor the heroes, can control." "Roemer argues that, contrary to both formalist and postmodern aesthetic theories, traditional stories do not create order out of chaos but challenge our order with chaos, undermining the structures we have built to protect ourselves. He finds that stories are both radical and conservative, invalidating our freedom while centering on heroes or heroines who are obliged to act alone; their adventures remove them from the sheltering community. Moreover, their attempt to escape the plot is mandated by the plot itself. Predicated on contradiction, ambiguity, and uncertainty, stories affirm what they deny - just as society both affirms and denies our existence as individuals."--BOOK JACKET.

     

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  2. Telling stories
    postmodernism and the invalidation of traditional narrative
    Erschienen: 1995
    Verlag:  Rowman & Littlefield, Lanham [u.a.]

    "Michael Roemer's groundbreaking work argues that every story, be it ancient myth or documentary film, is completed before we read or watch it. He explores why a society like ours - predicated on free will - is addicted to tales that neither we, nor... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule für Fernsehen und Film, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Michael Roemer's groundbreaking work argues that every story, be it ancient myth or documentary film, is completed before we read or watch it. He explores why a society like ours - predicated on free will - is addicted to tales that neither we, nor the heroes, can control." "Roemer argues that, contrary to both formalist and postmodern aesthetic theories, traditional stories do not create order out of chaos but challenge our order with chaos, undermining the structures we have built to protect ourselves. He finds that stories are both radical and conservative, invalidating our freedom while centering on heroes or heroines who are obliged to act alone; their adventures remove them from the sheltering community. Moreover, their attempt to escape the plot is mandated by the plot itself. Predicated on contradiction, ambiguity, and uncertainty, stories affirm what they deny - just as society both affirms and denies our existence as individuals."--BOOK JACKET.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format